Here are 76 books that Hand Made, Hand Played The Art and Craft Of Contemporary Guitars fans have personally recommended if you like
Hand Made, Hand Played The Art and Craft Of Contemporary Guitars.
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I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This book has almost nothing to do with Eric Clapton. Rather, it’s an engaging story about Wayne Henderson, a retired mailman who makes some of the most desired acoustic guitars anywhere. He prefers to build for people he thinks need one of his guitars. It’s impossible to read this book and not want to make a guitar. I turn to it for inspiration when one of my guitars isn’t going well and I need to remember where I’m trying to go.
New York Times bestselling author Allen St. John started off looking for the world’s greatest guitar, but what he found instead was the world’s greatest guitar builder.
Living and working in Rugby, Virginia (population 7), retired rural mail carrier Wayne Henderson is a true American original, making America's finest instruments using little more than a pile of good wood and a sharp whittling knife. There's a 10-year waiting list for Henderson's heirloom acoustic guitars—and even a musical legend like Eric Clapton must wait his turn. Partly out of self-interest, St. John prods Henderson into finally building Clapton's guitar, and soon…
I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
One of the living legends of builders of archtop guitars, Bob Benedetto describes his personal construction methods in this excellent book.
Although some aspects of guitar building are common among all types of guitars, archtop guitars have an architecture that borrows a lot from the violin family. Building this style of instrument offers unique challenges, and this book describes the entire process in exquisite detail. This is where many modern builders of archtop guitars got their start.
(Book). The definitive work on the design and construction of an acoustic archtop guitar, this updated second edition features 288 pages of content, including 24 color pages and 4 tear-outs. See what industry greats have said about this book: "I know of no other work offering comprehensive step by step coverage of the making of an acoustic jazz guitar." George Gruhn "This book is for everyone who loves woodworking, loves guitars, appreciates artistry, and believes that organic materials like spruce, maple and ebony can only achieve their highest function through the hands of a craftsman." Howard Paul "I can think…
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This is very nice a two-volume set, written by Trevor Gore, an accomplished guitar maker with an extensive technical background, and Gerard Gilet, a builder of fine acoustic guitars. This is required reading for people who are interested both in how to make guitars and how they work.
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This is a beautiful book written by a master, who wants to inspire others to make classical guitars. These nylon string guitars look outwardly like other acoustic guitars. However, they are for a different kind of music and are made differently. Bogdanovich does a great job in leading a new builder through each step. I refer to this book a lot. It’s so nicely produced that I find myself just browsing through it, even when I’m not actually working on a classical guitar.
What a thrill for any musician: playing a fine-sounding instrument that he or she has lovingly crafted from scratch. With this richly illustrated manual, well-known luthier and guitarist John Bogdanovich shows exactly how to build that first, beautiful guitar, using traditional, time-tested methods. All that’s required are basic woodworking techniques and a minimally equipped shop. Bogdanovich discusses the anatomy of the guitar, sound, choosing an instrument, selecting woods, templates and molds, and preparation. In more than 300 pages of text, he painstakingly lays out the details of construction, from assembling the neck and sides to installing the fingerboard and bridge.
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
When I started playing guitar, all I wanted to do was play the blues. Why a working-class Scottish boy would be so entranced by music so culturally and geographically remote is curious even to me but this book gave me a way in, a key to unlock the skills required to emulate the sounds of the blues greats I loved to hear. As an autodidact, clear explanations, technical advice, and background information were essential to my development and I still use this book with students to this day.
(Music Sales America). Covers the whole spectrum of this exciting area of guitar playing. Careful grading enables beginners to progress through this course playing well-known songs, as well as learning the technical aspects. Songs: A Basic Blues * 'a' Simple Blues * 'a' Twelve Bar * Alice's Restaurant * Bounce Blues * Candyman * Candyman Blues * Cocaine Blues * Come Back Baby * Deep River Blues * The Entertainer * Extension Blues * First Time Blues * Gee Rag * Good Morning Blues * Half-way Rag * Harmony Blues * Hesitation Blues * Horizon Rag * How Long How…
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
Howard was a top Los Angeles session guitarist (one of the fabled Wrecking Crew), jazz stylist, and brilliant visionary who combined his skills to create the Guitar Institute of Technology, an innovative, intensive program that trained thousands of professionals and transformed guitar education.
The Guitar Compendium is the result of Howard’s decades of research into learning theory and information flow applied to the guitar. It’s not a standard guitar method (and not designed for raw beginners), but rather a collection of practical, thought-provoking solutions to the universal challenges of learning and playing the instrument, from developing technique to breaking through creative roadblocks. If you’re an aspiring, curious, and perhaps frustrated guitarist, The Praxis System is a unique source of wisdom and inspiration from one of the greatest.
This is the first instructional book of its kind, taking a strikingly new and refreshing approach to learning guitar, carefully designed to guarantee efficient practice with rewarding results. Whether your playing falls under one of the more traditional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, The Praxis System has what you need. The name of the system (Praxis" comes from the Greek word meaning "practice" and "to do") accurately reflects its general orientation. Play it first, getting sound and satisfaction…
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
When I started playing rock guitar in the ‘60s I had no idea that it was built on the innovations of African-American blues and Gospel artists. Sound of the City traces how those innovations evolved into the dominant strains of ‘50s rock & roll, including artists like Bill Haley, New Orleans dance music, Memphis rockabilly, Chicago R&B, and vocal (“doo-wop”) groups.
Gillette creates an extraordinarily detailed and very readable account of the music and musicians as well as a booming, often corrupt, and highly segregated music industry within a turbulent American social landscape. If you want to learn about American music in all its variety, this book is a must. Like Deep Blues, read it within reach of a music streaming service.
This comprehensive study of the rise of rock and roll from 1954 to 1971 has now been expanded with close to 100 illustrations as well as a new introduction, recommended listening section, and bibliography.
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
Completing a trifecta with Deep Blues and Sound of the City, Honkers and Shouters is a definitive examination of the evolution of rural blues into urban rhythm-and-blues, the “big beat” that made African-American-based popular music into one of America’s greatest, and most lucrative, cultural exports.
Shaw, a former music executive, focuses on how the music found its way from the artists to the ears and wallets of the consumers. It was a tough, exploitative business that provided a way for entrepreneurs excluded from more traditional careers by race or ethnicity to find their fortune, if often at the expense of the artists themselves. The rough saga of lives in the music business makes us appreciate the magical results even more. Listen while you read.
[From front flap] What did rhythm and blues have that gave it its impact and appeal? Who were the people who made it happen - the artists, producers, and audience - black and white alike - who dug its earthy realism and driving, dynamic sound? Here, for the first time, is the spectacular, foot-tapping, hand-clapping story...
I am a professional guitarist and music teacher specializing in American roots music. For more than 35 years I taught, wrote curriculum, and oversaw programs at Los Angeles' Musicians Institute (formerly Guitar Institute of Technology) while creating and directing instructional videos, writing method books, and publishing magazine articles and columns. Since 1996 I have been recording and touring as the guitarist for American music icons the Blasters. In 2014, I developed the online School of Electric Blues Guitar at Artistworks, where I interact every day with students from around the world.
Who’s your daddy? If you play electric guitar, the answer is “T-Bone Walker.” If your response to that name is “Who?” then it’s time to meet your musical ancestor. Over a period of just two decades, T-Bone, along with the “Three Kings” (BB, Albert, and Freddie), Buddy Guy, Otis Rush, Lightnin’ Hopkins, and others created and developed the fundamental techniques and styles of electric guitar that underpin blues and rock to this day.
Obrecht is one of the best writers on the subject, compiling biographies, historical research, interviews, and conversations into a fascinating and very readable history of the musicians, the music, and the instrument.
This is the most comprehensive and insightful study ever published on the pioneers of electric blues guitar – including the great Chicago, Mississippi Delta, Louisiana, Texas and West Coast bluesmen. Rollin' and Tumblin' offers extensive interviews with some of the world's most famous blues guitarists, and poignant profiles of historical blues figures. Following a sweeping portrait of blues guitar history, the book features such players as T-Bone Walker, Muddy Waters, John Lee Hooker, Lightnin' Hopkins and many more.
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
I was struck by the beautiful writing in this novel and the way the author, a woman, convincingly depicts male friendship. Augustus Lee Rivers, a black farmer in Arkansas, is happiest when playing his guitar; he has dreams of making it big in Chicago. David Duncan, an enthusiastic fan of Hummin’ Gusty’s music, comes from a wealthy white family. What can happen to a black man’s dreams in rural Arkansas in the 1950s? Trust me, you’ll keep reading to find out.
Independent Publisher Book Awards Bronze Medal for Regional Fiction (2017) Set in Arkansas in 1957, the complexities of identity, yearnings for love and acceptance, and racial tension are all unmasked in the riveting literary drama, Melting the Blues, by debut author Tracy Chiles McGhee. Augustus Lee Rivers, a farmer and bluesman, has two obsessions: his relationship with the Duncan family and his desire to leave small town Chinaberry to become a musician in Chicago. When his plans are prevented by a devastating betrayal, Augustus is driven into the belly of the blues where he must reckon with his past if…
![Keith Wyatt Author Of Blues Rhythm Guitar: Master Class Series [With CD]](https://res.cloudinary.com/hzpwrwfdi/image/upload/c_thumb,g_face,h_160,w_160/media/profiles/Keith_Wyatt_wjhehh.webp "Keith Wyatt Author Of Blues Rhythm Guitar: Master Class Series [With CD]")
