Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
In segregated Knoxville, Tennessee, Gail (white) and Hanna (black) share a crib in Gail’s parent's house, where Hanna’s mother, Sophie, is the live-in maid. When the girls are four, Sophie teaches them to swim, and soon they’re gleefully doing cannonballs off the diving board. By the time they’re both in college, however, the girls have lost touch with each other. A reunion in Washington, DC, sought by Gail but resented by Hanna, sets the tone for the relationship from then on. How much longer can the friendship last?
Winner of the 2021 Silver Medal for Multicultural Fiction, Independent Publisher (IPPY) Book Awards
I loved the way the mystery at the heart of this novel was so slowly and stunningly revealed. Why does Isabelle, an elderly white woman in Texas, want Dorrie, her much younger black hairdresser, to drive her all the way to Ohio for a funeral? It seems a lot to ask of a friend. The answer lies in a secret Isabelle has kept since she was a teenager in 1930s Kentucky.
A moving love story inspired by a true story and perfect for fans of The Help
In a time of hate, would you stand up for love?
Shalerville, Kentucky, 1939. A world where black maids and handymen are trusted to raise white children and tend to white houses, but from which they are banished after dark.
Sixteen-year-old Isabelle McAllister, born into wealth and privilege, finds her ordered life turned upside down when she becomes attracted to Robert, the ambitious black son of her family's housekeeper. Before long Isabelle and Robert are crossing extraordinary, dangerous boundaries and falling deeply in love.…
Given that this novel is set in Mississippi in the 1950s, I was intrigued by the teen-aged friendship at its center. When Cassie, who’s black, and Judith, who’s white, learn that they have the same father, they decide to join forces in claiming their share of the family inheritance. The result is a sometimes perilous and even other-worldly road trip from Mississippi to Virginia, during which the girls’ budding relationship is sorely tested.
A spellbinding debut about half sisters, one black and one white, on a 1950s road trip through the American South
Self-educated and brown-skinned, Cassie works full time in her grandmother’s laundry in rural Mississippi. Illiterate and white, Judith falls for “colored music” and dreams of life as a big city radio star. These teenaged girls are half-sisters. And when they catch wind of their wayward father’s inheritance coming down in Virginia, they hitch their hopes to a road trip together to claim what’s rightly theirs.
In an old junk car, with a frying pan, a ham, and a few dollars…
I was struck by the beautiful writing in this novel and the way the author, a woman, convincingly depicts male friendship. Augustus Lee Rivers, a black farmer in Arkansas, is happiest when playing his guitar; he has dreams of making it big in Chicago. David Duncan, an enthusiastic fan of Hummin’ Gusty’s music, comes from a wealthy white family. What can happen to a black man’s dreams in rural Arkansas in the 1950s? Trust me, you’ll keep reading to find out.
Independent Publisher Book Awards Bronze Medal for Regional Fiction (2017) Set in Arkansas in 1957, the complexities of identity, yearnings for love and acceptance, and racial tension are all unmasked in the riveting literary drama, Melting the Blues, by debut author Tracy Chiles McGhee. Augustus Lee Rivers, a farmer and bluesman, has two obsessions: his relationship with the Duncan family and his desire to leave small town Chinaberry to become a musician in Chicago. When his plans are prevented by a devastating betrayal, Augustus is driven into the belly of the blues where he must reckon with his past if…
Remembering its excellent character portrayals, I re-read this book when I began writing my own novel about an interracial friendship. Set in Kentucky, Stranger Here Below depicts the friendship that develops when outgoing Maze (short for Amazing Grace) and staid Mary Elizabeth room together at Berea College in the 1960s. Mary Elizabeth, who’s quiet and musically talented, is the daughter of a black preacher, while Maze is a chatty Appalachian girl. Although the friendship is interrupted when Mary Elizabeth abruptly leaves school, the two women try, years later, to revive it.
In 1961, when Amazing Grace Jansen, a firecracker from Appalachia, meets Mary Elizabeth Cox, the daughter of a Black southern preacher, at Kentucky's Berea College, they already carry the scars and traces of their mothers' troubles. Poor and single, Maze's mother has had to raise her daughter alone and fight to keep a roof over their heads. Mary Elizabeth's mother has carried a shattering grief throughout her life, a loss so great that it has disabled her and isolated her stern husband and her brilliant, talented daughter. The caution this has scored into Mary Elizabeth has made her defensive and…
I’d never read a novel like this. The chapters are similar to diary entries, telling the fictional story of a middle-aged white woman who moves into her childhood home. Over the years, due to “city planning,” East of Troost (an actual neighborhood in Kansas City, Missouri) has become nearly all-black. Readers will wonder: Why the heck did the narrator decide to move back there? How will she be treated? Will she have any friends? You’ll enjoy finding out.
Under the guise of a starting-over story, this novel deals with subtle racism today, overt racism in the past, and soul-searching about what to do about it in everyday living.
East of Troost's fictional narrator has moved back to her childhood home in a neighborhood that is now mostly Black and vastly changed by an expressway that displaced hundreds of families. It is the area located east of Troost Avenue, an invisible barrier created in the early 1900s to keep the west side of Kansas City white, "safely" cordoned off from the Black families on the east side.
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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