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I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
Madame Sidney Pratten is a unique figure in the history of the guitar and sadly neglected by history. She was well known and well connected in her day and taught many notable members of Victorian London society to play guitar, including Princess Alexandra. Her real name was Catharina - in her public work she used her husband’s name, as was common at the time - and she published her Guitar School after many years of teaching, to great acclaim. It is the most informative, wise, and practical guitar book I know, full of useful information, beautiful music, and insight into the learning process.
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
When I started playing guitar, all I wanted to do was play the blues. Why a working-class Scottish boy would be so entranced by music so culturally and geographically remote is curious even to me but this book gave me a way in, a key to unlock the skills required to emulate the sounds of the blues greats I loved to hear. As an autodidact, clear explanations, technical advice, and background information were essential to my development and I still use this book with students to this day.
(Music Sales America). Covers the whole spectrum of this exciting area of guitar playing. Careful grading enables beginners to progress through this course playing well-known songs, as well as learning the technical aspects. Songs: A Basic Blues * 'a' Simple Blues * 'a' Twelve Bar * Alice's Restaurant * Bounce Blues * Candyman * Candyman Blues * Cocaine Blues * Come Back Baby * Deep River Blues * The Entertainer * Extension Blues * First Time Blues * Gee Rag * Good Morning Blues * Half-way Rag * Harmony Blues * Hesitation Blues * Horizon Rag * How Long How…
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
These timeless melodies, simple yet substantial, transcend time, culture, and locality, as demonstrated by the sudden wave of interest in sea shanties in the UK during the Covid pandemic lockdown. This book contains some of the best-known and loved tunes associated with the sea and the turbulent lives of those who make their living in its environs. Arranged in differing levels of difficulty, this book should amuse and delight anyone with a heart and an ear for a good tune.
SEA SHANTIES FOR EASY GUITAR
SEA SHANTIES ARE MORE POPULAR NOW THAN EVER. NOW YOU CAN PLAY AND SING ALONG WITH THEM IN NO TIME!
Sea Shanties For Easy Guitar offers you ten of probably the most popular sea shanty songs that can be played on guitar.
Play the chords and sing along with these wonderful songs from Sailors the world over. Sea Shanties For Easy Guitar offers you:
All songs include lyrics and guitar chord boxes.
Guitar chords and lyrics also provided in large easy to read text.
The songs are all TAB'D out for you to play the…
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
Do you want to play some of the most flashy, virtuosic, exciting, and emotionally charged guitar music around? Then this book is for you. When the great Gypsy guitarist Django Reinhardt fused American Jazz with the stylings of the French Musette Bal and his native Gypsy melodies, little did he know he had created a whole new musical genre. This book will teach you how to emulate and create within the Gypsy Jazz style which has evolved in the generations since Reinhardt’s early death in 1952. Prepare to be awed, humbled, and inspired.
This massive book offers a comprehensive study of the Gypsy jazz or Manouche guitar style as perceived by French guitarists Derek Sebastian and Romane, two of the finest modern day practitioners of the Django Reinhardt style. Each of the book's thirty-six progressive chapters consists of four parts: A.) Technique developed through exercises, chord progressions/diagrams, and illustrations of fingerboard positions; B.) A harmony lesson with leads in the Manouche style; C.) Soloing techniques based on the harmonic structure of a given theme; and D.) Self-testing materials with answers provided at the close of the book. The online audio download for L'Espirit…
I’ve been immersed in playing and teaching guitar and in rock culture all my life. Since graduating from The Guitar Institute of Technology in 1987, I’ve been a full-time guitar professional. So, I’m known in my hometown of Baltimore as the go to guy for rock guitar chores of all kinds. I play for companies like Johns Hopkins, Center Stage and The Baltimore Ravens. I taught Guitar at The Gilman School for thirteen years. I’ve played every venue from the biggest stadiums to the smallest clubs. My publications include fifteen guitar books internationally distributed by Alfred Publications and features in most major trade journals. Endorsements: Paul Reed Smith Guitars, Ernie Ball Strings and Fractal Audio.
This book hit me hard and fast. It validated what I previously thought were my private ideas. I’d never met the author, but it seemed to be written about me… for me… or was it written for and about the other 100k plus readers who must have felt the same? I don’t know. Maybe you’re next.
Each of us carries a song inside us, the song that makes us human. ZEN GUITAR provides the key to unlocking this song - a series of life lessons presented through the metaphor of music. Philip Sudo offers his own experiences with music to enable us to rediscover the harmony in each of our lives and open ourselves to Zen awareness uniquely suited to the Western Mind. Through fifty-eight lessons that provide focus and a guide, the reader is led through to Zen awareness. This harmony is further illuminated through quotes from sources ranging from Eric Clapton and Jimi Hendrix…
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This is very nice a two-volume set, written by Trevor Gore, an accomplished guitar maker with an extensive technical background, and Gerard Gilet, a builder of fine acoustic guitars. This is required reading for people who are interested both in how to make guitars and how they work.
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This is a beautiful book written by a master, who wants to inspire others to make classical guitars. These nylon string guitars look outwardly like other acoustic guitars. However, they are for a different kind of music and are made differently. Bogdanovich does a great job in leading a new builder through each step. I refer to this book a lot. It’s so nicely produced that I find myself just browsing through it, even when I’m not actually working on a classical guitar.
What a thrill for any musician: playing a fine-sounding instrument that he or she has lovingly crafted from scratch. With this richly illustrated manual, well-known luthier and guitarist John Bogdanovich shows exactly how to build that first, beautiful guitar, using traditional, time-tested methods. All that’s required are basic woodworking techniques and a minimally equipped shop. Bogdanovich discusses the anatomy of the guitar, sound, choosing an instrument, selecting woods, templates and molds, and preparation. In more than 300 pages of text, he painstakingly lays out the details of construction, from assembling the neck and sides to installing the fingerboard and bridge.
I have been building guitars and related instruments since 1994. My enthusiasm for guitar construction led me to deeply explore all aspects of the art and to share as much information as I can with others via my lutherie information website, writing for American Lutherie, published books, and my research publications. I am fortunate to count myself among those that consider building stringed musical instruments to be one of the best things one can do.
There is nothing that enhances the process of building guitars more than having a solid foundation in the history of the instrument.
Although there are a number of excellent guitar histories available, few offer as clear and accessible information as this book does. The book is the catalog of a traveling museum show about guitars that was curated by the author at the Museum of Fine Arts Boston.
It is lavishly illustrated, and contains just the right amount of text on the subject to keep the reader engaged. No builder of stringed musical instruments should be without this book.
"The guitar and the dog, in order not to be separated from man, have submitted themselves with resignation to the worst alterations of size and appearance." Andres Segovia
I’ve been immersed in playing and teaching guitar and in rock culture all my life. Since graduating from The Guitar Institute of Technology in 1987, I’ve been a full-time guitar professional. So, I’m known in my hometown of Baltimore as the go to guy for rock guitar chores of all kinds. I play for companies like Johns Hopkins, Center Stage and The Baltimore Ravens. I taught Guitar at The Gilman School for thirteen years. I’ve played every venue from the biggest stadiums to the smallest clubs. My publications include fifteen guitar books internationally distributed by Alfred Publications and features in most major trade journals. Endorsements: Paul Reed Smith Guitars, Ernie Ball Strings and Fractal Audio.
The Beatles didn’t know how to read music, and typically, rock musicians don’t read and write music. So therefore it’s a challenge to us, the people who learned to play around campfires, at the beach, and in the roadhouse, just cause we wanted to. Instead of merely presenting an increasingly difficult set of examples, Oaks teaches us how to think about reading music. He’s a great guy and it’s the best book of its kind I’ve come across.
(Musicians Institute Press). Starting at the elementary level and progressing to advanced techniques, this comprehensive method is like a complete two-year guitar course in book form. It includes over 450 songs and examples, and covers: notes, rhythms, keys, positions, dynamics, syncopation, chord charts, duets, scale forms, phrasing, odd time, and much more. Designed from an MI core curriculum program.
I’ve been making guitars for about 30 years now and love it. I’m mostly self-taught and there were some pretty rough instruments early on, but I got better with every one. I’ve lost track of how many I’ve made and my favorite is always the next one. I learned my craft from people who took the time to write about it. I’ve now written dozens of articles and three books on guitars. As a professor, I run a guitar-making lab and teach classes on stringed instrument design and manufacture. I hope to do my part to help new builders the way others have helped me.
This book has almost nothing to do with Eric Clapton. Rather, it’s an engaging story about Wayne Henderson, a retired mailman who makes some of the most desired acoustic guitars anywhere. He prefers to build for people he thinks need one of his guitars. It’s impossible to read this book and not want to make a guitar. I turn to it for inspiration when one of my guitars isn’t going well and I need to remember where I’m trying to go.
New York Times bestselling author Allen St. John started off looking for the world’s greatest guitar, but what he found instead was the world’s greatest guitar builder.
Living and working in Rugby, Virginia (population 7), retired rural mail carrier Wayne Henderson is a true American original, making America's finest instruments using little more than a pile of good wood and a sharp whittling knife. There's a 10-year waiting list for Henderson's heirloom acoustic guitars—and even a musical legend like Eric Clapton must wait his turn. Partly out of self-interest, St. John prods Henderson into finally building Clapton's guitar, and soon…
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