Fans pick 100 books like Cutter and Bone

I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.

The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”

I’ve long been a fan of James Lee Burke’s novels. His lyrical and likely heartfelt descriptions of Louisiana’s land, water, and people offset and illuminate the contrasting violence. Burke acknowledges the darkness in humanity and the possibility of redemption.

Into that mix goes Dave Robicheaux, the protagonist, who had his own ups and downs. Robicheaux can read between the lines and keeps a pretty clear eye on the truth. Here’s the opening sentence of this book, Robicheaux narrating in his own way:

“Years ago, in state documents, Vachel Carmouche was always referred to as the electrician, never the executioner.”

We all make choices we later have to live with. Back from war and trained as an Army ranger, Quinn Colson is the sheriff now in Tibbehah, Mississippi, and finds himself hunting an old high school friend turned arms dealer. When you open this book, it’s already flowing, a feel of which I love. It’s as if you’re not watching; you’re already in the boat and can hear the roar of the coming rapids. Colson is in motion. He’s on the hunt. Here’s the way the novel starts,                      

“A couple of roustabouts had been asking about guns at the Tibbehah County fair, but by the time the word had gotten back to Donnie Varner, they’d long since packed up their Ferris wheel, corn dog stands and shit, and boogied down the highway.”

I don’t know of anyone else who so captures time, place, and the idiosyncratic language of the moment that we tend to shake our heads at years later but is exactly right at the time. Winslow is a magician with the nuances.

Here’s how the novel opens in Laguna Beach, California. "Is what O is thinking as she sits between Chon and Ben on a bench at Main Beach and picks out potential mates for them. "That one?" she asks, pointing at a classic BB (Basically Baywatch) strolling down the Boardwalk." "Chon shakes his head." And further down, "O was made for sunshine.' "California girl."

I live in California. I grew up here. Winslow captures the moment. Future historians should read him.

This book gives an early perspective on Vietnam’s reforms and economic growth. It follows and complements a book by Le Dang Doanh published by the National Australian University in Australia in 1992 written from a similar perspective.

The book is based largely on Vietnamese early sources of data and information. It presents an analysis of the main features of economic policy reforms in Vietnam, their socioeconomic impact, and several major theoretical and practical problems Vietnam faced on its path to development.

In a rescue-gone-wrong, Reeder’s chopper went down, landing on its side and leaving the pilot frantically attempting to disentangle himself from the safety harness to escape the burning craft. Years later, after relaying this story to a large audience, Reeder was told by a fellow veteran that he had witnessed the incident and had Reeder in his gunsight, intending to save him from burning to death. The would-be shooter had looked away an instant, and when ready to fire, found Reeder gone. Reeder managed to evade the enemy for a time but was eventually captured and subjected to unfathomable cruelty and deprivation.

This is a useful book to understand the basic problems and achievements of a socialist country’s move towards a globalized and free market system.

This book is a version of the authors’ previous work published by the South East Asia Institute. As a contribution to the specific theme, it first provides a description of Vietnam’s reforms and development. It also discusses a number of special features of this policy, including outcomes, pro and con analysis, and obstacles. 

By jetting a privileged California tween of Vietnamese descent into her extended family in Hanoi, Thanhhà Lai creates all kinds of expectations and then delightfully subverts them, educating and entertaining readers at the same time.

Although most of the book is about Mai’s culture shock and gradual adjustment, her frail grandmother Bà remains the emotional center of the story. Bà’s loss of her husband during the Vietnam War and her journey to reclaim his secret last message build the story into a dramatic climax unlike any I’ve ever encountered.

If you want to immerse yourself in the old French Indochina then this could be the book for you. Published in 1942 it is written by a Brit who describes it as a travel book, but it is a travel book that is replete with history. That the author travelled the Annamese (Vietnamese) lands during a time of peace made it of particular interest to me when working with Michel on his early years from 1936 in Vietnam for my book. In Little China one can immerse oneself in the life of the Annamese people through Brodrick’s descriptive prose of everyday scenes. The book has not only a historical Chronological Table, but an Appendix, a short Bibliography, a map, and a comprehensive Index in case you happen to be looking for something specific. It was published by Oxford University Press.

I recommend this book because my author friend, John Schembra, and I served together in Vietnam. He drew on his experiences to write a wonderful novel about the Military Police in Long Binh/Bien Hoa during the Tet Offensive in 1968, The reader is taken back to that war with believable characters, historical settings, and a great plot. Reading his book helped me write my story, set during the actual time we were there. He helped teach me how to write.