Here are 99 books that The Lost Ones fans have personally recommended if you like
The Lost Ones.
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I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I remember summers growing up when we were out of the house seeking freedom from parents as we streamed toward our teenage years, so I can identify with this story’s start. We’d follow deer trails through brush and trees to spots up in the hills we’d claimed as our own. This book begins with a prologue made vivid with three children and Tana French’s gorgeous prose.
The children go up and over a rock wall and into “A summer full-throated and extravagant in a hot pure silk skin blue…your tongue tasting of chewed blades of long grass, your own clean sweat…” “…long slow twilight and mothers silhouetted in doorways…” and the haunted last sentence, “These children will not be coming of age, this or any other summer.”
The bestselling debut, with over a million copies sold, that launched Tana French, author of the forthcoming novel The Searcher and "the most important crime novelist to emerge in the past 10 years" (The Washington Post).
"Required reading for anyone who appreciates tough, unflinching intelligence and ingenious plotting." -The New York Times
Now airing as a Starz series.
As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I’ve long been a fan of James Lee Burke’s novels. His lyrical and likely heartfelt descriptions of Louisiana’s land, water, and people offset and illuminate the contrasting violence. Burke acknowledges the darkness in humanity and the possibility of redemption.
Into that mix goes Dave Robicheaux, the protagonist, who had his own ups and downs. Robicheaux can read between the lines and keeps a pretty clear eye on the truth. Here’s the opening sentence of this book, Robicheaux narrating in his own way:
“Years ago, in state documents, Vachel Carmouche was always referred to as the electrician, never the executioner.”
'When James Lee Burke writes, the little birdies sing, the sun comes out and old men learn to dance again. That's how good he is. And now he's back . . . Purple Cane Road may be the finest novel Burke has written' INDEPENDENT ON SUNDAY
'At times Burke's writing and atmosphere remind one of William Faulkner; at other moments Raymond Carver. I cannot think of much higher praise that can be accorded a novel' THE TIMES
'No crime writer in America can hold a pen to Burke's mastery of style and powers of evocation and empathy' GUARDIAN 'PURPLE CANE…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
I don’t know of anyone else who so captures time, place, and the idiosyncratic language of the moment that we tend to shake our heads at years later but is exactly right at the time. Winslow is a magician with the nuances.
Here’s how the novel opens in Laguna Beach, California.
"Is what O is thinking as she sits between Chon and Ben on a bench at Main Beach and picks out potential mates for them.
"That one?" she asks, pointing at a classic BB (Basically Baywatch) strolling down the Boardwalk."
"Chon shakes his head."
And further down,
"O was made for sunshine.'
"California girl."
I live in California. I grew up here. Winslow captures the moment. Future historians should read him.
From the New York Times bestselling author of The Cartel, The Force, and The Border
In Savages, Don Winslow introduced Ben and Chon, twenty-something best friends who risk everything to save the girl they both love, O. Among the most celebrated literary thrillers, Savages was a Top 10 Book of the Year selection by Janet Maslin in The New York Times and Stephen King in Entertainment Weekly.
Now, in this high-octane prequel to Savages, Winslow reaches back in time to tell the story of how Ben, Chon, and O became the people they are. Spanning from 1960s Southern California to…
I have just written my twelfth novel and quite possibly my last. I’ve returned to where my heart is. My first five crime novels came about through the generous help of some undercover California wildlife agents. Now, in a sense, I’m back where I started, except that my latest book is also a love story. We make plenty of mistakes in life, some much worse than others. My characters deal with them in their own way. I can understand that, and I like that. And hey, there’s always the possibility of redemption.
This book got a lot of well-deserved buzz when it was published in 1976, about a year after North Vietnamese tanks rolled into Saigon. It’s not hard to remember tear gas and chants of “Hell no, we won’t go.”
Thornburg captured a mood and feel of what was like out on the street, an America divided. Cutter is wounded badly in Vietnam. Bone had a loathing of self, and the novel opens with, “It was not the first time Richard Bone had shaved with a Lady Remington, nor did he expect it to be the last.” He and Cutter were odd, but somehow, they fit into the zeitgeist. If you come across it someday, read it.
The headline reads ? LOCAL GIRL SLAIN, BODY FOUND IN TRASHCAN. When Richard Bone sees a picture of conglomerate tycoon J.J. Wolfe in the newspaper, he's struck by how closely he resembles the man Bone saw dumping the body: could this millionaire redneck be the killer? Bone's close friend Cutter, a crippled Vietnam vet, is convinced that Wolfe is the killer. With nothing much more to lose, the reckless Cutter and handsome gigolo Bone hit the road to the Wolfe headquarters in the Ozarks, totally unprepared for what awaits them. Cutter and Bone are two of the most brilliantly drawn…
I’m a Canadian thriller and suspense novelist with an abiding affinity for stories of good ultimately overcoming evil. I’m partial to reluctant heroes battling powerful entities that are inflicting injustice. If our protagonist is flawed and forced to overcome internal demons and/or challenges, so much the better! My Tony Valenti thrillers feature a mom-and-pop law firm known asLawyers to Little People and Lost Causes, so I know a thing or two about this type of book. Characters using brains, integrity, and bravery—moral and/or physical—fascinate me every time.
If there is an heir to Harper Lee in the realm of legal thrillers, my vote goes to John Grisham. There’s a basic sense of decency in Grisham’s books that appeals to me. In A Time for Mercy, Grisham’s enduring character Jake Brigance returns to Clanton, Mississippi in a story constructed around a polarizing small-town murder. However, precious little can be categorized along strictly black and white lines in this crime. Grisham understands that we live in a world where the grays of reality are predominant and inherently more interesting. He makes sure we understand the characters, even those we may dislike or disagree with. Grisham doesn’t take the easy way out in A Time for Mercy. The story unfolds to a surprisingly untidy yet satisfying conclusion that leaves the reader with plenty of food for thought.
#1 NEW YORK TIMES BESTSELLER • Jake Brigance is back! The hero of A Time to Kill, one of the most popular novels of our time, returns in a courtroom drama that The New York Times says is "riveting" and "suspenseful."
Clanton, Mississippi. 1990. Jake Brigance finds himself embroiled in a deeply divisive trial when the court appoints him attorney for Drew Gamble, a timid sixteen-year-old boy accused of murdering a local deputy. Many in Clanton want a swift trial and the death penalty, but Brigance digs in and discovers that there is more to the story than meets the…
I’ve been fascinated by the Civil Rights Movement in the Deep South in the 1950s and 60s for many years. Keen to understand not just events in that timeframe, I also needed to understand how those entrenched and diametrically opposed positions had occurred. What triggered the responses of water cannon, German shepherd dogs, and Billy clubs to seemingly peaceful students marching or seated in a particular section of a café? Over a period of seventeen years, I amassed a private collection of books, magazines, newspapers, over two hundred in all, along with material from various state-run Departments of Archives of History, further amplifying my fascination and providing fodder for my book.
While many books are written after the event or events contained in the book, this book is contemporary to the events it relates to. In this case the birth and growth of the Citizens Councils in the Deep South in the mid-1950s.
The author and then managing editor of the Greenville Democratic Times sets out, in a clear and readily understood way, the mood of the day among the white-collar political and business classes in the months and years immediately following the Brown v Board of Education decision.
It’s a worthy read and a touchstone of the rising political temperatures of those times.
In The South Strikes Back, Hodding Carter III describes the birth of the white Citizens' Council in the Mississippi Delta and its spread throughout the South. Carter begins with a brief historical overview and traces the formation of the Council, its treatment of African Americans, and its impact on white communities, concluding with an analysis of the Council's future in Mississippi.
Through economic boycott, social pressure, and political influence, the Citizens' Council was able to subdue its opponents and dominate the communities in which it operated. Carter considers trends working against the Council-the federal government's efforts to improve voting rights…
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
I have been fascinated by the American Civil War since I was 8 years old. I have been a serious student of the subject since my college years, where I majored in American History. I have played and designed boardgames concerning battles of the war, including a number of games on battles in the Western Theater, I have been a living historian and reenactor, and now, an author-published by both academic and popular presses. The battle of Chickamauga became a serious interest as early as 1979.
Though Dr. Timothy B. Smith has since made quite the splash in Civil War historiography, this was his first book, covering the Battle of Champion Hill. On May 16, 1863, two armies collided between the Confederate fortress of Vicksburg and the Mississippi state capital at Jackson. The Federals were led by Ulysses S. Grant; the Rebels, John C. Pemberton. Each army numbered bout 30,000 men. While neither the largest or most famous battle of the war, Champion Hill was, nevertheless, a crucial engagement, for it decided the fate of Vicksburg. Frustrated for months by his inability to capture the fortress, Grant at last settled on a daring strategy to take it from the rear. Pemberton marched out to meet him. They met at Champion Hill.
Smith’s narrative embraces the top-down commander’s view of the battle, the soldiers’ view from the ranks, and the impact the fighting had on the local…
The Battle of Champion Hill on 16 May 1863 was the decisive land engagement of the Vicksburg Campaign. The fighting took place just twenty miles east of the river city, where the advance of General Ulysses S. Grant's Federal army attacked General John C. Pemberton's hastily gathered Confederates.
The bloody fighting see-sawed back and forth until superior Union leadership broke apart the Southern line, sending Pemberton's army into headlong retreat. The victory on Mississippi's wooded hills sealed the fate of both Vicksburg and her large field army, propelled Grant into the national spotlight, and earned him the command of the…
I was a book-loving Black Girl and am now a Black woman, professor-writer, and lifelong books and popular culture junkie. As a young reader, I marveled at the storytelling in books that took us into the diverse lives and deep interior of teen girls - from Are You There God It’s Me Margaret to especially ones like the five books I name which place Black girls and women at the center of the narrative. In most of the films and writings that I teach and my own book Snitchers, there’s some tragedy and pain, some blues, and perspectives that add to the truth and richness of our human and American story.
I almost chose a fifth book by an author more readers will likely have heard of (Octavia Butler, Parable of the Sower), but I’m going with a second autobiography, Anne Moody’s, Coming of Age in Mississippi.
Between ages 13 and 16, I read my blue paperback cover of this book more times than I can remember. It’s about Anne Moody’s growing up amid poverty and Jim Crow, beset by sexism and danger from within and outside her community due to her gender and race.
It chronicles her childhood in Mississippi to her evolution into a Civil Rights Activist as a teen and college student. It’s so unforgivingly honest, detailed, and visually rich on the page - it humanizes the history like an Eyes on the Prize documentary but way more personalized.
I think it taught me further about the value of writing very visually, the power of our individual…
The unforgettable memoir of a woman at the front lines of the civil rights movement—a harrowing account of black life in the rural South and a powerful affirmation of one person’s ability to affect change.
“Anne Moody’s autobiography is an eloquent, moving testimonial to her courage.”—Chicago Tribune
Born to a poor couple who were tenant farmers on a plantation in Mississippi, Anne Moody lived through some of the most dangerous days of the pre-civil rights era in the South. The week before she began high school came the news of Emmet Till’s lynching. Before then, she had “known the fear…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
Black people, enslaved and free, sued whites in court in Mississippi and Louisiana, and sometimes they won.
Welch researched hundreds of documents in some archives off the beaten path. She discovered a hitherto unknown chapter of African American life which changes our perspective on the legal system.
I felt inspired by the courage and resilience of the litigants.
In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society.