Here are 100 books that The Infinite Harmony fans have personally recommended if you like
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I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I like to think that I inherited much of this from my analytical “algebraic” mother, who was a nurse and tended to our family finances, and my holistic “geometrical” father, who was a carpenter. It’s probably no accident that my double major in college was in physics and philosophy...and, down the line, that I should develop a focused interest in human brain laterality, where the division between analysis and holism is so prominent.
This book, more than any other on the subject, surprised and fascinated me.
Its thesis is deceptively simple.
It suggests that the two hemispheres of the human brain were “strangers” to each other early in our evolutionary history (three millennia ago). The left hemisphere received the information from the right as a message from an unfamiliar source (an unseen “voice”).
Jaynes proposed that this was the basis for all religious experience. It was our intuitive right hemisphere that supplied the “voices” of the gods. True human consciousness only arose when this bicameral mind “broke down” and the “voice of God” was replaced with what had been speaking to us all along, the other more intuitive half of ourselves.
At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion -- and indeed our future.
I have always seen my life as a journey, with lessons to be learnt along the way. Adventures on land and sea have drawn me into contact with many races and traditions and brought me close to nature in its many moods. When a physical journey ends, an inner journey takes me in directions I had never looked at before. Early spiritual questioning led me to eastern philosophies and made me aware of the underlying links between all cultures. In relying on my own experiences rather than what others have written, I believe my writing brings a freshness and individuality to the age-old questions of who we are and where we are going.
This is an easy-to-read book for anyone new to a Buddhist way of thinking. The deceptively simple philosophy put forward by the author is startlingly relevant to all of us in today’s world – a world so obviously in need of restoring balance. Choje Akong Tulku Rinpoche was the founder of the first Tibetan Buddhist Centre in the U.K.
I have always seen my life as a journey, with lessons to be learnt along the way. Adventures on land and sea have drawn me into contact with many races and traditions and brought me close to nature in its many moods. When a physical journey ends, an inner journey takes me in directions I had never looked at before. Early spiritual questioning led me to eastern philosophies and made me aware of the underlying links between all cultures. In relying on my own experiences rather than what others have written, I believe my writing brings a freshness and individuality to the age-old questions of who we are and where we are going.
In the preface, Govinda explains: Anticipating the future, Tomo Geshe Rinpoche, one of the greatest spiritual teachers of modern Tibet and a real master of inner vision, left his remote mountain hermitage ... and proclaimed that the time had come to open to the world the spiritual treasures which had been hidden and preserved in Tibet for more than a thousand years. Because humanity stands at the crossroads of great decisions: before it lies the Path of Power ... leading to enslavement and self-destruction – and the Path of Enlightenment ... leading to liberation and self-realization.
This deeply spiritual book takes the reader through the Tibetan mantra: Om Mani Padme Hum in a way that gives true meaning to what it really is to be human.
A complete explanation of the esoteric principles of Mantra that also clarifies the differences between Hindu and Tibetan yoga. Translated into many languages, this is an important text for any student of Buddhism. With bibliography, index, and illustrations.
Until my early 50s, I detested all things spiritual. These books showed up practically on their own, without dogma or jargon, mainly to convince me that the divine existed. They’re easy to read and open to interpretation. They tricked me into a spiritual life by making it seem logical and simply a place to explore at my leisure. I try to write things that are clear and simple, and these books persuaded me that the ineffable isn’t so hard to write about. Also, I could return to these books years later, and they still speak to me. Each is capable of opening something new to me later in life.
Poetry is supposed to be difficult, right? The erudite poets like Milton, Shakespeare, Yeats, and Dickinson blend insight, psychology, philosophy, wisdom, meter, and magic sauce into a puzzle to suss out. Eliot is like that most of the time, but not in this book, where he is so direct, plain and simple, amazed and amazing, that I am not once tempted to apply critical theory.
If there is a possibility of divine inspiration, this has always felt like Exhibit 1 to me. Every time I think I might have to figure out what he’s saying, he says, “Don’t bother,” by taking me into a picture that is so concrete and full of the everyday that it paradoxically shines the divine out at me. This book can be opened anywhere, started anywhere, and it will bring me comfort and joy.
Four Quartets is the culminating achievement of T.S. Eliot's career as a poet. While containing some of the most musical and unforgettable passages in twentieth-century poetry, its four parts, 'Burnt Norton', 'East Coker', 'The Dry Salvages' and 'Little Gidding', present a rigorous meditation on the spiritual, philosophical and personal themes which preoccupied the author. It was the way in which a private voice was heard to speak for the concerns of an entire generation, in the midst of war and doubt, that confirmed it as an enduring masterpiece.
I’ve been trying to balance a need to help make the world a better place with my own small expertise as a musician and teacher. So I’ve played music with birds, whales, and bugs, taught philosophy to engineers for decades, written many books and released many albums, and traveled all over the world learning what people are doing to improve things. I need to find words to read that encourage me and lift me out of the looming pull of depressing statistics and real suffering that we all read about every day. I hope change is possible, and I urge everyone to work toward it in their own specific and unique ways.
From the 1960s but still one of the greatest books on how being creative means trying everything, trusting no one, and listening to everybody and everything. After you read this you will know that you can be an artist, that is, if you are meant to be one.
Silence, John Cage's first book and epic masterpiece, was published in October 1961. In these lectures, scores, and writings, Cage tries, as he says, to find a way of writing that comes from ideas, is not about them, but that produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching. Fifty years later comes a beautiful new edition with a foreword by eminent music critic Kyle Gann. A landmark book in American arts and culture, Silence has been translated into more than forty languages and has…
More has been accomplished by music to wake us up that any marches, speeches, injustice, and/or wealth. In the beginning, music and its many forms I followed were an accident. Now I see that music is vital for social expression, intimacy, solitude. The walls in my writing room are covered with photos, CDs, 78s, and most certainly live recordings and books. I feel sorry for the soul(s) who will have to pick through this history when I’ve gone to that Upper Room.
Yes, the title is spelled correctly. I’ve known Stanley Booth from our days in Memphis. He has written about The Rolling Stones, B. B. King, Al Green, and Keith Richards. Keith wrote that “The interesting thing about music to me is that music has always seemed streaks ahead of any other Art form or any other form of social expression.” It has never been said any better.
Stanley Booth’s Rythm Oil contains studies of numerous, forgotten musicians and singers. It is a study of remote history. Stanley Booth doesn’t write with ink. He writes with grit.
A collection of 20 essays centred on Memphis, Tennessee, and comprising a fusion of fact, essays and fiction in which the author describes his encounters with major figures of American blues and soul music. Stanley Booth also wrote "The True Adventures of the Rolling Stones".
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
Whether you are a seasoned classical music lover or someone wanting to explore the world of classical music, you will love this book which offers a carefully selected piece for every day of the year. Whether you choose to listen to one piece each day, or as I did, in large batches, you will discover a true treasure trove of gems, some well-known, some rather hidden from sight. The author’s gentle, unpatronizing, and always imaginative commentary will enhance your understanding and your delight. Some of my favourite pieces are missing from the list (how could they not?) but every major composer from Thomas Ades to Frank Zappa is represented here, with titans like Bach, Beethoven, Mozart, Chopin, and Schubert featuring more than once.
'A magnificent treasury . . . a fascinating tour de force.' Observer
'Year of Wonder is an absolute treat - the most enlightening way to be guided through the year.' Eddie Redmayne
Classical music for everyone - an inspirational piece of music for every day of the year, celebrating composers from the medieval era to the present day, written by award-winning violinist and BBC Radio 3 presenter Clemency Burton-Hill.
Have you ever heard a piece of music so beautiful it stops you in your tracks? Or wanted to discover more about classical music but had no idea where to begin?…
For three decades I have been the first violinist of the Takács Quartet, performing concerts worldwide and based at the University of Colorado in Boulder. I love the ways in which books, like music, offer new and surprising elements at different stages of life, providing companionship alongside joys and sorrows.
In these five stories music is the catalyst that shapes the narrators’ encounters with regret, failure, and loss. Through seemingly straightforward but complex dialogue, surprising plot twists, and individual revelations, Ishiguro mixes whimsy and melancholy with moments of connection and revelation—a cocktail that is oddly comforting.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
In Nocturnes, Kazuo Ishiguro explores ideas of love, music and the passing of time. From the piazzas of Italy to the 'hush-hush floor' of an exclusive Hollywood Hotel, the characters we encounter range from young dreamers to cafe musicians to faded stars, all of them at some moment of reckoning.
Gentle, intimate and witty, this quintet is marked by a haunting theme - the struggle to keep alive a sense of life's romance, even as one gets older, relationships founder and youthful hopes recede.
Paul Harris is one of the UK’s most influential music educationalists. He studied the clarinet at the Royal Academy of Music, where he won the August Manns Prize for outstanding performance in clarinet playing and where he now teaches. He is in great demand as a teacher, composer, and writer (he has written over 600 books); and his inspirational masterclasses and workshops continue to influence thousands of young musicians and teachers all over the world in both the principles and practice of musical performance and education.
For anyone who is performing at any level really, this book will help them enhance their performance and manage the stress that sometimes seems to appear in the performance situation. The book looks at ways to approach the music that we have decided to perform a variety of practice strategies and some particularly interesting techniques for all-around improvement taking in both the physical side of playing and the musical side. It’s a serious and quite academic book but well worth the effort.
Musical Excellence offers performers, teachers, and researchers, new perspectives and practical guidance for enhancing performance and managing the stress that typically accompanies performance situations. It draws together, for the first time in a single collection, the findings of pioneering initiatives from across the arts and sciences. Specific recommendations are provided alongside comprehensive reviews of existing theory and research, enabling the practitioner to place the strategies and techniques within the broader context of human performance and encouraging novel ways of conceptualizing music making and teaching.
Part I, Prospects and Limits, sets out ground rules for achieving musical excellence. What roles do…
I wrote Leaving the Beach because I was once bulimic and music-obsessed. After seeking help and recovering, I realized I wanted to write a realistic book about a bulimic woman; it was critical that I didn’t unintentionally romanticize any aspects of this insidious, potentially fatal disease.
All the characters in this story—even the minor ones—are so three-dimensional and human that they must be based at least partly on real people. The protagonist, Via—who lost her parents to gun violence as a child and struggles with substance abuse and other things—isn’t a musician or a die-hard music fan, but music and the Seattle music scene play such a huge role in this story that I was compelled to include it on my list. Ina Zajac’s writing is impeccable. She doesn’t shy away from the gritty side of reality and demonstrates a deep understanding of musicians, the things that make them tick, and the people who love them.
An emotionally-charged urban cautionary tale with quirky characters who will stay with you: including Grandma Daney, a mystical star child who serves up universal inspiration with her milk and cookies.
It’s September when good girl Via Sorenson stumbles into a Seattle strip club, drunk and alone on her twenty-first birthday. Matt and Nick—best friends, bandmates, and bouncers—do their best to shield her from their sadistic cocaine-trafficking boss, Carlos. They don’t realize her daddy issues come with a forty-million-dollar trust fund and a legacy she would do anything to escape.
She is actually Violetta Rabbotino, who had been all over the…
