Here are 100 books that The Story of Music fans have personally recommended if you like
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Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
No one can say exactly when Rock ’n’ Roll was born, including biographer, novelist, poet, and recently deceased journalist Nick Tosches, but he provides enough background musings to take us on a wild ride through American musical history.
His book reveals twisted roots indeed, some that provided me with reference material regarding a connection between minstrelsy and one of the most popular Christmas tunes of all time. And a country song breaks loose from the genre corral and into the world of pop music when it is made into one of the best-known ballads ever by a singing politician.
Celebrating the dark origins of our most American music, Country reveals a wild shadowland of history that encompasses blackface minstrels and yodeling cowboys honky-tonk hell and rockabilly heaven medieval myth and musical miscegenation sex, drugs, murder and rays of fierce illumination on Elvis, Jerry Lee Lewis, and others, famous and forgotten, whose demonology is America's own. Profusely and superbly illustrated, Country stands as one of the most brilliant explorations of American musical culture ever written.
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
I was fortunate enough to be able to share a pint with Malachy McCourt some time ago at The Plough & the Stars in Philadelphia where he was promoting this book.
A delightfully true Irishman, he was full of fatalist humor and irony, bringing to mind the famous quote by G.K. Chesterton from his epic poem The Ballad of the White Horse:
“The great Gaels of Ireland are the men that God made mad,
For all their wars are merry, and all their songs are sad.”
And “Danny Boy” is truly a sad song, but there is one enormous flaw regarding its Irishness: it was written by an Englishman who never set foot in Ireland. Frederick Wetherly, a barrister by day, and a lyricist by night, was asked by his sister-in-law to put words to a beautiful tune she had heard. He did, and the song became an enormous hit.…
Everyone can hum this haunting Irish ballad that inevitably brings a tear to the eye. The most requested Irish song, it has been recorded by a variety of performers ranging from Elvis Presley, Bing Crosby, and Kate Smith to the Pogues. The complete story of this moving tune has been shrouded in mystery until now. Where did "Danny Boy" originate, who actually wrote the lyrics, and is it even Irish? Acclaimed novelist, actor, memoirist, screenwriter, playwright, and raconteur, Malachy McCourt, turns his Irish eye to the song's complex history and myths in an eloquent ode to this classic. He traces…
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
The Twelve Days of Christmas–an enigma, wrapped in a mystery, perched in a pear tree. It is open to interpretation as to exactly what this exotic piece of holiday music actually means, but Reverend Mark Lawson-Jones gives us an entertaining and educated guess: the French word for partridge was misheard by English ears giving us “pear tree.”
And that is one of an assortment of Christmas tunes whose backgrounds are brought to light in this fascinating book devoted to uncovering some of the oldest and dearest songs of the season.
It also brings into perspective the social aspects and traditions inherent in the time period from where the songs originated.
Why was the partridge in the pear tree? Who was Good King Wenceslas? And what are the pagan origins behind 'The Holly and the Ivy'? Discover the hidden stories behind our best-loved Christmas carols, from their earliest incarnations in the Middle Ages and their banning under the Puritans to the wassailing traditions of the nineteenth century and the carols that united soldiers on the Western Front during the First World War. This fascinating book charts the history of one of Christmas' longest-running traditions and is sure to appeal to all those who love the festive season.
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
This is an absolute must for anyone interested in almost any musical genre.
Now in its fifth edition, it takes on the arduous task of sifting through the back stories of over 1,000 of the most familiar tunes through 500 years of musical history.
A more recent, albeit still antique reference, is the story of how “Jingle Bells” came to be, and the controversy regarding where it was actually, written; the snow-covered streets of Medford, Massachusetts, or the live oak-lined thoroughfares of Savanah, Georgia.
This classic, painstakingly researched compilation of music information, newly revised and enlarged, analyzes nearly 1,000 of the world's most familiar melodies, tracing them back to their original printed sources. Here in one convenient volume are the composers, lyricists, copyright date, first lines of music, lyrics, physical condition of first editions, and other data on a tremendous range of compositions, including We Shall Overcome, Haydn's Surprise Symphony, The Well-Tempered Clavier, There's No Business Like Show Business, Silent Night, Pictures at an Exhibition, Schubert’s Ave Maria, and many more. 30 black-and-white illustrations.
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
I love how the various writers in the book explore music and its effects on them and their lives.
I really enjoyed how they also include people they have known and been fond of, such as Maggie Nelson writing about her friend Lhasa. It also explores, through the series of essays, the reasons that inspire women to play and perform, but also other areas like fame and how this affects musicians.
The essays challenge the usual pattern of men writing about music and I love the view from the female musician’s standpoint. The essays vary in length, topics, and style but this is fine. I found the book inspirational, especially as the essays are there with only light edits.
Whether writing about what it is to be far from home on a journey, or defying expectations found the passion, consideration for music, and their motivation captivating.
This Woman's Work: Essays on Music is edited by Kim Gordon and Sinead Gleeson and features contributors Anne Enright, Fatima Bhutto, Jenn Pelly, Rachel Kushner, Juliana Huxtable, Leslie Jamison, Liz Pelly, Maggie Nelson, Margo Jefferson, Megan Jasper, Ottessa Moshfegh, Simone White, Yiyun Li and Zakia Sewell.
Published to challenge the historic narrative of music and music writing being written by men, for men, This Woman's Work seeks to confront the male dominance and sexism that have been hard-coded in the canons of music, literature, and film and has forced women to fight pigeon-holing or being side-lined by carving out their…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
This book opened up jazz music for me and changed how I viewed it. It is a history book, a storybook, and a narrative on social change, and the author is both knowledgeable and intuitive in his approach.
Insights into nearly all forms of jazz are given, along with their origins. Free jazz and improvised music are explored and in the final pages, Finkelstein gives some wonderful insights into what the future of jazz might look like from the American viewpoint. Masterful writing and a glorious journey into and through the jazz genre and its development.
I felt like Finkelstein was speaking directly to me in some places. An accessible and informative read.
Jazz: A People's Music is a comprehensive book written by Sidney Finkelstein that delves into the history, culture, and significance of jazz music. The book explores the origins of jazz in African American communities in New Orleans and traces its evolution through the 20th century. Finkelstein examines the key figures in jazz, including Louis Armstrong, Duke Ellington, and Charlie Parker, and explores the social and political contexts in which they created their music. The book also explores the influence of jazz on other genres of music, such as rock and roll and hip-hop. Jazz: A People's Music is a must-read…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
I loved this book because it spoke directly to me. Jost looks at jazz music and in particular the development of free jazz.
It all fits together and flows so easily. He includes discussions on different musicians, their impact on free jazz music and explains how different areas within America developed their own subgenres of music. This book contains so many ‘aha!’ moments which is why I recommend it.
When originally published in 1974, Ekkehard Jost's Free Jazz was the first examination of the new music of such innovators as Sun Ra, Ornette Coleman, and the Art Ensemble of Chicago. Jost studied the music (not the lives) of a selection of musicians,black jazz artists who pioneered a new form of African American music,to arrive at the most in-depth look so far at the phenomenon of free jazz. Free jazz is not absolutely free, as Jost is at pains to point out. As each convention of the old music was abrogated, new conventions arose, whether they were rhythmic, melodic, tonal,…
I've been passionate about music for almost my entire life. Jazz music in particular speaks to me but not just jazz. I love music, full stop. I really discovered jazz when I attended a jazz club workshop in London and there, I had to join in or leave. I chose to join in and since then I have never looked back. I was introduced to more jazz musicians and now write about music for three major columns as well as Readers’ Digest. My Women In Jazz book won several awards. I have been International Editor for the Jazz Journalist Association and had my work commissioned by the Library of Congress.
This was my ‘go to’ book for years when I first began to write about music and jazz music in particular.
Cooke explains many things that until then, I had only heard about. The history of jazz music is explained clearly. From Be-bop and hard bop to free jazz and the avante garde. His writing allowed me to put names to music styles I found fascinating and it was as if an author was truly speaking my language. He introduces some well-known jazz musicians and their impact on jazz music
A year-by-year history of people and events, this lively multi-layered account tells the whole story of jazz music and its personalities. The Chronicle of Jazz charts the evolution of jazz from its roots in Africa and the southern United States to the myriad urban styles heard around the world today, Mervyn Cooke gives us a narrative rich with innovation, experimentation, controversy, and emotion. The book is completely up to date, exploring the exciting recent developments in the world of jazz, from the rise of modern Big Bands and the renaissance of the piano trio to the popular appeal of Jamie…
The first record I ever bought was Magical Mystery Tour when I was no more than twelve or so. It’s what made me want to be a musician myself. I’ve got every Beatle record and I am the kind of guy to study carefully who played what, who wrote what, and how they put it all together. Just before Covid shut down everything, I even went to Abbey Road studios where we recorded some of the songs for my novel (we wrote and recorded all the songs of the fictitious band Downtown Exit). Working in Abbey Road was a dream come true – to record in the same rooms that the Beatles used. Imagine that. It was wonderful.
Revolution in the Head should come with a warning. This one is only for the most serious of Beatle fanatics. It’s an encyclopedic tome listing every song they ever recorded, who played on it, and even what days it was recorded (Strawberry Fields was recorded over five different sessions through November 1966). There are also many longer sections dealing with the particular cultural moments surrounding the writing of the songs and a whole lot of controversial opinion-making about just which ones are good songs and which are not.
This “Bible of the Beatles” captures the iconic band’s magical and mysterious journey from adorable teenagers to revered cultural emissaries. In this fully updated version, each of their 241 tracks is assessed chronologically from their first amateur recordings in 1957 to their final “reunion” recording in 1995. It also incorporates new information from the Anthology series and recent interviews with Paul McCartney. This comprehensive guide offers fascinating details about the Beatles’ lives, music, and era, never losing sight of what made the band so important, unique, and enjoyable.
Music is a major passion of mine. I’m highly involved in making and promoting independent music both locally and internationally via social media. The primary focus of all my endeavors is promoting a do-it-yourself ethos. Whenever I work with musicians, I’m always fascinated by how their creativity allows them to do a lot with a little. Hence, I suppose, the story of Frankie Lumlit. It’s a story about falling in love with music and finding a way to make it even when the world says no.
I knew that Phil Spector had a reputation for being mercurial (and that he was in prison for murder), but I never realized how off the rails he really was. I also never realized how many people he’d worked with—both as a producer and just as a guy who was trying to network his way into the business. I knew about his “girl groups,” about his work with the Beatles and some of their solo projects, and about his work with the Ramones, but I didn’t realize that he was very good friends with Ahmet Ertegun of Atlantic Records and that he saw Berry Gordy of Motown as one of his biggest competitors. Overall, a bizarre, tragic life, but an interesting read with a lot of information about some of the big names in rock history that Spector encountered.
A stunning biography of "pure self-interest and cruelty, tempered only slightly by the great musical achievements of Mr. Spector's golden age in the early 1960s" (The New York Times).
He had a number one hit at eighteen. He was a millionaire with his own record label at twenty-two. He was, according to Tom Wolfe, “the first tycoon of teen.” Phil Spector owned pop music. From the Crystals, the Ronettes (whose lead singer, Ronnie, would become his second wife), and the Righteous Brothers to the Beatles (together and singly) and finally the seventies punk icons The Ramones, Spector produced hit after…
