I dig deep for research for my novels and am entranced by history. It is the soil we grow from; without a sense of history, we have shallow roots. Many history books, however, are academic and tedious. Accounts by living witnesses – from interviews, letters, diaries – bring the past to life with vivid detail.
A compilation of memoirs and letters by six women from the English Civil War. Immersed in research for a novel, I was up to my ears in pamphlets and battlefields, troop movements, and religious schism; I opened The Grand Quarrel and began reading Brilliana, Lady Harley’s letters to her son at Oxford. (‘I have sent you some juice of liquorice, which you may keep to make use of, if you should have a cold.’)The past was suddenly refreshed.
This work draws together the memoirs of women involved in the English Civil War, on both sides. The accounts of wives and daughters provide an insight into women's experiences of the time for general reader and historian alike. They include the Duchess of Newcastle (who has been called "the first English woman writer") on her husband's role at the battle of Marston Moor in 1644; royalist Lucy Hutchinson, whose writing has the immediacy of a diary; Ann Fanshawe's memoirs of 1676, written so a son could know a father killed in battle (and valued by Virginia Woolf for their "candour…
I often think of the ways my life could have gone differently. Career-changing emails that were only narrowly rescued from spam folders, for example. In many parallel timelines, I doubt I’m still doing what I do today—which makes me cherish my good fortune to still be doing it. What I do is study the ways people have come to understand everything can go otherwise and that the future is, therefore, an open question and undecided matter. Of course, for ages, many have instead assumed that events can only go one way. But the following books persuasively insist history isn’t dictated by destiny, but is governed by chance and (sometimes) choice.
Given I study old books, I wanted to include at least one. I was tempted to recommend either Lawrence Sterne’s Tristram Shandy, for its sheer strangeness, or Christopher Smart’s Jubilate Agno, for including the best poetic lines ever written about a cat, or, otherwise, John Milton’s Paradise Lost. The latter can be read as an early declaration of human freedom in the face of the totalitarianism of nonhuman forces (be they demonic or divine), but, more importantly, one that is sensitive to the pitfalls of such self-assertion (“sufficient to have stood, though free to fall,” is how Adam and Eve are described). Now that thermonuclear weapons exist, this latter truth applies to humankind as a global collective.
But, numinous as Milton is, his work is familiar, so I decided to recommend a writer from his period who, albeit less famous today, is just as searingly good.
This volume in the 21st Century Oxford Authors series offers students and readers an authoritative, comprehensive selection of the work of Sir Thomas Browne (1605-1682). Accompanied by full scholarly apparatus, the edition demonstrates the breadth of the author of some of the most brilliant and delirious prose in English Literature.
Lauded by writers ranging from Coleridge to Virginia Woolf, from Borges to W.G. Sebald, Browne's distinct style and the musicality of his phrasing have long been seen as a pinnacle of early modern prose. However, it is Browne's range of subject matter that makes him truly distinct. His writings include…
I am the author of sixteen novels—six of them set in the mid-seventeenth century. The English Civil Wars and their aftermath is a period very close to my heart—combining as it does fascinating personalities, incredibly complicated politics, and all the drama and bloodshed of civil conflict. My greatest pleasure has been finding and featuring real men whose names are now largely forgotten.
First published in 1847, the writing style seems somewhat ponderous these days. I read it when I was about twelve—and this is where I discovered the English Civil War. It begins in 1647 and tells the story of four children who, their home burned by Parliamentary soldiers, flee to hide in the forest during a time of danger, persecution, and war. Its bias is unashamedly Royalist but that isn’t necessarily a flaw.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I am an academic historian who has had a passion for the wars of the three kingdoms for over three decades. I have been reading books about the civil wars in Britain and Ireland since I was ten years old. I have been a member of the re-enactment society The Sealed Knot and the Cromwell Association. I published my first monograph on the wars of the three kingdoms in 2018. The monograph views the conflict from a three kingdoms perspective through the eyes of the Scottish Covenanters and their English allies. I am a Fellow of the Royal Historical Society.
This is an integrated and detailed account of the Wars of the Three Kingdoms across Britain and Ireland, the English Republic and the Restoration of the Monarchy in 1660. It is written in an engaging and lively style and concisely integrates the large body of scholarship that emerged with the new British histories in the 1990s and early 2000s.
This is the definitive history of the English Civil War, set in its full historical context from the accession of Charles I to the Restoration of Charles II. These were the most turbulent years of British history and their reverberations have been felt down the centuries. Throughout the middle decades of the seventeenth century England, Scotland, and Ireland were convulsed by political upheaval and wracked by rebellion and civil war. The Stuart monarchy was in abeyance for twenty years in all three kingdoms, and Charles I famously met his death on the scaffold.
Give me a castle ruin or guide me through ancient Roman mosaics and you make my day. Accordingly, my preferred reading is historical fiction. I read (and review) lots of it, like 100 books/year. I am also ridiculously romantic. I want there to be some heart with the blood and war, I want characters I can root for despite the horrifying odds facing them. I want protagonists that step out of the past to drag me back with them. When I read, these are the books I choose. When I write, these are the books I aspire to create—Romantic Historical Fiction, if you will.
I have a passion for the 17th century and this novel based on actual diaries and letters from IRL people living through the realities of the English Civil War is a favourite. Ms. St. John writes about her own ancestors, and she imbues her characters with so much life, so many contrary opinions. These are difficult times, and especially for mother Lucy St. John whose son is a through-and-through royalist while daughter Luce is head-over-heels in love with Parliamentarian John Hutchinson. Luce is utterly fascinating: intelligent and with a passion to truly reform, she never loses her humanity or her ability for compassion. This novel is a real treat for anyone desiring well-researched historical fiction – with the added benefit of having a spoonful or two of love to complicate things!
”A fantastic read." Editor’s Choice, Historical Novel Society
London, 1630. Widowed and destitute, Lucy St.John is fighting for survival and makes a terrible choice to secure a future for her children. Worse still, her daughter Luce rejects the royal court and a wealthy arranged marriage, and falls in love with a charismatic soldier. As England tumbles toward bloody civil war, Luce’s beloved brother Allen chooses to fight for the king as a cavalier. Allen and Luce are swept up in the chaos of war as they defend their opposing causes and protect those they love.
Nancy Blanton is an American author of Irish descent. A former journalist, she’s written four award-winning novels rooted in 17th century Irish history. Her first novel, Sharavogue, takes place in the lawless West Indies on the island of Montserrat, where the protagonist struggles to survive the slavery, disease, kindness, and brutality of an Irish-owned sugar plantation.
If you want to know exactly what things looked like and what living in Barbados felt like in the 17th century, this is the book. Originally published in 1657, this is like a travelogue of the Island that became a prosperous English colony known for its sugar plantations, rum, and slave trade. Ligon was a royalist in exile during the English civil war.
Ligon's True and Exact History of the Island of Barbados is the most significant book-length English text written about the Caribbean in the seventeenth century. [It] allows one to see the contested process behind the making of the Caribbean sugar/African slavery complex. Kupperman is one of the leading scholars of the early modern Atlantic world. . . . I cannot think of any scholar better prepared to write an Introduction that places Ligon, his text, and Barbados in an Atlantic historical context. The Introduction is quite thorough, readable, and accurate; the notes [are] exemplary! --Susan Parrish, University of Michigan
I am the author of sixteen novels—six of them set in the mid-seventeenth century. The English Civil Wars and their aftermath is a period very close to my heart—combining as it does fascinating personalities, incredibly complicated politics, and all the drama and bloodshed of civil conflict. My greatest pleasure has been finding and featuring real men whose names are now largely forgotten.
Set in Cornwall, before and during the Civil War, this is a terrific tale based upon the lives of real people—most notably, perhaps, Sir Richard Grenville the King’s General in the West. It’s the story of the Rashleigh Family and Menabilly—where Daphne du Maurier herself lived.
Well written as one would expect of du Maurier—it’s a beautiful story, beautifully told; absorbing, exciting and hard to put down.
Inspired by a grisly discovery in the nineteenth century, The King's General was the first of du Maurier's novels to be written at Menabilly, the model for Manderley in Rebecca. Set in the seventeenth century, it tells the story of a country and a family riven by civil war, and features one of fiction's most original heroines. Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless - and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As Richard rises through the ranks of the army, marries and makes enemies,…
I’m a journalist and writer by profession, one who has a passion for history and historical fiction. Eventually these things came together when I came up with the idea for Drabble and Harris and wrote my first historical thriller – Rule Britannia. Before going into journalism I studied history at university, a bedrock that continues to support and feed my writing. I’ve also written broadly on various historical topics throughout my career, including for National Geographic. In my protagonists, Drabble and Harris, I have the perfect vehicle to travel back in time to the recent past and revisit it through modern eyes – and more than that, to challenge our perceptions of it.
Set in the aftermath of the English Civil War; this is the fourth in Andrew Taylor’s bestselling series involving a government agent named James Marwood and his friend, Cat Lovett, who happens to be Oliver Cromwell’s daughter. In The Last Protector1668 and Marwood and Lovett are on the trail of a mystery that goes back to the days of the republic, one quite literally hidden away in the bowels of the past, but also one which involves a very credible danger to both them individually and society at large. It’s gripping and immersive, and offers delicious personal and political jeopardy right up to the end.
From the No.1 Sunday Times bestselling author of The Ashes of London comes the next book in the phenomenally successful series following James Marwood and Cat Lovett.
Over 1 Million Andrew Taylor Novels Sold!
A dangerous secret lies beneath Whitehall Palace...
Brother against brother. Father against son. Friends turned into enemies. No one in England wants a return to the bloody days of the Civil War. But Oliver Cromwell's son, Richard, has abandoned his exile and slipped back into England. The consequences could be catastrophic.
James Marwood, a traitor's son turned government agent, is tasked with uncovering Cromwell's motives. But…
As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to.
Based on the Essex witch hunts during the English Civil War in 1644, this is so much more than a historical novel. The writing is poetic and fierce, the emotions riveting and unexpectedly moving. And our heroine, clever Rebecca West faces the danger of simply being a low-born, impoverished woman when ‘The Witchfinder General’ (a real historical figure) launches a patriarchal inquisition to ‘clean up’ society. How will Rebecca learn to protect both herself and her cantankerous mother in a cruel world hungry to claim marginalized women as scapegoats? Betrayal and heartbreak, solidarity, and mercy are all brought to vivid, unforgettable life in this literary gem.
Wolf Hall meets The Favourite in this beguiling debut novel that brilliantly brings to life the residents of a small English town in the grip of the seventeenth-century witch trials and the young woman tasked with saving them all from themselves.
"This is an intimate portrait of a clever if unworldly heroine who slides from amused observation of the 'moribund carnival atmosphere' in the household of a 'possessed' child to nervous uncertainty about the part in the proceedings played by her adored tutor to utter despair as a wagon carts her off to prison." —Alida Becker, The New York Times…
I have had the privilege to teach the history of political theory from Plato to today for decades and to discuss texts such as the five I mentioned with very gifted students. No matter how often I return to such works, I always find something new in them and it is a pleasure to see how students learn to love reading for themselves what can be daunting works, once they overcome the fear of opening the great works and the initial challenge of seventeenth- and eighteenth-century prose.
Hobbes’ attention to the meaning of words and his prose make this book well worth reading. If you find the beginning of Part I hard going, leaf through it and slow down as you come to last chapters of that first part of the book. Those and Part II are particularly engaging and make one think about the meaning of liberty, the nature of obedience, and the extent to which we are obliged to obey the state. Hobbes has interesting things to say about mercy and forgiveness, which might not be expected given the way he tends to be a caricatured. Another good book to read for oneself.
'The life of man, solitary, poore, nasty, brutish, and short'
Written during the chaos of the English Civil War, Thomas Hobbes' Leviathan asks how, in a world of violence and horror, can we stop ourselves from descending into anarchy? Hobbes' case for a 'common-wealth' under a powerful sovereign - or 'Leviathan' - to enforce security and the rule of law, shocked his contemporaries, and his book was publicly burnt for sedition the moment it was published. But his penetrating work of political philosophy opened up questions about the nature of statecraft and society that influenced governments across the world.
