I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.
When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.
Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.
He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.
Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history
"Traces the idea of witches far beyond the Salem witch trials to beliefs and attitudes about witches around the world throughout history."-Los Angeles Times
The witch came to prominence-and often a painful death-in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.
This book sets the notorious European witch trials in the widest and deepest possible perspective…
I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
I loved this book for being historical fiction at its finest, and I loved the main character, Mary Deerfield, for being a woman who did not fit within her own time.
It’s 1660s Boston, and Mary is married to an abusive man. Determined not to die at his hand, she must fight against everything in her society to free herself from her marriage.
I loved how this book so insightfully explored the dynamics of an abusive relationship while also bringing to vivid life a distant time and place.
NEW YORK TIMES BEST SELLER • From the acclaimed author of The Flight Attendant: “Historical fiction at its best…. The book is a thriller in structure, and a real page-turner, the ending both unexpected and satisfying” (Diana Gabaldon, bestselling author of the Outlander series, The Washington Post).
A young Puritan woman—faithful, resourceful, but afraid of the demons that dog her soul—plots her escape from a violent marriage in this riveting and propulsive novel of historical suspense.
Boston, 1662. Mary Deerfield is twenty-four-years-old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But…
I’ve always loved fantasy. My mother told me fairy stories and I read every book of myth and legend in my local library. I’ve continued to read and love books of fantasy and magic. I guess it’s not surprising that all four of my novels and most of my short stories have a speculative aspect to them. Having grown up with the traditional view of the aged, ugly crone luring children away to their doom, I especially love stories of witches that come at the topic of witchcraft from a different angle. I live in the East of England, where the infamous witch-hunts of the seventeenth century took place.
If you mention witches, most people think fantasy novels, but this is a factual history about the real life witch-hunts that took place across the East of England in the 17th Century. It unpicks the brutal and most likely self-serving crusade of the original Witchfinder General, Mathew Hopkins and the religious hysteria of the time. It is a worthy counterbalance to classic horror films such as Witchfinder General and to all the varied and imaginative fiction that has been written about witches and witchery over the centuries, my own included.
By spring 1645, two years of civil war had exacted a dreadful toll upon England. People lived in terror as disease and poverty spread, and the nation grew ever more politically divided. In a remote corner of Essex, two obscure gentlemen, Matthew Hopkins and John Stearne, exploited the anxiety and lawlessness of the time and initiated a brutal campaign to drive out the presumed evil in their midst. Touring Suffolk and East Anglia on horseback, they detected demons and idolators everywhere. Through torture, they extracted from terrified prisoners confessions of consorting with Satan and demonic spirits.
I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
A passionate, paranormal romance between a witch and the chasseur who hunts her, Blood & Honey is filled with shapeshifting warriors, werewolves, and mermaids. As a French teacher, I loved the fantasy setting reminiscent of medieval France, the places like La Forêt des Yeux, and the two opposing families of witches—les Dames Blanches and les Dames Rouges—the French names of the colors depicting the distinction in the magic practiced.
The stakes are higher. The witches are deadlier. And the romance is red-hot. The eagerly anticipated sequel to the New York Times and Indiebound bestseller Serpent & Dove is perfect for fans of Sarah J. Maas and is an instant New York Times bestseller!
Lou, Reid, Coco, and Ansel are on the run from coven, kingdom, and church-fugitives with nowhere to hide.
To survive, they need allies. Strong ones. But as Lou becomes increasingly desperate to save those she loves, she turns to a darker side of magic that may cost Reid the one thing he can't bear to lose.…
As an author and activist, I use fiction as a way of exploring social issues which mean a lot to me. As a woman of color, that means writing protagonists who encounter sexism, racism, class, and geographic inequality—but who combat those injustices in inventive and heroic ways. For me, the story is always about being human: trying to understand why a character acts a certain way in a certain situation. After all, aren’t we all trying to pursue our own desires against a backdrop of societal expectations? A good story—whether fiction or non-fiction—brings these conflicts to emotional, vivid life, and roots them in a reality we can all relate to.
Based on the Essex witch hunts during the English Civil War in 1644, this is so much more than a historical novel. The writing is poetic and fierce, the emotions riveting and unexpectedly moving. And our heroine, clever Rebecca West faces the danger of simply being a low-born, impoverished woman when ‘The Witchfinder General’ (a real historical figure) launches a patriarchal inquisition to ‘clean up’ society. How will Rebecca learn to protect both herself and her cantankerous mother in a cruel world hungry to claim marginalized women as scapegoats? Betrayal and heartbreak, solidarity, and mercy are all brought to vivid, unforgettable life in this literary gem.
Wolf Hall meets The Favourite in this beguiling debut novel that brilliantly brings to life the residents of a small English town in the grip of the seventeenth-century witch trials and the young woman tasked with saving them all from themselves.
"This is an intimate portrait of a clever if unworldly heroine who slides from amused observation of the 'moribund carnival atmosphere' in the household of a 'possessed' child to nervous uncertainty about the part in the proceedings played by her adored tutor to utter despair as a wagon carts her off to prison." —Alida Becker, The New York Times…
I’m an avid fantasy reader and enjoy stories filled with magic, danger, and a mix of humor and romance thrown in. When I’m not writing my own fantasy novels, you might catch me tucked away in a corner, reading a book, and fueling my imagination. Since my own book, The Wayward Wizard, features a secret organization trying to intercept the supernatural, I knew similar stories would make a perfect list to share with fellow fantasy readers.
Who’s ever been blamed at work for something they didn’t do? Well, the Office of Preternatural Affairs takes it to a whole new level when they suspect one of their agents, Cèsar Hawke, of murdering a woman. I mean, she was found dead in his home…but he claims he’s innocent. And he’s going to hunt down a shaman who can speak to the dead to prove it.
This wickedly fun story takes the urban fantasy detective trope and infuses it with humor, danger, and twists & turns.
There are scratches on Cèsar Hawke’s arms, a discharged Glock on his coffee table, and a dead woman in his bathtub. Yeah, maybe he brought the waitress home for some fun—he was too drunk to remember it—but he knows for a fact that he didn’t kill her. He’s an agent with the Office of Preternatural Affairs. He doesn’t hurt people. He saves them. The cops disagree. Now Cèsar is running. Isobel Stonecrow speaks with the dead. She brings closure to the bereaved and heals broken hearts. But when she talks to the wrong spirit, the OPA puts a bounty on…
I love historical fiction because it brings history and people from the past to life, showing us their struggles and their secrets—especially the women! Since my first historical novel, The Miracles of Prato, I've been paying attention to the women whose stories haven't been told. When I realized Hester Prynne is our first American historical feminist heroine—indeed, our American Eve and our original badass single mom—I knew I had to let her tell her story.
This new and acclaimed book about the first witch trial in America in 1651 Springfield, Massachusetts, reads like a novel in which two outsiders, Hugh Parsons and his vision-seeing wife Mary (who probably suffered from paranoid schizophrenia or post-partum psychosis) become the target of an entire town. Puritan laws and Old World medieval folk tales contribute to the sense of darkness and foreboding that prevail over the town and its inhabitants, reminding us that New England was a dark land, isolated and full of enemies, hungry and poor and primed to be swept up by diabolical accusations and actions. Read this for a deep understanding of the causes and consequences of the American witch trials.
*A TIMES, SUNDAY TIMES AND BBC HISTORY HISTORY BOOK OF THE YEAR 2021*
'The best and most enjoyable kind of history writing' Hilary Mantel
'A bona fide historical classic' Sunday Times
Simply one of the best history books I have ever read' BBC History
In the frontier town of Springfield in 1651, peculiar things begin to happen. Precious food spoils, livestock ails and property vanishes. People suffer fits and are plagued by strange visions and dreams. Children sicken and die. As tensions rise, rumours spread of witches and heretics, and the community becomes tangled in a web of spite, distrust…
Addie is a young, autistic girl in Scotland. She learns dozens of women were executed for witchcraft right in her own village. She is horrified even though it took place hundreds of years before.
Addie feels a kinship with the women and becomes determined to create a memorial for them. Unfortunately, other than her big sister and her best friend, no one else understands her passion for women who died so long ago.
The story is written in first person, and is an #ownvoices book, as the author, Elle McNicoll, is autistic herself. Neurodiverse people are under-represented in literature, but A Kind of Spark helps readers see that autistic people can be the heroes of their own stories.
Perfect for readers of Song for a Whale and Counting by 7s, a neurodivergent girl campaigns for a memorial when she learns that her small Scottish town used to burn witches simply because they were different.
"A must-read for students and adults alike." -School Library Journal, Starred Review
Ever since Ms. Murphy told us about the witch trials that happened centuries ago right here in Juniper, I can’t stop thinking about them. Those people weren’t magic. They were like me. Different like me.
I’m autistic. I see things that others do not. I hear sounds that they can ignore. And…
As a magical realism/horror author, born and reared in Ireland—I love stories that scream strange and unusual. By adding an extra dimension to a story, you can open the mind to the most wonderful places. I love to write for everyone with no exceptions, and while there are many worlds to lose yourself in while reading, I am drawn to the what ifs of magic. The worlds of witches, the dead, the unimaginable and realms beyond our own. This is why I love to write, and the reason I share my mind with those who enjoy a tale outside the norm of daily life.
The story of Moll Dyer caught my attention from the first page, the second my homeland was mentioned. Like so many in Ireland during this timeline in history when work was scarce and mouths needed to be fed, moving across the pond to England where her father still struggled to find work was the only choice she had. Violated, shunned, shipped off to the Colonies with her uncle, making an enemy in the process.
While this can be deemed historical fiction, it is a paranormal, supernatural story, of a witch-hunt that just keeps giving.
Moll Dyer prays she can leave her troubles behind when she immigrates to the new world, but a paranormal threat grows, and soon follows her across the ocean to Maryland.
Colonial life in the Old Line state was tough on both man and woman. Hunger, disease, Indian attacks, and drought tested the resolve of the settlers daily, but troubles for the Dyers included the threat of a succubus on a mission! Will the demonic call initiated by her family prove too much to resist as she labors to rebuild her life in a distant land?
We have always been fascinated by literary masterworks that stage the plague as a pivotal factor in the plot. We added the next ingredients: a whodunnit with a claustrophobic setting, the Baroque Age, a (real) financial thriller between Rome and London, and an unusual protagonist. Rita is a historian of religions, Francesco is a musicologist. After working as journalists, meeting in a newspaper bureau, and getting happily married, we started a writing career publishing 11 novels translated into 26 languages and 60 countries with more than 2 million copies sold. Our novels are a mix of literary creativity and meticulous research, characters and settings are strictly based on original documents and eyewitness accounts.
This epic novel in Walter Scott’s good tradition, but with a plus of philosophical depth, taught us (and generations of authors) how to wave together love and hope, freedom and destiny, pride and courage. The plague’s tragic outcome around 1630 in northern Italy offered such a powerful literary palette that Manzoni had to spin off a chapter about the epidemic and publish it separately. Nevertheless, The Betrothed is still marked by death and devastation, the hysterical witch-hunt against the alleged “plague-spreaders” and the impressive scenes in the lazarettos.
Set in Lombardy during the Spanish occupation of the late 1620s, The Betrothed tells the story of two young lovers, Renzo and Lucia, prevented from marrying by the petty tyrant Don Rodrigo, who desires Lucia for himself. Forced to flee, they are then cruelly separated, and must face many dangers including plague, famine and imprisonment, and confront a variety of strange characters - the mysterious Nun of Monza, the fiery Father Cristoforo and the sinister 'Unnamed' - in their struggle to be reunited. A vigorous portrayal of enduring passion,
