98 books like The Witch-Hunt in Early Modern Europe

John Putnam Demos remains the “dean” of historians of the Salem witch trials. 

Entertaining Satan remains his most impactful contribution to the study of the events of 1692 by providing their cultural context in early New England, upon which historians have built over the years expanding upon Demos’ findings.

Perhaps his greatest contribution is his interdisciplinary approach invoking the research tools of psychology and sociology, as well as cultural history. His concluding chapter, “Communities: Witchcraft over Time,” provides broadly, excellent insights drawn from his extensive research.  

This latest compilation of the records of the Salem witch trials is a must for anyone researching any aspect of the trials. 

Its importance lies not only in its comprehensive documentation of the events of 1692, but also in its inclusion of several documents newly discovered since previous publications offering such records. It also provides corrections that have been made in previous collections, dating to the work of the WPA in the 1930s.

The records are arranged chronologically, but also well indexed, along with a general introduction, linguistic introduction, biographical notes, and bibliography.  

In his latest book, Baker explores the various explanations for the Salem witch trials. He concludes that there was no single factor, but rather the result of a convergence of conditions, political, social, cultural, and economic. 

He focuses on key players in the outbreak, including the accused, the accusers, the judges, and government officials who failed to deal with the hysteria in a timely manner, thereby sparing those who lost their lives in the process.

In his final chapter, he discusses the response of Salem town, “witch city,” to the events of 1692 and its attempt to mine the tourist opportunities while recognizing the personal tolls taken by the accused. 

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

I strongly recommend this book as not only does it weave spooky images of ghostly events in one’s psyche, but couples it with fascinating phenomena such as telepathic communication and willpower. Furthermore, I was fascinated by the complex personality of the main protagonist, who allows himself to become victim of evil forces leading to a gradual descent into madness.

It also emphasises that social isolation in a remote place can have a detrimental impact on oneself and those close to you. I found the fight for survival in this tale riveting.

One of the most disturbing and terrifying books of all time. I was shocked to find out that the author of this book was a Christian, and that is what led me to read this novel. I had heard about how horrific the film was and, despite my penchant for horror, I avoided both the movie and the book, considering them both demonic.

When I finally read the novel, I realized that this insane story reveals a truth regarding faith: to accept God and the reality of who He is, we must also acknowledge and accept the reality of demons and darkness, and vice versa. 

A neglected classic of popular history. This book taught me things about the history of magic that now seem so obvious and important that I wonder how I missed them before. Ryrie tells the story of the fraudulent magician Gregory Wisdom, whose deception of a Tudor nobleman led to allegations of attempted murder by witchcraft. More broadly, he reveals a world in which the widespread acceptance of occult phenomena made counterfeit magic alluringly credible, and charlatans co-existed with “genuine” practitioners of magic. I know of no other book that describes the twilight world of fake and real sorcery with such vividness and insight.

In 1575, the Roman Inquisition came across some disturbing rumors of villagers who called themselves benandanti, meaning “good walkers.” These men and women of the agrarian district of the Friuli in northeastern Italy were thought to be special because, as the folk narrative goes, they were born with the amniotic membrane (or the “caul”) covering their heads. When the individuals reached adulthood, on certain Thursday nights of the year, an angel summoned them from sleep, and, travelling out of their bodies in the form of mice, cats, and other small animals, they flew into the clouds to fight malevolent witches (malandanti). The benandanti fought with bundles of fennel while the witches wielded sorghum stocks. If the “good walkers” were successful in defending the crops, it would be a good year; if the witches won, the harvest would be abysmal and the witchy “evil walkers” would destroy the wine,… show more.

The narrator is turned into a donkey and undergoes various tribulations before recovering his human form. The only Latin novel to survive complete, it is a unique curiosity shop of diverse treasures: fantastical, comic, bawdy, beautiful, violent, and finally—biggest surprise of all—devoutly religious. "It smells of incense and urine," Flaubert said. Much of the work consists of tales related by the characters whom the donkey comes across, of which the longest is Cupid and Psyche, a fabulously rococo display of exquisite and enchanted storytelling. The virtuoso beauty of the description of Cupid’s wings is unbeatable. "Reader, listen up: you’ll love it," says the narrator at the start. You will. Again, go for Ruden’s translation.

The Volsung saga is a heroic Old Norse tale about the origins and decline of the royal clan of the Volsungs and the fantastic deeds of Sigurd the dragon-slayer. Snorri Sturluson, an Icelandic poet and historian, recorded the story around 1220, but the material dates to events that took place centuries before. The saga is full of beings and happenings that would have been considered demonic in Christianized Europe, such as giants, werewolves, sorcery, magic wolf skins, and the consumption of dragons' blood to learn the language of birds. However, within the mythic Norse world, these things were otherworldly and magical, but not necessarily malevolent. The saga was a source for J. R. R. Tolkien’s Lord of the Rings—right down to the dwarfs, a cursed magical ring, and a treasure-guarding dragon—and an inspiration for Richard Wagner's epic music drama, the Ring Cycle. Also, the story of the… show more.