The Haunting of Hill House

By Shirley Jackson,

Book cover of The Haunting of Hill House

Book description

Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro

Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and…

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Why read it?

30 authors picked The Haunting of Hill House as one of their favorite books. Why do they recommend it?

Of the many ghost stories in my collection, this must be my favorite and the one I recommend most to both newcomers and veterans of Gothic literature. (With nary a ghost in sight!) Once again, none of the adaptations can fully capture the dark magic at the novel’s heart.

Building on the emotional and psychological elements first touched on in Henry James’s, The Turn of the Screw, Jackson reinvented the haunted house genre and gave us an instant classic to which all other such tales must inevitably be compared. Cherished by horror writers and readers everywhere, this book captivates…

I was late in coming to this and was glad to find its popularity richly deserved.

The characters are quirky enough to be entertaining on their own, and the house is a formidable opponent. I found the climactic scene where the ghost is banging on all the doors genuinely frightening, and then the plot took a completely unexpected turn. I was the one who succumbed to the haunting in the end.

From Linda's list on good old-fashioned haunted house.

Of all the genres, horror is the most difficult to write successfully because it requires technique. And I’m referring to true horror, not gore-or, as the great Stephen King writes (I can hear the boos aimed at me already).

Considered a classic by many—including Mr. King—The Haunting has one of the greatest opening paragraphs of all time, and illustrates perfectly the technique involved as Jackson describes the features and construction of the House—subtly, benignly, and then...“and whatever walked there, walked alone.” 

The story, a traditional haunted house tale, is short and filled with such unseen creepiness and can be…

Conditions are Different After Dark

By Owen W. Knight,

Book cover of Conditions are Different After Dark

Owen W. Knight Author Of The Visitors

New book alert!

Why am I passionate about this?

Author Visionary Compassionate Imaginative Conspiracist Apophenia (or apophenic)

Owen's 3 favorite reads in 2023

What is my book about?

In 1662, a man is wrongly executed for signing the death warrant of Charles I. Awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.

Over four centuries later, Faith and James move to the country to start a new life and a family. They discover their village lives under the curse uttered by the hanged man. Could their arrival be connected? They fear their choice of new home is no coincidence. Unexplained events hint at threats or warnings to leave. They become convinced the village remains cursed despite their friends’ denials. Who can they trust, and who are potential enemies?

Conditions are Different After Dark

By Owen W. Knight,

What is this book about?

In 1660, a man is wrongly executed for signing the death warrant of Charles I. While awaiting execution, he asks to speak with a priest, to whom he declares a curse on the village that betrayed him. The priest responds with a counter-curse, leaving just one option to nullify it.
Over four centuries later, Faith and James move to the country to start a new life and a family. They learn that their village lives under the curse uttered by the hanged man. Could their arrival be connected?
Faith and James fear that their choice of a new home is…


In the real estate market of haunted houses, Hill House remains a hot property decades after the book’s publication in 1959.

Shirley Jackson is queen of slow-burn Gothic suspense, and her premise is incredible: a group of strangers arrive at an eerie mansion as part of a scientific project to find evidence of the paranormal.

Jackson doesn’t use flashy jump scares, but rather spins a subtle dread that makes even quiet scenes feel unbearably tense.

Haunting of Hill House remains my top recommendation for scary novels. It’s rare for a book to have me leaving the lights on at night,…

Published in 1959, this is a chilling tale of a group of strangers who take part in a psychological study into psychic phenomena by agreeing to spend the summer in Hill House, reputed to be haunted. The story’s narrator is Eleanor Vance, a shy, fragile woman damaged by 11 years of nursing her sick mother through a fatal illness. Free at last, she’s eager to embrace life, but instead finds herself prey to the dark pull of the decaying old mansion, which finally claims her in the end. 

From Nancy's list on gothic tales of houses.

I confess I saw the 1963 movie with Julie Harris when I was a teenager before I read the book, but the book is as usual better than any film version that has been made. The appeal for me definitely comes down to the standard haunted house trope – my favourite basis for any scary story. Shirley Jackson uses a buildup of fear rather than horror to get a response from the reader which I think is far more effective. The story centres around a group of people staying at Hill House to investigate possible paranormal activity, and the creepy…

From Anne-Marie's list on scaring the bejesus out of you.

Far from just another Gothic story set in yet another ostensibly haunted mansion, Hill House is, in my opinion, the best psychological horror novel of all time (sorry Stephen King!) A bold statement, I know, but I consider Shirley Jackson my muse. When an agent once compared my writing to hers, I printed the email and taped it onto my computer as a firewall against doubt and insecurity. 

The question Jackson so subtly asks is the same one that appears (more clumsily, I’m sure) in many of my own works—is it the location or the person (in this case, Eleanor)…

From J. L.'s list on gothic reads by modern women.

This is one of the scariest and most elegant books I have ever read. It’s got all my favorite things; a haunted house, a group of charismatic flawed characters, a troubled heroine, a creeping atmosphere of dread… I was completely wrapped up from page one, routing for Elenore who, after decades of servitude under her abusive mother and dominating older sister, just wants to live her life and drink from her own cup of stars. Stephen King called this one of the finest horror novels of the late 20th century, so there’s that too. 

From Sophie's list on escaping reality.

It might sound strange, but one of the things I like most about Shirley Jackson’s writing is just how brutal she is with her characters! When I first met Eleanor Vance, the lead character in The Haunting of Hill House, who’s seeking her ‘cup of stars’, I was absorbed in the slightly strained and unsettling interior monologue that lets us into her view of the world. From the start, I got the feeling of something about to snap… But personally, I’m usually rooting for the characters in the books I read, so I still hoped Eleanor might find those…

From S. T.'s list on reality becoming unreal.

The Haunting of Hill House is yet another cautionary tale. Billed as a ghost story, you never truly know what it actually is. Eleanor Vance is sick of caring for her disabled mother and wants a change in her life. She takes part in the study at an apparent haunted house. The haunting is made scary through Eleanor’s eyes (and decreasing sanity). Through her writing, Shirley Jackson creates a story that’s timeless and will never wilt. It’s like a ghost itself in that way. 

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