In my writing about science, I am always keen to include the artistic and literary dimension that links the science to the broader culture. In Huygens, a product of the Dutch Golden Age, I found a biographical subject for whom it would have been quite impossible not to embrace these riches. This context – including painting, music, poetry, mechanics, architecture, gardens, fashion and leisure – is crucial to understanding the life that Huygens led and the breakthroughs he was able to make.
Fiction allows for the portrayal of a kind of absorption in the processes and materials of a historical period that is unusual in nonfiction. It can give a powerful sense of how time actually passed for people. Vermeer’s chaotic domestic routine as a painter was splendidly imagined by Tracy Chevalier in Girl with a Pearl Earring, for example. But the technical innovators of the Dutch Golden Age – the telescopists, the astronomers, the surveyors and engineers – are yet to be celebrated in this way. Sadly, nobody has written the story of Simon Stevin, who built a sand-yacht that could outrun a galloping horse as it whipped along the Dutch strand, or of Cornelis Drebbel, who demonstrated a submarine for King James I that mysteriously managed to stay underwater with its crew for several hours in the River Thames.
However, Stella Tillyard has performed this service on behalf of…
A 'magical, haunting' (Philippa Gregory) novel of a tragic love affair in a threatened world
In 1649, Jan Brunt, a Dutchman, arrives in England to work on draining and developing the Great Level, an expanse of marsh in the heart of the fen country. It is here he meets Eliza, whose love overturns his ordered vision and whose act of resistance forces him to see the world differently.
Jan flees to the New World, where the spirit of avarice is raging and his skills as an engineer are prized. Then one spring morning a boy delivers a note that prompts…
I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
Pre-revolution America is not usually my era for historical fiction but when I tell you that this novel grabs you with visceral detail, I mean it. Smells, textures, glares—everything is so vividly told! The resistance in this novel is really simple survival, as the whole New England village seems to have it in for our heroine Ruth. But she stubbornly holds out, trying to forge a path forward for herself. We get treated to some local politics, some ship lore, run-ins with Indigenous Nations (some good, some bad) and local brigands, and always anchored in Ruth’s evolving notions of right and wrong. The ending was also delicious. Think Last of the Mohicansmeets Cold Mountain, but with a surprise for our heroine.
Out Front the Following Sea is a historical epic of one woman’s survival in a time when the wilderness is still wild, heresy is publicly punishable, and being independent is worse than scorned—it is a death sentence. At the onset of King William’s War between French and English settlers in 1689 New England, Ruth Miner is accused of witchcraft for the murder of her parents and must flee the brutality of her town. She stows away on the ship of the only other person who knows her innocence: an audacious sailor—Owen—bound to her by years of attraction, friendship, and shared…
I’ve loved reading novels about strong, quirky women since childhood (Nancy Drew, Ramona Quimby, Harriet the Spy, the heroines of Judy Blume novels, just for starting examples!). As I grew into writing my own stories, I also started studying women’s history. I merged these two interests to begin writing historical novels with strong women protagonists. I love the challenge of researching to figure out the details of women’s day-to-day lives–so many unrecorded stories!–and I love to advocate for the idea (fortunately not as revolutionary as it once was) that a woman can be the hero of her own story and that each woman’s story is important to tell.
I loved this book for being historical fiction at its finest, and I loved the main character, Mary Deerfield, for being a woman who did not fit within her own time.
It’s 1660s Boston, and Mary is married to an abusive man. Determined not to die at his hand, she must fight against everything in her society to free herself from her marriage.
I loved how this book so insightfully explored the dynamics of an abusive relationship while also bringing to vivid life a distant time and place.
NEW YORK TIMES BEST SELLER • From the acclaimed author of The Flight Attendant: “Historical fiction at its best…. The book is a thriller in structure, and a real page-turner, the ending both unexpected and satisfying” (Diana Gabaldon, bestselling author of the Outlander series, The Washington Post).
A young Puritan woman—faithful, resourceful, but afraid of the demons that dog her soul—plots her escape from a violent marriage in this riveting and propulsive novel of historical suspense.
Boston, 1662. Mary Deerfield is twenty-four-years-old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But…
I’ve always been fascinated by American history and have clear memories of celebrating America’s bicentennial as a child. I have twenty-two Revolutionary Patriots in my family history, and I am most proud of my 6x-great grandmother, Anna Asbury Stone, for her bravery and daring during the winter of 1778. I did extensive genealogical research to learn about her, her family, and her circumstances before writing Answering Liberty’s Call: Anna Stone’s Daring Ride to Valley Forge.
Bound is set in the years prior to the American Revolution, and highlights the difficulties faced by girls and women indentured servants. Alice and her family set out for America from England, but when her mother and brothers die during the voyage, Alice’s father decides he cannot keep her and sells her as an indentured servant upon reaching Boston. Alice should have had a middle-class upbringing, but instead, she becomes chattel. The scenes of abuse in this book are stark, but it helps to shed light on the sufferings of the disenfranchised and the helpless. Alice’s determination will inspire.
An indentured servant finds herself bound by law, society, and her own heart in this novel set in colonial Cape Cod from the author of acclaimed The Widow’s War.
Indentured servant Alice Cole barely remembers when she was not “bound”, first to the Morton family, then to their daughter Nabby—her companion since childhood—when she wed. But Nabby’s new marriage is not happy, and when Alice finds herself torn between her new master and her old friend, she runs away to Boston. There she meets a sympathetic widow named Lyddie Berry and her lawyer companion, Eben Freeman. Impulsively stowing away on…
I’m a born-and-bred New Englander and I teach history at Barnard College, Columbia University. I have always loved sailing and the ocean, so I’m fascinated with the early modern Age of Sail. My focus is the seventeenth- and eighteenth-century Atlantic World, when the histories of the Americas, Europe, and Africa became permanently entangled. My first book, The Saltwater Frontier, won the Bancroft Prize in American History in 2016. My second book, The Life and Times of Squanto, is hitting bookshelves in Fall 2024.
The Seven Years’ War is obscure in the American historical imagination: if it’s remembered at all, it’s as a hazy, unimportant flintlocks-and-tomahawks event.
In this gripping, masterful narrative, Fred Anderson leaves his reader with no doubt of just how momentous this conflict was. He examines imperial, colonial, and indigenous actors to explain how the French were expelled from North America and how the war’s aftermath was a catalyst for both Native and colonial resistance to British rule.
Arguably the first world war, it could also be called the war that made America.
In this vivid and compelling narrative, the Seven Years' War–long seen as a mere backdrop to the American Revolution–takes on a whole new significance. Relating the history of the war as it developed, Anderson shows how the complex array of forces brought into conflict helped both to create Britain’s empire and to sow the seeds of its eventual dissolution.
Beginning with a skirmish in the Pennsylvania backcountry involving an inexperienced George Washington, the Iroquois chief Tanaghrisson, and the ill-fated French emissary Jumonville, Anderson reveals a chain of events that would lead to world conflagration. Weaving together the military, economic, and…
I could see this story unfolding in front of my eyes as I read. I didn’t want to stop reading.
The story flowed, was ‘true” to history, about real events and people, and full of realistic human emotions and conflict. I found the prose vivid and gripping, and the portrayal of the early settlers and Native American community well balanced.
There was great tension in the plot and between the two main characters that ended in a plausible way.
From the author of Emily's House comes a “compelling, emotionally gripping”* novel of historical fiction—perfect for readers of America’s First Daughter.
Massachusetts Bay Colony, 1676. Even before Mary Rowlandson was captured by Indians on a winter day of violence and terror, she sometimes found herself in conflict with her rigid Puritan community. Now, her home destroyed, her children lost to her, she has been sold into the service of a powerful woman tribal leader, made a pawn in the ongoing bloody struggle between English settlers and native people.
Battling cold, hunger, and exhaustion, Mary witnesses harrowing brutality but also unexpected…
I'm now retired. But like many historians of my generation, I've been lucky. Having gone to the University of California when there was no tuition and got through graduate school thanks to the GI Bill, I then taught history for five decades, briefly at San Francisco State College and the University of Hawaii, and for a long stretch at the University of Massachusetts in Amherst. During those years, I wrote eight books, one was a finalist for the Pulitzer Prize in 1987, and three won prizes—the Albert J. Beverage Award in 1970, the second-place Lincoln Prize in 2001, and the Langum Trust Prize in 2015. All but one deal with slavery and power.
How did the Virginia slaveholders somehow become the most celebrated spokesmen for “liberty” and “equality” in the Revolutionary Era even though they all owned hundreds of slaves? Morgan contends that to understand this paradox one has to go back to 17th-century colonial Virginia where American slavery and American freedom emerged together. Moreover, argues Morgan, those days not only had a profound effect on the American Revolution and the Early Republic, but on everything that has happened since.
In the American Revolution, Virginians were the most eloquent spokesmen for freedom and quality. George Washington led the Americans in battle against British oppression. Thomas Jefferson led them in declaring independence. Virginians drafted not only the Declaration but also the Constitution and the Bill of Rights; they were elected to the presidency of the United States under that Constitution for thirty-two of the first thirty-six years of its existence. They were all slaveholders. In the new preface Edmund S. Morgan writes: "Human relations among us still suffer from the former enslavement of a large portion of our predecessors. The freedom…
I suppose it began at age 10 as a transplant to Southern California from Minnesota. That awkward transition begged for an escape, and I found it in the supernatural. I watched the original Twilight Zones, tore through The Chronicles of Narnia one summer, discovered Ray Bradbury and Stephen King, and then picked up a pen and wrote. Creating new worlds became a calling. Then life and adulting got in the way, as they do, but over time, I’ve written three novels dealing with the supernatural. They’re the books I would have loved as a kid. They’re a leap into my head—care to try? It’ll be fun, he says.
As if life in a Puritan colony isn’t horrifying enough, there’s a monster hanging around, ready to rip everyone to holy shreds for their sins. That’s Slewfoot in a nutshell, but there’s so much more than that. I loved the main character, a confident English woman who was sold into marriage to a Puritan colonial man by her father (gee, thanks, Dad). Big surprise—Puritan life isn’t all that great for her, especially due to her new husband’s smarmy brother, who wants what’s theirs.
I enjoyed this remarkable book, which I’d describe as part folktale, part historical fiction, and part monster-ghost-fest. I really felt that I was there, and as a New England transplant myself, I felt a bit ashamed of the local ancestry’s absurd ways long gone. But as is my taste, the fantastic supernatural element and its complex world held most of my attention. I found this novel to…
An ancient spirit awakens in a dark wood. The wildfolk call him Father, slayer, protector.
The colonists call him Slewfoot, demon, devil.
To Abitha, a recently widowed outcast, alone and vulnerable in her pious village, he is the only one she can turn to for help.
Together, they ignite a battle between pagan and Puritan - one that threatens to destroy the entire village, leaving nothing but ashes and bloodshed in their wake.
"If it is a devil you seek, then it is a devil you shall have!"
This terrifying tale of bewitchery features more than two dozen…
I started academic life as a historian of the Protestant Reformation, and gradually shifted to the history of communication, in the process creating a major online resource documenting publications from all over the world in the first two centuries of printing, the Universal Short Title Catalogue. After several works on books, news, and information culture I teamed up with another St Andrews colleague, Arthur der Weduwen, to enjoy the pleasures of co-authorship: this book, a history of libraries and book collecting, is our fourth collaboration.
The key obstacle to communication in the pre-modern age was distance: this was particularly the case in the transported communities of European settlers in distant continents, often sparsely settled and without the familiar settled infrastructure of roads and trade. In this landmark study, Richard Brown considers the case of colonial America and the early Republic through a series of well-chosen case studies. These reveals that Americans relied on a multi-media experience of newsgathering, where conversation, gossip, and neighbour networks competed with new media innovations. An instant classic full of insight.
One of the leading scholars dealing with early communication history in America, Richard Brown discusses how information moved through eighteenth and nineteenth-century American society, principally through the expansion of the printed word and its change from the property of the learned and wealthy into a mass-audience market.
Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II.
He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.
We may think we know about colonial America. Higginbotham reveals that we are just beginning to learn about this geographical space and this period of history. Higginbotham shows another ‘America,’ still dominated by the laws of European countries such as Britain, France, the Dutch Republics, and Spain. This is an America that may be unfamiliar to us and it is a place where Africans could still negotiate their status in the courts of law. This book offers a very detailed exploration of a fascinating moment in American history. And shows us what the founding of the United States of America really meant to the Africans, who had already been there for more than a hundred years.
Focusing on the actions and attitudes of the courts, legislatures, and public servants in six colonies, Judge Higginbotham shows ways in which the law has contributed to injustices suffered by Black Americans
