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Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II.
He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.
New Perspectives shows us that Black British history is a complex field of historiography. No longer should we look at it as a sketchy, speculative, politically correct apologia for historical investigation. But rather see, that for more than three generations scholars have worked very hard to establish a vigorous pedagogy. It is a pedagogy that supports wider British histories, but subverts the traditional trajectories of those narratives. This book introduces us to some of the major developments in Black British history and it is an excellent place to start for a reader who knows very little about this subject.
For over 1500 years before the Empire Windrush docked on British shores, people of African descent
have played a significant and far-ranging role in the country's history, from
the African soldiers on Hadrian's Wall to the Black British intellectuals who
made London a hub of radical, Pan-African ideas. But while there has been a
growing interest in this history, there has been little recognition of the
sheer breadth and diversity of the Black British experience, until now.
This collection combines the
latest work from both established and emerging scholars of Black British history. It
spans the centuries from the first…
Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II.
He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.
Northup provocatively challenges our perceptions of the early modern world. By offering a relativist view and investigating the primary sources written by Africans themselves — the Africans of the early modern period. They reveal much about sixteenth and seventeenth-century Europe, as well as African civilizations.
This groundbreaking book examines the full range of African-European encounters from an unfamiliar African perspective rather than from the customary European one. By featuring vivid life stories of individual Africans and drawing upon their many recorded sentiments, David Northrup presents African perspectives that persuasively challenge stereotypes about African-European relations as they unfolded in Africa, Europe, and the Atlantic world between 1450 and 1850. The text features thematically organized chapters that explore first impressions, religion and politics, commerce and culture, imported goods and technology, the Middle Passage, and Africans in Europe. In addition, Northrup offers a thoughtful examination of Africans' relations…
Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II.
He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.
If there is one book you read on: colonialism, pre-colonial West Africa, and African traditional religions, let it be this one. The Healers is fiction, but it reads like a storybook-documentary, with moments of tragedy, horror, and despair unfolding on every page. Above all Armah shows, that Africans had civilizations and culture and that they were capable of resisting European hegemony. This book is a fluid, poetic and masterful classic.
I'm now retired. But like many historians of my generation, I've been lucky. Having gone to the University of California when there was no tuition and got through graduate school thanks to the GI Bill, I then taught history for five decades, briefly at San Francisco State College and the University of Hawaii, and for a long stretch at the University of Massachusetts in Amherst. During those years, I wrote eight books, one was a finalist for the Pulitzer Prize in 1987, and three won prizes—the Albert J. Beverage Award in 1970, the second-place Lincoln Prize in 2001, and the Langum Trust Prize in 2015. All but one deal with slavery and power.
This book also deserves more attention than it has received. And it, too, is a corrective. Taking to task a host of biographers and historians who have pretended that the “founding fathers” were blind to slavery and that slavery was a secondary issue in 1787, Finkleman contends that slavery was always a major bone of contention. Moreover, contends Finkelman, Thomas Jefferson was anything but an antislavery man. Instead, he was on the proslavery and anti-Black side in most controversies.
In Slavery and the Founders, Paul Finkelman addresses a central issue of the American founding: how the first generation of leaders of the United States dealt with the profoundly important question of human bondage. The book explores the tension between the professed idea of America as stated in the Declaration of Independence, and the reality of the early American republic, reminding us of the profound and disturbing ways that slavery affected the U.S. Constitution and early American politics. It also offers the most important and detailed short critique of Thomas Jefferson's relationship to slavery available, while at the same time…
My twin passions are the fictional stories of Sherlock Holmes, and American history as told on the battlefields of the Civil War—and I have long thought that we make history boring, focusing on battles and dates, and not on the individuals who made it happen (Lincoln above all). So why not shake it up? In One Must Tell the Bees, the rational but very fictional Sherlock Holmes brings to life the accomplishments of the shrewd, incisive but very real Abraham Lincoln in a way that I hope adds to our understanding of Lincoln’s accomplishments, even as our country struggles to reassess the meaning of that portion of our history.
In the 1930’s some very forward-thinking person at the Work Projects Administration got the idea to interview former slaves and record their stories before it was too late, and their stories had been lost.
The result was some 2,300 interviews with men and women who had been enslaved across many states (not just the South). The interviews are generally brief but always unvarnished and compelling.
The resulting record of their lives and experiences will leave a mark on anyone who reads them. And you should read them.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.
The Jewish people have been persecuted—even enslaved—for millennia. One would hope this would make them more compassionate toward another persecuted and enslaved group, American Blacks. Unfortunately, this usually isn’t the way human nature works. To quote Frederick Douglass: “Everybody, in the south, wants the privilege of whipping somebody else.” If humans can get ahead by oppressing someone else, we too often do. With her fictional Jewish family and the Blacks they enslave—one of whom is also their blood kin—Waldfogel explores this terrible truth. A hundred and fifty years after its setting, this novel challenged me to be a better human.
When two Union soldiers stumble onto a plantation in northern Georgia on a warm May day in 1864, the last thing they expect is to see the Union flag flying high-or to be greeted by a group of freed slaves and their Jewish mistress. Little do they know that this place has an unusual history.
Twelve years prior, Adelaide Mannheim-daughter of Mordecai, the only Jewish planter in the county-was given her own maid, a young slave named Rachel. The two became friends, and soon they discovered a secret: Mordecai was Rachel's father, too.
I was raised as one of two white kids in a large, multiracial adoptive family by loving parents who wanted to change the world. Our parents were thoughtful about adoption, ambitious about the symbolism of our family, and raised us all to be conscious about race, to see it, and to guard against it. But the world is a lot bigger than our house and racism is insidious and so, in a way, we all eventually got swallowed up. So I started thinking hard about the dynamic relationship between race and adoption and family when I was just a kid, and I’ve never really stopped.
I should have read this book years ago. This singularly brilliant memoir is an undoing of the most pernicious adoption myth: that which traces the success of adopted children to their new families.
In this case, a bright and talented young woman makes it out of the foster system before eventually going to Penn and becoming an accomplished journalist and professor, but her adoption out of foster care turns into yet another traumatic experience.
Ambitiously, Patton spins that trauma outward, expanding the background until it spans centuries. When, by the close, she makes the start of a career for herself, that triumph is pretty much hers alone.
An astonishing coming-of-age memoir by a young woman who survived the foster care system to become an award-winning journalist On a rainy night in November 1999, a shoeless Stacey Patton, promising student at NYU, approached her adoptive parents' house with a gun in her hand. She wanted to kill them. Or so she thought. No one would ever imagine that the vibrant, smart, and attractive Stacey had a childhood from hell. After all, with God-fearing, house-proud, and hardworking adoptive parents, she appeared to beat the odds. But her mother was tyrannical, and her father turned a blind eye to the…
Steven Rogers is a retired professor from Harvard Business School (HBS) where he created a new course titled, “Black Business Leaders and Entrepreneurship.” He has written more HBS case studies with Black protagonists than anyone in the world. He is an HBS and Williams College alum. He majored in Black history. He has taught at the Kellogg School of Management at Northwestern University, and West Point U.S. Military Academy. He has published 3 books including Entrepreneurial Finance (4 editions), Successful Black Entrepreneurs, and A Letter to my White Friends and Colleagues: What You Can Do Now to Help the Black Community.
After interviewing me for my new book in May 2021, the editor of a suburban newspaper in Chicago asked me to write an Op Ed piece about the new federal holiday, Juneteenth. It is the day of recognition and celebration of the ending of slavery in the last confederate state of Texas in 1865. My Op Ed piece titled, “My Bittersweet Feelings About Juneteenth,” was written to inform and educate adult readers about June 19, 1865. That was the day Union Troops arrived in Galveston, Texas, and began informing Black enslaved people that they were officially emancipated.
The Juneteenth Storyis a well-researched and beautifully written historical depiction of the same event. But the targeted audience of readers are children. It is the size of a large typical children’s coloring book filled with pretty colors and appealing graphic art. My 40-year-old daughter, Akilah, gave it to me as a Father’s…
With colorful illustrations and a timeline, this introductory history of Juneteenth for kids details the evolution of the holiday commemorating the date the enslaved people of Texas first learned of their freedom.
On June 19, 1865—more than two years after President Lincoln’s Emancipation Proclamation—the enslaved people of Texas first learned of their freedom. That day became a day of remembrance and celebration that changed and grew from year to year.
Learn about the events that led to emancipation and why it took so long for the enslaved people in Texas to hear the news. The first Juneteenth began as “Jubilee…
I was introduced to genealogy, family pride, and racism as an only child. Growing up in Birmingham scarred me. Since young adulthood, I have worked on being an antiracist. I found that research on my ancestors, especially my maternal slaveholding side, helped me know my history, my family’s history as enslavers, my Black cousins, and what it means to be an American with all its flaws. I never tire of this research. It teaches me so much, has offered great gifts, and has built me a new family.
I no longer remember how, around 2018, I discovered this remarkable 1850 travelogue and presentation of observations on slavery by the man most people know as a landscape architect. Before his landscaping, Olmstead was hired by the now New York Times to travel the South interviewing and recording all he could from whites, whether rich or poor, slave owners or not, and enslaved Blacks. An added treasure: I loved reading about his travel experiences by boat, horse, train, and stagecoach, as well as the challenges of finding places to overnight.
The horrors of slavery come through without any preaching. I still think about this book a lot and what I learned from it–aspects of Southern life in the 1850s presented by someone trying to be fair and observant without a special agenda.
Frederick Law Olmsted (1822-1903) is best known for designing parks in Manhattan, Brooklyn, Chicago, Boston, and the grounds of the Capitol in Washington. But before he embarked upon his career as the nation's foremost landscape architect, he was a correspondent for the New York Times , and it was under its auspices that he journeyed through the slave states in the 1850s. His day-by-day observations,including intimate accounts of the daily lives of masters and slaves, the operation of the plantation system, and the pernicious effects of slavery on all classes of society, black and white,were largely collected in The Cotton…
As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
Laura Murphy uses nearly forty survivor narratives from around the world to demonstrate that slavery is not a heinous phenomenon of the past, but of the present as well. Her work is essential to students of American history; it ensures that slavery is never presented as merely a crime of the past or only as a despicable practice isolated to one geographic region.
Slavery is not a crime confined to the far reaches of history. It is an injustice that continues to entrap twenty-seven million people across the globe. Laura Murphy offers close to forty survivor narratives from Cambodia, Ghana, Lebanon, Macedonia, Mexico, Russia, Thailand, Ukraine, and the United States, detailing the horrors of a system that forces people to work without pay and against their will, under the threat of violence, with little or no means of escape. Representing a variety of circumstances in diverse contexts, these survivors are the Frederick Douglasses, Sojourner Truths, and Olaudah Equianos of our time, testifying to…
