I was introduced to genealogy, family pride, and racism as an only child. Growing up in Birmingham scarred me. Since young adulthood, I have worked on being an antiracist. I found that research on my ancestors, especially my maternal slaveholding side, helped me know my history, my family’s history as enslavers, my Black cousins, and what it means to be an American with all its flaws. I never tire of this research. It teaches me so much, has offered great gifts, and has built me a new family.
I wrote...
Unloose My Heart: A Personal Reckoning with the Twisted Roots of My Southern Family Tree
The book is a memoir set against the backdrop of a childhood in Jim Crow Birmingham and, as a young adult, involvement in the civil rights struggle. Haunted by the past, Herman-Giddens describes her journey of exploration to unearth her forebears’ centuries-long embrace of plantation slavery.
Digging deeply to parse the arrogance and cruelty necessary to be a slaveholder, she finds the trauma and fear that rippled out in its wake. She scrutinizes the impact of this legacy in her life, as well as her debt to the enslaved people who suffered and were exploited at her ancestors’ hands. Though full of angst, sorrow, and yearning, she also discovers lost connections, new cousins and friends, unexpected joys, and, eventually, a measure of peace.
I loved this book because of Twitty’s fearless and honest voice and how, as a gay and Jewish Black man, he reached for his innermost self through Southern travels, finding his culinary family along the way. Twitty has pieced together so many components–cooking, history, memoir, genealogy, discoveries as he travels to research, and even religion and sexual orientation issues.
Reading it, I was educated and entertained. I learned how much our American culinary culture contains influences from African Americans all the way back to the beginning of slavery. I also loved that it is a book of triumph as well as a lesson in good writing. There are even some recipes!
2018 James Beard Foundation Book of the Year | 2018 James Beard Foundation Book Award Winner inWriting | Nominee for the 2018 Hurston/Wright Legacy Award in Nonfiction | #75 on The Root100 2018
A renowned culinary historian offers a fresh perspective on our most divisive cultural issue, race, in this illuminating memoir of Southern cuisine and food culture that traces his ancestry—both black and white—through food, from Africa to America and slavery to freedom.
Southern food is integral to the American culinary tradition, yet the question of who "owns" it is one of the most provocative touch points in our…
Growing up in the South and having a penchant for writing about racial justice, genealogy, travel, truth-telling, and more, this book is among the top ones on my favorite list. The South is more complicated than many think. Along with the racists and bigots, there are plenty of really smart people who are progressive and thoughtful. Good writers sprout like the wild primroses in Alabama. I liked how Perry stirs together history with her travels and her own dear ancestors.
Perry starts her explorations with Harper’s Ferry, which brought back my vivid memories of its spectacular scenery. It still holds onto John Brown, but there is so much more, which she explains. There are plenty of nuanced stories and surprises as she travels across state after state.
WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION
INSTANT NEW YORK TIMES BESTSELLER
“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson
An essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America
We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone…
Can I “love” a book when it is so painful to read? I do, though, in the way of admiration for the compelling writing on one of the most depraved outcomes of racism: lynchings. Even worse, Branan’s own ancestors turned out to be involved. This 1912 lynching was of four Black people, including one woman, all of whom were involved in trying to protect a young Black girl against predation by a white man, another of the author’s relatives.
All this occurred in a rough moonshine-making area of Georgia. Growing up in Birmingham, I never knew there were places in the South where white men used their power to openly keep Black women and the children they had together in second homes. That didn’t mean, of course, that the men weren’t racist.
In the tradition of Slaves in the Family, the provocative true account of the hanging of four black people by a white lynch mob in 1912—written by the great-granddaughter of the sheriff charged with protecting them.
Harris County, Georgia, 1912. A white man, the beloved nephew of the county sheriff, is shot dead on the porch of a black woman. Days later, the sheriff sanctions the lynching of a black woman and three black men, all of them innocent. For Karen Branan, the great-granddaughter of that sheriff, this isn’t just history, this is family history.
I no longer remember how, around 2018, I discovered this remarkable 1850 travelogue and presentation of observations on slavery by the man most people know as a landscape architect. Before his landscaping, Olmstead was hired by the now New York Times to travel the South interviewing and recording all he could from whites, whether rich or poor, slave owners or not, and enslaved Blacks. An added treasure: I loved reading about his travel experiences by boat, horse, train, and stagecoach, as well as the challenges of finding places to overnight.
The horrors of slavery come through without any preaching. I still think about this book a lot and what I learned from it–aspects of Southern life in the 1850s presented by someone trying to be fair and observant without a special agenda.
Frederick Law Olmsted (1822-1903) is best known for designing parks in Manhattan, Brooklyn, Chicago, Boston, and the grounds of the Capitol in Washington. But before he embarked upon his career as the nation's foremost landscape architect, he was a correspondent for the New York Times , and it was under its auspices that he journeyed through the slave states in the 1850s. His day-by-day observations,including intimate accounts of the daily lives of masters and slaves, the operation of the plantation system, and the pernicious effects of slavery on all classes of society, black and white,were largely collected in The Cotton…
This book has a lot of genealogy and spinoffs, which demonstrate all the reasons I love genealogy and, hence, love this book. Newton digs into her past and uncovers secrets and more, which leads to her knowing herself better as well as her family.
I really liked that she delved into associated topics such as kin and why they matter, epigenetics, a critique of DNA websites, spiritual practices, and connecting with and honoring one’s ancestors. I agree with what she writes, “We can see more clearly where we need to go, how we may best live if we know precisely in our bones, who and where we came from.” Since this is also my theme, of course, I enjoyed reading her exploration and take on all this.
“Extraordinary and wide-ranging . . . a literary feat that simultaneously builds and excavates identity.”—The New York Times Book Review (Editors’ Choice)
Roxane Gay’s Audacious Book Club Pick • Finalist for the National Book Critics Circle’s John Leonard Prize • An acclaimed writer goes searching for the truth about her complicated Southern family—and finds that our obsession with ancestors opens up new ways of seeing ourselves—in this “brilliant mix of personal memoir and cultural observation” (The Boston Globe).
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, NPR, Time, Entertainment Weekly, The Washington Post, The Boston Globe, The…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
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