The most recommended books about slavery in the United States

I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.

I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.

I am an award-winning children’s book author who writes stories about ordinary people, like you and me, that discovered their unique gifts and used those gifts, plus perseverance, to make the world a better place. All my books come with free teacher guides, resources, and projects on my website where kids can share photos of the great things they do.

I’m the author of seven novels, including Soul Catcher, a Booksense and Historical Novels Review selection; A Brother’s Blood, which was a New York Times Book Review Notable Book and an Edgar Award Finalist; The Blind Side of the Heart, A Dream of Wolves, and The Garden of Martyrs, a Connecticut Book Award finalist and made into an opera. My historical novel Beautiful Assassin won the 2011 Connecticut Book Award for Fiction. I’ve also published a collection of his short stories, Marked Men, in addition to over 50 short stories in national journals.  I was the founding editor of two magazines, American Fiction and Dogwood, as well as the founder and former director of Fairfield University's MFA Creative Writing Program. I’ve just completed a new historical novel set during the 1936 Olympics in Berlin.

My twin passions are the fictional stories of Sherlock Holmes, and American history as told on the battlefields of the Civil War—and I have long thought that we make history boring, focusing on battles and dates, and not on the individuals who made it happen (Lincoln above all). So why not shake it up? In One Must Tell the Bees, the rational but very fictional Sherlock Holmes brings to life the accomplishments of the shrewd, incisive but very real Abraham Lincoln in a way that I hope adds to our understanding of Lincoln’s accomplishments, even as our country struggles to reassess the meaning of that portion of our history.

Steven Rogers is a retired professor from Harvard Business School (HBS) where he created a new course titled, “Black Business Leaders and Entrepreneurship.” He has written more HBS case studies with Black protagonists than anyone in the world. He is an HBS and Williams College alum. He majored in Black history. He has taught at the Kellogg School of Management at Northwestern University, and West Point U.S. Military Academy. He has published 3 books including Entrepreneurial Finance (4 editions), Successful Black Entrepreneurs, and A Letter to my White Friends and Colleagues: What You Can Do Now to Help the Black Community.

I’ve devoted my academic career and personal life to the limits and possibilities of white liberal approaches to civil rights reform. Trained in U.S. history and published in American Jewish history, I look closely at how ethnic groups and religious minorities interact with their racial and gender status to create a sometimes-surprising perspective on both history and our current day. At times powerful and at other times powerless, Jews (and other white ethnics) navigate a complex course in civil rights advocacy.

Dr. Onyeka Nubia is a pioneering and internationally recognised historian, writer, and presenter. He is reinventing our perceptions of diversity, the Renaissance, and British history. Onyeka is the leading historian on the status and origins of Africans in pre-colonial England from antiquity to 1603. He has helped academia and the general public to entirely new perspectives on otherness, colonialism, imperialism, and World Wars I and II. He has written over fifty articles on Englishness, Britishness, and historical method and they have appeared in the most popular UK historical magazines and periodicals including History Today and BBC History Magazine. Onyeka has been a consultant and presenter for several television programmes on BBC.

I taught American, European, and World History at the University of British Columbia for over 30 years. I was constantly reminded of the dynamics and consequences of slavery and how a history of black America should be more prevalent in understanding the development of American culture, institutions, and identity over time. In writing two books on colonial America and the American Revolution, the roots of America’s racial divide became clearer and the logic of permanence seemed irresistible. My Shaping the New World was inspired by a course I taught for years on slavery in the Americas. Compiling the bibliography and writing the chapters on slave women and families helped to refine my understanding of the “peculiar institution” in all its both common and varied characteristics throughout the Americas.

I believe that we betray the past when we treat it as the past, and we abandon our ancestors, actual and spiritual, when we dehumanize them as denizens of history, as fundamentally different from us in terms of their lusts and appetites and political nuances and strange senses of humor and nose picking and dance moves and love. Novels, I think, are a powerful mode for understanding and perhaps even undoing the cultural patterns that would have us believe that history is behind us and that the past is not part of the forever dance of the present.