I'm the Director of Studies in Classics at Churchill College, Cambridge University. My research looks at Roman cultural history, with a focus on history "from below," meaning that I'm most interested in ordinary Romans, slaves and the poor. There have been thirty-five translations of my books into sixteen languages.I come from a modest background and was the first in my family to go to university. I found moving up the social ladder a bewildering and sometimes terrifying experience. Classics back then was still an elite subject, dominated by people from wealthy backgrounds. My research interests have always reflected my fascination with those at the bottom of the social ladder.
Imagine slaves and we generally think of the workers on the cash-crop plantations of the British Caribbean or the southern states of antebellum America. Roman slavery was in many ways a more complicated institution and owning slaves was as much about status as it was about economic exploitation. Bradley's excellent book goes into tremendous detail but always manages to do so with amazing clarity. Definitely the best introduction to a difficult other world.
This book, first published in 1994, is concerned with discovering what it was like to be a slave in the classical Roman world, and with revealing the impact the institution of slavery made on Roman society at large. It shows how and in what sense Rome was a slave society through much of its history, considers how the Romans procured their slaves, discusses the work roles slaves fulfilled and the material conditions under which they spent their lives, investigates how slaves responded to and resisted slavery, and reveals how slavery, as an institution, became more and more oppressive over time…
I taught American, European, and World History at the University of British Columbia for over 30 years. I was constantly reminded of the dynamics and consequences of slavery and how a history of black America should be more prevalent in understanding the development of American culture, institutions, and identity over time. In writing two books on colonial America and the American Revolution, the roots of America’s racial divide became clearer and the logic of permanence seemed irresistible. My Shaping the New World was inspired by a course I taught for years on slavery in the Americas. Compiling the bibliography and writing the chapters on slave women and families helped to refine my understanding of the “peculiar institution” in all its both common and varied characteristics throughout the Americas.
An invaluable scholarly source for understanding the Atlantic slave system at its source. Among the book’s virtues are details of the cultures and politics in the area of European penetration and African slavery itself and the African participation in the European trade. This book should be recognized with the extensive literature on the Atlantic slave trade for its acknowledgment of the great range of African languages and cultures that ended up in Brazil, the Caribbean, and North America.
This book explores Africa's involvement in the Atlantic world from the fifteenth century to the eighteenth century. It focuses especially on the causes and consequences of the slave trade, in Africa, in Europe, and in the New World. African institutions, political events, and economic structures shaped Africa's voluntary involvement in the Atlantic arena before 1680. Africa's economic and military strength gave African elites the capacity to determine how trade with Europe developed. Thornton examines the dynamics of colonization which made slaves so necessary to European colonizers, and he explains why African slaves were placed in roles of central significance. Estate…
I lived in sixteen places by the time I was twenty-two. A peripatetic youth may teach you that different is interesting, that stereotypes don’t hold, that the emperor has no clothes. When I moved South and worked as a journalist, I found black elders’ stories so different from the official stories of white authorities. Horrified that these men and women would die with their heroism untold, I interviewed more than 150 black activists for Stories of Struggle. I want to know what is missing; I want it found. Like a detective, an anthropologist, a scientist, and yes, a journalist, I want to know, and I want others to know.
Out of the House of Bondage destroys the myth of the Southern plantation mistress as a delicate, gentle being presiding over a household maintained by passive, devoted, enslaved women.
A professor of history and law at Duke University, Thavolia Glymph scoured female slaveholders’ diaries and enslaved and freed people’s narratives to expose the mistresses’ use of violence – cowhide whippings, “until she was just a piece of living raw meat”; burning with hot irons, “hot enough to take off flesh”; beating to death a crying baby – and enslaved women’s resistance, perceived then and described later as laziness, misbehavior, and insubordination.
Glymph’s uncovering of abuse upsets a familiar false narrative, dismantling previous scholarship and exposing white women’s use of violence to assert power. A seeker of missing voices and lost stories, I am deeply interested in what has been ignored, misinterpreted, or omitted.
The plantation household was, first and foremost, a site of production. This fundamental fact has generally been overshadowed by popular and scholarly images of the plantation household as the source of slavery's redeeming qualities, where 'gentle' mistresses ministered to 'loyal' slaves. This book recounts a very different story. The very notion of a private sphere, as divorced from the immoral excesses of chattel slavery as from the amoral logic of market laws, functioned to conceal from public scrutiny the day-to-day struggles between enslaved women and their mistresses, subsumed within a logic of patriarchy. One of emancipation's unsung consequences was precisely…
Reading about antislavery constitutionalism literally changed my life. Lysander Spooner’s 1845 book, The Unconstitutionality of Slavery, which I discovered in the 1990s, exposed me to a version of “originalism” that would really work. This was also a version of originalism that was not just for political conservatives. This led me from being primarily a contract law professor to a constitutional originalist who would argue in the Supreme Court, develop the theory of originalism, and work to achieve an originalist majority of Supreme Court justices. By reading these five books, you, too, can become an expert on antislavery constitutionalism and our forgotten constitutional past.
In his book, Princeton historian Saul Wilentz completely alters our view of the American Founding. He tells the gripping story of how the antislavery forces at the Philadelphia convention, including crucially the Virginians, resisted the effort by some delegates from the Deep South to include an affirmative endorsement of human chattel slavery—the concept of property in man—in the text of the Constitution.
Such language would have contradicted the principles they’d adopted in the Declaration of Independence. Their success would later provide “constitutional abolitionists” like Salmon Chase and Frederick Douglass with crucial ammunition to advance their antislavery political program.
"Wilentz brings a lifetime of learning and a mastery of political history to this brilliant book." -David W. Blight, author of Frederick Douglass
A New York Times Book Review Editors' Choice A Foreign Affairs Best Book of the Year
Americans revere the Constitution even as they argue fiercely over its original toleration of slavery. In this essential reconsideration of the creation and legacy of our nation's founding document, Sean Wilentz reveals the tortured compromises that led the Founders to abide slavery without legitimizing it, a deliberate ambiguity that fractured the nation seventy years later. Contesting the Southern proslavery version of…
My dad was a subscriber of “Astounding Stories." If you know the magazine, it is famous not only because it featured the giants of science fiction genre, but also for its colorful and imaginative covers. I didn’t have the right to read those stories until later, when dad thought I could understand them, but I loved the covers and imagined myself stories which started from them or used the scenes as inspiration for a short story which I wrote for myself. The science fiction bug wormed into my brain at that time. Then, I just devoured every novel which landed at home and kept writing.
By now, it should be clear I like trilogies, reading and writing them. The Lyhhrt Trilogy is a perfect example of incredible imagination and wordsmith talent. As in some of my writings, there is palpable lyrical style and a dense compositional approach to a story that explores the awful and worming guts that must be, de facto, the only way any vast empire can form, emboweled and ejected into reality. The Galactic Federation here is a hostage of the nobility or despicable evilness of those carrying authority in the governing organization: game of thrones anyone? The spine of the story, as in The Law, is of a GalFed Judge who realizes cruelty and slavery are the crude reality in an empire focused on satisfying the same base urges that humanity spends so much energy on today. A well envisioned complicated and messy universe, the way it should be.
A mature alien woman judge sees an amphibious human female, obviously a slave, displayed in a tank in front of a sex palace. And so a murderous plot of interstellar proportions, involving many races and planets, galactic corporations, explosive sex and horrible slavery is revealed.
My twin passions are the fictional stories of Sherlock Holmes, and American history as told on the battlefields of the Civil War—and I have long thought that we make history boring, focusing on battles and dates, and not on the individuals who made it happen (Lincoln above all). So why not shake it up? In One Must Tell the Bees, the rational but very fictional Sherlock Holmes brings to life the accomplishments of the shrewd, incisive but very real Abraham Lincoln in a way that I hope adds to our understanding of Lincoln’s accomplishments, even as our country struggles to reassess the meaning of that portion of our history.
In the 1930’s some very forward-thinking person at the Work Projects Administration got the idea to interview former slaves and record their stories before it was too late, and their stories had been lost.
The result was some 2,300 interviews with men and women who had been enslaved across many states (not just the South). The interviews are generally brief but always unvarnished and compelling.
The resulting record of their lives and experiences will leave a mark on anyone who reads them. And you should read them.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been…
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
Although this book is less about slavery as it happened and more about what took place after the Civil War ended slavery in the United States, it is one of the best books I’ve ever seen that explains just how America still hasn’t recovered from its legacy.
This is one of those books where I kept underlining passages, such as one where the racist Southerner said that slavery was like an “apprenticeship” for “savage races” or how nostalgia for a romantic version of the Civil War poisoned our understanding of history. I want to read this book three more times so that I can fully absorb its wise lessons.
Winner of the Bancroft Prize Winner of the Gilder Lehrman Lincoln Prize Winner of the Merle Curti award Winner of the Frederick Douglass Prize
No historical event has left as deep an imprint on America's collective memory as the Civil War. In the war's aftermath, Americans had to embrace and cast off a traumatic past. David Blight explores the perilous path of remembering and forgetting, and reveals its tragic costs to race relations and America's national reunion.In 1865, confronted with a ravaged landscape and a torn America, the North and South began a slow and painful process of reconciliation. The…
I came of age in Oklahoma as a gay youth in the late 1970s and early 1980s, keeping myself hidden out of safety and shame. Once I was old enough to leave my small-minded town and be myself, I crashed headlong into the oncoming AIDS epidemic. It set me on a path to understanding the world and my place in it as a homosexual. I turned to reading about the lives and histories of those who came before me, to learn about their deaths and survivals in what could be an ugly, brutal world. These works continue to draw me, haunt me, and inspire me to share my story through my writing.
This is one of those novels I read as a writer, and I thought I should just pack it in because I’ll never be able to write anything so gloriously beautiful, heartbreaking, and perfect.
While Robert Jones, Jr. meticulously creates an atmosphere of the harsh realities of slavery–stretching from the shores of Africa to the cotton fields of Mississippi–he brings us up above all that ugliness, all that inhumanity by offering a transcendental love story between two of the slaves, Samuel and Isaiah.
Even though the harshness, so realized that it made my stomach turn while reading the story, is so visceral and painful, it is the love story that not only infuses itself throughout the plantation–from the slave quarters to the main house–that supersedes all and wends its way into your skin, your heart, your soul. This novel is an achievement beyond anything I expected.
'This visionary and deeply evocative debut carves a radiant love story out of the bleakest of landscapes.' Waterstones - Best Books to Look Out For in 2021
'An Outstanding novel' Guardian 'A lyrical, poetic novel' Independent 'Epic in its scale' Marlon James, author of Black Leopard, Red Wolf 'A rare marvel' Ocean Vuong, author of On Earth We're Briefly Gorgeous 'Magisterial' Courttia Newland, author of A River Called Time 'A spellbinding debut' COSMO 'Ambitious and intense' Vanity Fair
In this blinding debut, Robert Jones Jr. blends the lyricism of Toni Morrison with the vivid prose…
When I was growing up, I had no idea that New York State had 200 years of slavery. And when I realized that my Dutch American ancestors had been some of the most fervent enslavers, I knew I had to know more. It wasn’t until I met Eleanor Mire, a woman who is descended from the very people that my family enslaved, that my story became fuller. We realized that, through rape, we shared ancestors, which makes us “linked descendants.” Rather than turning away from the upsetting history, we became friends who knew we needed to keep learning and tell the stories of those who had been lost.
What does it mean to enslave another human being? Sometimes a novel is the only way for me to get at the emotional heart of a horrible truth. That’s why I loved this book–an imaginary region of Virginia before the Civil War introduced me to Henry Townsend, a freed Black man who owned an entire plantation of other Black men, women, and children.
I couldn’t stop thinking of Moses, Augustus, Celeste, and all of the people who fought their way through to, finally, emancipation. Some people compare Edward P. Jones’ work to Faulkner's in the way he creates a complete and completely convincing world.
Masterful, Pulitzer-prize winning literary epic about the painful and complex realities of slave life on a Southern plantation. An utterly original exploration of race, trust and the cruel truths of human nature, this is a landmark in modern American literature.
Henry Townsend, a black farmer, boot maker, and former slave, becomes proprietor of his own plantation - as well as his own slaves. When he dies, his widow, Caldonia, succumbs to profound grief, and things begin to fall apart: slaves take to escaping under the cover of night, and families who had once found love beneath the weight of slavery…
I am a professor of history and Director of the Lawton M. Chiles Jr. Center for Florida History at Florida Southern College in Lakeland, Florida. I am a specialist in Southern, social, criminal justice, and legal history. I am the author or co-author of seven books, including three that address criminal justice at the state and federal level. My articles and reviews on criminal justice history have appeared in the America Historical Review, American Journal of Legal History, Journal of Southern History, Florida Historical Quarterly, Florida Bar Journal, and Georgia Historical Quarterly.
Philip J. Schwarz’s Twice Condemned adeptly analyzes the history of enslaved African Americans' relationship with the criminal courts of the Old Dominion from roughly 1700 to the end of the Civil War. Based on over four thousand trials from the colonial, early national, and antebellum periods, no other book does such a comprehensive job of analyzing the prevalence, longevity, and variety of behavior attributed to slave convicts. This book also provides a detailed picture of how one slave society evolved, and along the way, it uncovers previously unexamined aspects of slave culture, and of slave owners' attitudes toward the "domestic enemy" in their midst. Schwarz argues that the judicial system for slaves served two purposes: it helped slave owners control slaves and enabled authorities to sanction criminal behavior. This dual function of slave trials mirrored the two kinds of slaves' behavior judges tried to suppress.
Schwarz, Philip J. Twice Condemned: Slaves and the Criminal Laws of Virginia, 1705-1865. [Baton Rouge: Louisiana State University Press]. [1988]. xvi, 354pp. Reprinted 1998 by The Lawbook Exchange, Ltd. LCCN 98-4424 Hardcover. New. Analyzes the history of enslaved African Americans' relationship with the criminal courts of the Old Dominion during a 160 year period. Before Twice Condemned was first published in 1988, historians often focused primarily on isolated or dramatic examples of the sometimes deadly conflict present in societies based on slave labor. But Twice Condemned analyzes the prevalence, longevity, and variety of behavior attributed to slave convicts. In doing…
