100 books like Douglass' Women

Until I read The Resurrection of Nat Turner, I considered myself a pacifist. I ended this novel and its sequel rooting for violent resistance and for Nat Turner, the man who led the most famous slave rebellion in American history, a man who was responsible for the deaths of women and children. In a culture of violence and unequivocal evil, turning the other cheek cannot be the only recourse. Foster left me forever changed.

This is one of those novels I read as a writer, and I thought I should just pack it in because I’ll never be able to write anything so gloriously beautiful, heartbreaking, and perfect.

While Robert Jones, Jr. meticulously creates an atmosphere of the harsh realities of slavery–stretching from the shores of Africa to the cotton fields of Mississippi–he brings us up above all that ugliness, all that inhumanity by offering a transcendental love story between two of the slaves, Samuel and Isaiah.

Even though the harshness, so realized that it made my stomach turn while reading the story, is so visceral and painful, it is the love story that not only infuses itself throughout the plantation–from the slave quarters to the main house–that supersedes all and wends its way into your skin, your heart, your soul. This novel is an achievement beyond anything I expected.

The Jewish people have been persecuted—even enslaved—for millennia. One would hope this would make them more compassionate toward another persecuted and enslaved group, American Blacks. Unfortunately, this usually isn’t the way human nature works. To quote Frederick Douglass: “Everybody, in the south, wants the privilege of whipping somebody else.” If humans can get ahead by oppressing someone else, we too often do. With her fictional Jewish family and the Blacks they enslave—one of whom is also their blood kin—Waldfogel explores this terrible truth. A hundred and fifty years after its setting, this novel challenged me to be a better human.

This novel begins just after the American Civil War and Emancipation, but it foreshadows the horrific legacy of slavery. The titular character, a Black man named Sam who is now free, goes in search of Tilda, the wife whom slavery ripped away from him. Meanwhile, her Confederate enslaver drags Tilda westward, refusing to give up the woman he thinks he owns. How do you rebuild a society and a family in the wake of slavery’s devastation? Pitts explores this question unforgettably, acknowledging the inevitable violence but with a glimmer of hope. Freeman put me through a whole gamut of emotions. It rung me out and gave me a soothing cup of tea at the end.

That enslaved people were considered commodities is no secret. But in this book, Daina Ramey Berry demonstrates how enslaved people were attached to monetary prices throughout their entire lives. Indeed, enslaved people were in the market even before they were born, and they remained in the market even after they had died. But Berry reminds us that enslaved people themselves understood that their “soul value,” and not their supposed economic value, defined who they really were.

A self-proclaimed ‘woman’s rights man’, Douglass was one of the few men to attend the famous Women’s Rights Convention at Seneca Falls in New York in 1848 – the starting point of the women’s rights movement in the US. His connection to women, however, went far deeper than mere political support. Douglass, indeed, always felt more comfortable in the company of women than men, be they Black or white, family members, friends, or fellow activists. This book gives us a fuller picture of these women than ever before. It is particularly strong on Anna Murray, the free Black woman who was Douglass’s first wife. Anna played a pivotal role in Douglass’s escape from Maryland in 1838. She later spent many more years spiriting enslaved people along the Underground Railroad.  

The author and I live near each other and we got to know each other at local writer events. So when I heard that her book won Lee and Low’s New Voices Award, I just had to get Glenda’s book. And I did! She autographed a copy for me which I treasure. This is a tender, powerful, and inspiring picture book. It tells the true story of how Frederick Douglass’s mother would visit him. He was a young child working on a plantation. His mother lived and worked six miles away. At night, she would walk six miles through the dark woods to come to visit Frederick, then head back home before dawn. He knew his mother loved him—it was a love that stretched 12 miles long.

This might seem like a strange pick, since it’s almost never described in terms of Gothicism.

Douglass’s narrative is essential reading regardless—a compelling narrative and one of the masterpieces of nineteenth-century literature. What makes it Gothic? In Douglass’s world, nothing is what it appears to be, because slavery has corrupted not only institutions but virtually all personal relationships. There are trap doors everywhere and a constant threat of violence.

A century and a half before Toni Morrison’s Beloved, Douglass’s book describes the Gothic horror of everyday life under slavery.

An evocative account of the young Douglass and the Maryland world into which he was born. Originally published in 1980 but recently re-released, this is a beautiful book that delivers much more than the title suggests. It is also the book that finally pinpointed the correct month and year in which Douglass was born – February 1818. Those who enslaved people often kept such precious, deeply personal information away from those they enslaved - it was a sign of power, one minor manifestation of the many inquities of slavery.

I’ve long been fascinated with Walker’s life and work. Ten years ago, I devoted a chapter of my dissertation to Walker and now I’m working with TED-ED on an animated video and related teaching materials about the man whom Frederick Douglass himself cited as the progenitor of the radical abolitionist movement.

When teaching African-American Literature courses, I’ve found Walker’s Appeal to be an especially effective entry point for Black students who are tired of stories of slavery and Black debasement. Walker, as a freeborn Black man from the slaveholding south (and later Boston), offers a different vision: of impressive erudition and entrepreneurship, of Pan-African pride and militant resistance.