The most recommended hunting books

Windigo Fire, M.H. Callway’s 2014 debut novel, is set in one of my favorite Canadian locations—the Northern Ontario wilderness. It’s an adventure thriller filled with fast-paced action, psychological suspense, and First Nation legends. It has a fabulous sense of place, and a terrific cast of characters, headed by its Native Canadian protagonist, Danny Bluestone. A truly Canadian crime thriller.

There are many books recounting living the wilderness lifestyle in Alaska. At the top of the list is probably Dick Proenecke’s One Man’s Wilderness. But The Hard Way Home deserves to be there, too. Steve Kahn has an engaging personal writing style that makes you think you are sitting by the fire in his cabin listening to his tales. 

And there are some whoppers: from boating on Lake Clark in imprenatrable fog to tramping the hillsides in search of Dall sheep, to being forced to walk miles through an unexpected autumn snowfall to be flown out from a hunt. Remembering idyllic summers at Farewell Lake to the horrors of the Exxon Valdez oil spill and much in between, Kahn writes like a guy who knows the real Alaska.

There’s no shortage of indie novels out there that hit all the categories of young adult, fantasy, romance, and werewolf. This book is the best sample of the genre I’ve read that keeps everything you want and doesn’t bother with what you don’t.

Kat Kinney’s writing style really suits fantasy romance – her lyrical descriptions never have a blue sky when “vibrant cerulean” will do. When Lea (human) and Henrik (werewolf) hate and fear each other but are forced to survive together in the wilderness, the florid prose ratchets up the big feelings. This makes the central romance resonate where the “star-crossed lovers” bit could’ve felt overly familiar.

The magic system comes together nicely, allowing the yearning kids to challenge the nefarious ruling werewolves in a dramatic finish where the bonds they’ve made pay off.

Is it wrong to feel cozy while people are being digested by a monster? And yet. Shesheshen is a terrifying blob monster that has to eat and absorb people to use their bones to walk and talk.

She falls in love! Awww. She wants to lay her eggs in her love so they can feast on her beloved’s entrails. Ewww. This is straight-up horror. But it's somehow also funny and clever and heart-warming, even with all the murder.

I wanted to spend more time with Shesheshen, even though she probably would take the compliment by eating me for my shinbones.

This is another sociologically inflected study, which broadens the context of belief behind witchcraft accusations. Like all the best work of the last forty years, it helps us to grasp the internal logic of witch-beliefs in the minds of intelligent and actually very sophisticated people, rather than falling back on the old chestnuts of hysteria, prejudice and the madness of crowds.

Weisman constantly reminds us that a supposed superstitious consensus (in contrast to the sceptical consensus of the modern world) simply didn’t exist. So much of the furious energy of thinking about witches was generated by disagreement and doubt. We’re also presented with conflicting and complementary opinions about witches, both from below in the neighbourhood, and from above among ministers and magistrates. In the end, as Weisman points out, however enduring beliefs about witchcraft may have been, as a crime it could not survive condemnation of the proofs, including so-called… show more.

Often, the magic of three is not so obvious. In the newly-published picture book, Treasure Hunt by Stephanie Wildman, three children play a new game. Older brother Luis turns his two younger siblings away from video games by creating a scavenger hunt in which they must use riddles as clues to gather ordinary household objects. And yes, they get three clues and so three chances to gather all the objects, which then become the materials to create a puppet show using a discarded cardboard box the new stove came in as the stage. The use of three here, as in all stories, produces a feeling of a satisfying completion. This is a mystery story for children 3-8 with a surprise ending and guidance for kids on how to make simple puppets.

This was the book that got me started over thirty years ago, and which I still turn to today. It’s an absolute mine of information, specifically relating to the written indictments for witchcraft which survive in great numbers for the Home Assize Circuit – that is, the courts that heard felonies in south-eastern England.

Ewen doesn’t provide much in the way of analysis. There is a substantial, very useful, introduction, but the really incredible thing about this book is how Ewen managed to comb through the archives, then held in the Public Records Office in London, and find almost all of the witchcraft indictments hidden there. He was an amazing researcher, who provided raw data for subsequent generations of historians.

Among many findings that can be drawn from his research are that, outside the peculiar spike in trials in the mid-1640s (the subject of my book, Witchfinders), English witch-trials peaked… show more.

Bryce Andrews previously wrote an award-winning book about the life of a cowboy, Badluck Way. In this one, he digs deeper into the West as he decides what to do with a Smith and Wesson revolver his grandfather left him.

I gasped at the honesty of a man who both loves and rejects the culture of violence symbolized by his handgun. I, too, love the American West. But it is a land of contradictions. It has flourished through love, determination, and ingenuity, but parts of it are built on death and destruction. 

Andrews eventually forged the gun into a tool for planting trees. The gun's magazine is still visible in the blade of a tool he now uses for restoration and healing.

A ground-breaking work, which demonstrates how the theoretical witch was embodied by real women, and how a seemingly bizarre fantasy was plausible in among the shapes and rhythms of daily life. This influential study is as much a social, economic and cultural history of seventeenth-century New England as it is strictly speaking a history of witchcraft – indeed, Karlsen demonstrates clearly that the latter cannot be assimilated with an appreciation of the former. Context is everything, and without it we just fall back on stereotypes and tired assumptions.

Witches and neighbours were two-sides of the same coin, the former a projection of the hostile emotions of the latter, and, as Karlsen explains, this fraught relationship was fundamentally gendered. To appreciate how some people were accused of witchcraft, we need first to explore relationships between people in the community, including relations between women. Honour, reputation, age, status and so on, were… show more.

In The Girl of Dorcha Wood Ward leads her readers on an emotional journey of love and loss that is filled with innocence, betrayal, love, pain, bitterness, and revenge.

Her characters are incredibly realistic. She has a way of making you feel like you’ve known them all your life. The setting is well-written and almost feels like home.