The most recommended books about insanity

When I first picked up “Haunted” by Chuck Palahniuk, I wasn’t ready to have my boundaries pushed as a reader. The book is a Chinese Boxes type of narrative, with several short stories taking place inside a larger meta-narrative. The plot follows a group of authors trapped together inside a creative retreat, where they agree to tell stories to pass the time.

Each short story reflects a twisted, often disturbing exploration of “the quest for fame”, and what each author is willing to do to be remembered. Themes like vanity, corruption, legacy and exploitation made me look inward and challenge my own assumptions about fame and pride.

Palahniuk spares no detail in using graphic language to shock you. More than once, I found myself inspired to confront the darker aspects of being an author, particularly my own tendency to self-destruct in pursuit of “the perfect story”. This novel isn’t for… show more.

Tolkin doesn’t hit you with belly laughs so much as tickle the upper corners of your mind with his knowing take on the mores and follies of the Hollywood of the late 1980s. (Of special interest to me, as that’s the moment I arrived there to begin my own TV and film career.) The trenchant satire is exemplified by the crime at its center: studio exec Griffin Mill, badgered by threats from some anonymous screenwriter he’s mistreated, focuses his attention on a different C-list scribe and winds up strangling him to death. Get it?  In a business full of writer-killing executives, Tolkin’s big-wig antihero literally kills a writer.

I like to write about public Victorian asylums – where the bulk of English people with mental illnesses were admitted.  But the counterpoint is the private system, where the poor, rich mad spent their time in nice surroundings with wacky treatments. Sarah Wise captures this perfectly through a real-life investigation of the people in the attic – think Jane Eyre, or The Woman in White – and how the law sought to protect them.

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.

More than anything else I have read, this book helped me understand the relationship between crime and mental illness in the United States. The book explore some really fascinating case studies (for example, school shooter Kip Kinkel).

But the bigger contribution is how the authors sort out the core ideological approaches of the law versus the social sciences (including psychology and psychiatry.) They show how the law is rooted in philosophical and religious ideas about good, evil, and free will. In contrast, the social sciences use complex empirical observations and theories to explain human behavior.

The best chapter, in my opinion, is “The ‘Mad’ or ‘Bad’ Debate Concerning Sex Offenders.” It is the only thing I’ve ever read that has helped me understand why our society singles out sex offenders for demonization.

I gotta say, Noel-Anne Brennan needs to be better known.

This book (along with its sequel, The Blood of the Land) makes up a compelling duology featuring Rilsin, the rightful ruler of her country, who pledges the throne to her cousin Sithli in an effort to stop the bloodshed in her land.

But her cousin is insane and could care less about being a good ruler, which means Rilsin may need to break her promise to help her country—except Sithli also holds Rilsin’s baby hostage.

Wonderful, strong characters, an engaging story, super easy to read. What more could you ask for? If you decide to read this, set aside a few uninterrupted hours. You can thank me later. :)

Forget everything you know about the horror genre. This book is one of the most overwhelming, disgusting things I’ve ever read, and physically gagged multiple times while reading it. If you’re not familiar with extreme splatterpunk, brace yourself. Nothing can prepare you for the all-out gore, guts, and absolutely insane depravity found in this book. There’s one scene in here that will never leave me. You’ll know it when you get to it. Oh, and it’s kind of about a pig. 

This book is not currently available.

I cannot get Shayne’s story out of my mind! It tells the stories of six very different individuals from diverse backgrounds with various access to health care and other resources. All six struggle with mental illness. And all six end up incarcerated and, finally, dead. But it’s Shayne’s story that I (and my students) can’t stop thinking about.

Shayne was a bright and beautiful child who grew up in a close and loving family. By the time she was eleven, Shayne had begun to make inappropriate comments, sneak out of her house at night, and lose interest in school. At age fourteen, she was found in a park with a young man and some beer. She refused to tell her therapist what she had been doing there but mentioned that she felt people could read her mind. A physician who met her just the one time diagnosed her as psychotic… show more.

This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.

Gabriela was a Chilean poet-diplomat, educator, and humanist, who became the first Latin American author to receive a Nobel Prize in Literature. Her poetry often focuses on dark, humane themes that undoubtedly reflect on traumatic episodes that she had personally endured. 

Gabriela has the knack of scratching the surface, which is potent enough to get all your senses actively experiencing the emotions and character she puts forth. The poems resonate on a deep level, offering a compelling clarity of life with its tragedy and complications. The women depicted here are anything but mad; some would say entirely strong-willed and intense, with a collected control and a modernistic sense of independence.