A theatre, film, and television historian, I've spent the last fifteen years researching and writing about all three areas of entertainment. I'm also a travel and tourism writer for a variety of e-commerce platforms. Television history is an area that I have researched extensively over the last twenty years, resulting in my booksThe Encyclopedia of Television Theme Songs and Sitcommentary: Television ComediesThat Change America.
The Golden Girls is one of television’s most enduring situation comedies. The story of four women in their golden years sharing a home in Miami, Florida continues to find a new audience with each generation. Jim Colucci’s book Golden Girls Forever: An Unauthorized Look Behind the Lanai is an intimate and in-depth look at the making of the show and the legacy it has enjoyed.
The complete, first-ever Golden Girls retrospective, packed with hundreds of exclusive interviews, behind-the-scenes and never-before-revealed stories, more than two hundred color and black-and-white photos, commentary, and more.
They were four women of a certain age, living together under one roof in Miami—smart and strong Dorothy, airhead Rose, man-hungry belle Blanche, and smart-mouthed matriarch Sophia. They were the Golden Girls, and for seven seasons, this hilarious quartet enchanted millions of viewers with their witty banter, verve, sass, and love, and reaffirmed the power of friendship and family.
Over thirty years after it first aired, The Golden Girls…
When writing about friendships, it was important for me to highlight the highs and the lows of friendships. This approach takes the reader on a journey with the main character as she remembers the good times while she navigates through the tough times. By sprinkling in humor, a story that could sway to the serious side and stay there is suddenly entertaining and balanced, giving the main character’s plight depth and the reader an engrossing experience.
Welcome to the Neighborhood explores the complexities of forming adult friendships after moving into a new neighborhood and encountering an already established circle of friends.
I’ve felt like a fish out of water in a similar situation, and this story is eerily relatable.
I laughed and teared up too. This book gave me all the feels.
It’s an amazing debut about standing up for yourself, finding your tribe, and living a life that feels right to you.
A heartwarming and life-affirming story of family dynamics, mother/daughter relationships, and second chances-perfect for fans of Maria Semple and Abbi Waxman. After years of struggling to make ends meet, Brooklyn single mom Ginny falls for sweet, divorced Jeff, and relishes the idea of moving with her quirky eleven-year-old daughter Harri to his home in an upscale New Jersey suburb. Though she's never been impressed by material things, she is thrilled that getting a second chance at love comes with the added bonus of finally giving Harri everything she never could before. And then she meets the neighbors. Ginny is quickly…
Pop culture is my life, and I like my characters to be well-versed in it. There's no reason to pretend otherwise, as what we consume informs who we are as people. Plus, there’s something beautiful in something everybody collectively knows. I’ve worked hard to make pop culture not just an interest but a career path. I currently program films for the Seattle International Film Festival, work as a playwright and performer, cover film, theatre, and burlesque for The Ticket at the Seattle Times, am a frequent guest on podcasts such asFilm at Fifty,and assist at various arts organizations all over the greater Seattle area.
To quoteNew York Timescritic Sam Anderson,“the sitcom is arguably the defining commercial art form of the American 20th century,” and this book gives that hypothesis weight. Over 24 chapters (starting in 1951 withI Love Lucy, the Rosetta Stone of the genre, and ending in 2014 with Dan Harmon’s cult hit Community),Austerlitz uses the television comedy format to discuss joke structure, technological advancements in the arts, and the evolution of American social and political consciousness over the previous half-century. Sitcoms are by their nature the tension between two opposing forces, centering on characters who strive to change their lot in life only to have everything reset by episode’s end, just in time to do it all again next week. There’s something both beautiful and menacing about that.
The form is so elemental, so basic, that we have difficulty imagining a time before it existed: a single set, fixed cameras, canned laughter, zany sidekicks, quirky family antics. Obsessively watched and critically ignored, sitcoms were a distraction, a gentle lullaby of a kinder, gentler America—until suddenly the artificial boundary between the world and television entertainment collapsed.
In this book we can watch the growth of the sitcom, following the path that leads from Lucy to The Phil Silvers Show; from The Dick Van Dyke Show to The Mary Tyler Moore Show; from M*A*S*H to Taxi; from Cheers to Roseanne;…
Kimberly Potts is a TV and pop culture journalist and author who believes television is not only the ultimate entertainment medium, but is also the ultimate cultural common denominator. She has written for The New York Times, Entertainment Weekly, Vulture, The Hollywood Reporter, TV Guide, The Los Angeles Times, Yahoo, Variety, People.com, US Weekly, E! Online, Thrillist, Esquire.com, AOL, Movies.com, and The Wrap. Kimberly also co-hosts the Pop Literacyand #Authoring podcasts, and is a member of the Television Critics Association, Critics Choice Association, Authors Guild, and American Society of Journalist and Authors.
Film historian and professor Bogle does a deep dive on the history of Black characters and series on television, from the early days of the medium and stereotyped portrayals on series like Amos ‘n’ Andy through groundbreaking ‘70s shows like Sanford & Son and The Jeffersons, ‘80s juggernaut The Cosby Show, and the sitcoms of UPN and The WB in the mid-1990s. Bogle shares his opinions throughout the compelling chronicle, and does not suffer foolish performances or material gladly, making this a must read for any TV fan seeking a truly comprehensive account of TV history.
Analyzing four decades of African Americans in television, the author traces the history of black characters and themes, covering Amos 'n' Andy, The Mod Squad, Sanford and Son, Good Times, The Cosby Show, L.A. Law, The Fresh Prince of Bel Air, Martin, and other groundbreaking shows.
I’ve read this book three or four times, and each time there’s something fresh to enjoy in it.
Published in 1941, it reflects the day-to-day experience of the author and her readers on the ‘Home Front’ of the Second World War in southern England. We see the problems and frustrations of every part of life, but they become bearable thanks to Thirkell’s sense of humour and ability to see the ridiculous in everyday life, turning wartime’s frustrations into hilarious situation comedy.
Thirkell assembles a cast of well-developed, convincing characters who draw our sympathy even as we groan at their failings. When the book was first published, its humour must have helped readers to keep up their morale through the trials of wartime; now it provides an unparalleled insight into their everyday life.
As the war continues it brings its own set of trials to the the village of Northbridge. Eight officers of the Barsetshire Regiment have been billeted at the rectory, and Mrs Villars, the Rector's wife, is finding the attentions of Lieutenant Holden (who doesn't seem to mind that she is married to his host) quite exhausting. The middle-aged ladies and gentlemen who undertake roof-spotting from the church tower are more concerned with their own lives than with any possible parachutist raids. There is the love triangle of Mr Downing, his redoubtable hostess Miss Pemberton and the hospitable Mrs Turner at…
A theatre, film, and television historian, I've spent the last fifteen years researching and writing about all three areas of entertainment. I'm also a travel and tourism writer for a variety of e-commerce platforms. Television history is an area that I have researched extensively over the last twenty years, resulting in my booksThe Encyclopedia of Television Theme Songs and Sitcommentary: Television ComediesThat Change America.
Anyone who knows anything about television comedy will tell you that producer/developer Norman Lear was the force behind some of the greatest sitcoms of all time including All in the Family, Maude, The Jeffersons, Good Times, Sanford and Son, and One Day at a Time. The Sitcoms of Norman Lear by Sean Campbell takes a closer look at this titan of television and the game-changing sitcoms he produced.
Archie Bunker, George Jefferson, Maude - the television sitcom world of the 1970s was peopled by the creations of Norman Lear. Beginning in 1971, with the premier of ""All in the Family"", Lear's work gave sitcoms a new face and a new style. No longer were families perfect and lives in order. Mostly blue-collar workers and their families, Lear's characters argued, struggled, uttered sometimes shocking opinions and had no problem contributing to - or at least, acknowledging - the turmoil so shunned by 1960s television. Significantly, not only did Lear address difficult issues, but he did so through successful programming.…
My real name is Susan Berger and I'm a certified bookaholic. I'm also an actor and I love my work. Being older has been very lucky for me. I wrote children’s books as Susan J Berger. COVID closed my publisher and I'm not actively submitting at the moment. I write romance as Susan B James because I didn’t want my children to have to acknowledge that their mother knew anything about sex. Falling in love and living happily ever after is an ageless state. But in romance novels heroines are mostly under thirty. I happen to be chronologically gifted myself. And many of my favorite romances feature older heroines. I think we need more.
Jennifer Crusie writes some of the funniest heroines I ever met. I adore her voice and I wanted to add her to my list. When I went to Jen’s blog ArghInk to ask her which of her heroines was over forty. She said Andie.
Andie’s ex-husband North wants one last favor from her as closure. Help him settle the two delinquent orphans he inherited from a distant relative. He knows Andie can handle anything.
Her new fiancée isn’t pleased. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right.
Andie Miller is ready to move on with her life. She wants to marry her fiancé and leave behind everything in her past, especially her ex-husband, North Archer. But when Andie tries to gain closure with him, North asks one last favor: Since the death of a distant cousin, he's become the guardian of two orphans who have already driven away three nannies. North needs someone to take care of the situation―and he knows Andie can handle anything.
Carter and Alice aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper…
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
This was a true page-turner—I could not put it down. From the first few pages, I was immediately pulled into the mystery and characters’ plights. I loved how the author kept a fast pace, keeping the action and tension high throughout.
Technically, this book is not comprised of short stories; it features segments of shorter narratives that gradually weave together to reveal a larger picture. The author skillfully played with tropes in the mystery and horror genres, presenting a thoughtful commentary on issues women face.
Imaginative and deftly told, this clever and satisfying book had me nodding along in grim recognition.
A sharp-edged, supremely twisty thriller about three women who find themselves trapped inside stories they know aren’t their own, from the author of Alice and Near the Bone.
Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers…
Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is…
A theatre, film, and television historian, I've spent the last fifteen years researching and writing about all three areas of entertainment. I'm also a travel and tourism writer for a variety of e-commerce platforms. Television history is an area that I have researched extensively over the last twenty years, resulting in my booksThe Encyclopedia of Television Theme Songs and Sitcommentary: Television ComediesThat Change America.
Not all television shows are hit and somehow the decade of the 1980s had the greatest number of sitcom flops. It’s Your Move, The Best of the West, Square Pegs, The Duck Factory, and Life with Lucy are just a handful of the sitcoms that didn’t run for longer than a season. Single Season Sitcoms of the 1980s by Bob Leszczak is a delicious smorgasbord of information about these one-season wonders (and many others) that we barely remember, but refuse to forget.
Single Season Sitcoms of the 1980s is the logical sequel to an earlier work also by Bob Leszczak titled Single Season Sitcoms 1948-1979, A Complete Guide. The decade of the 80s is presently being viewed with much reverence, and television programs, especially the situation comedies from that era, are enjoying renewed interest. Because of the increase in the number of available channels as a result of the exploding cable television industry at that time in history, the number of failed programs was also on the rise.
For every successful sitcom from this period, such as The Golden Girls, Family Ties…
Like many novelists – all the way back to F. Scott Fitzgerald -- writing for film and television has been my day job. The pay is obscenely good, and it leaves you time to write what you really love – fiction. Most writers in Hollywood have a love/hate relationship with the movie business – described by some wit as “a crapshoot masquerading as a business masquerading as an art form.” And the books I am recommending express this mixture of scorn and reverence with humor and compassion. In my book The Deal I am clearly biting the hand that fed me over the years – but why not? As that old humorist Albert Camus said, “There is no fate that cannot be surmounted by scorn.”
This poorly known novel by a television writer deserves more attention. It concerns a writer on a TV sitcom that is plagued by an impossible actress/star who makes everybody’s lives miserable by her egotistical behavior. The revenge that the writer, Jimmy Hoy, contrives for her is both funny and appropriate. There are laugh-out-loud moments in this book that will make you roar.
When the disarmingly charming and ruthlessly domineering Geneva Holloway lets her star temperament get out of hand, Jimmy Hoy, a writer for the "Geneva Holloway Show," joins with the show's other writers in plotting the perfect revenge
