34 books like Good Girls Don't Die

I loved these unique takes and eerie, complex stories around women’s bodies, violence, and society. Powerful, strange, and haunting, these short stories left me with a lot to contemplate. I especially appreciated the homage to certain cultural references; for example, The Husband Stitch is a brilliant retelling of The Green Ribbon, a classic tale from In A Dark, Dark Room And Other Scary Stories.

I needed to sit and think about some of these stories afterward, as many are more experimental, layered with meaning, and open to interpretation. This original, powerful collection is a heavy read but undoubtedly worth it.

I found each of the short stories in this collection to be entirely unnerving and deliciously disturbing. I particularly enjoyed how the complex characters and intricately crafted plots showcased strange and unusual situations to reveal the often-monstrous facets of humanity.

The stories were unsettling enough that I had to stop reading them before bedtime. I appreciated how they weren’t overly graphic but more subtle, focusing on spine-tingling, sinister suspense. These are the type of delightfully twisty stories I love reading in the fall and getting in the Halloween spirit.

I found this to be a strong debut collection. Its fascinating and thought-provoking short stories center around the theme of womanhood in realities slightly different from our own, often with hints of the supernatural or near-future sci-fi elements.

The standouts were so powerful that I had to pause at times to contemplate the often heartbreaking and poignant observations regarding bodily safety, beauty, fertility, and power. I especially love that this collection includes poetry as well, which adds another layer of depth to the collection.

I generally don’t gravitate toward slasher horror with its brutal and gory storytelling, but I could not resist this fantastic anthology of superb horror authors focused on women's slasher stories. With supernatural twists and takes of revenge and violence, I greatly enjoyed the variety of styles and plots generally centered around the theme of women having to turn the tables in or take matters into their own hands, usually with blood-soaked results.

In particular, my favorites were standout stories by Cynthia Pelayo, R.J. Joseph, Sarah Budd, Stephanie Rabig, and Laurel Hightower, but they were all winners. I also appreciate that the anthology helped me discover new women horror authors, broadening my ever-growing to-be-read list.

Have you ever listened to a song that was just okay? But after hearing it several times, it grew on you? This is a book that I originally gave a 4-star review. But then I read it a few times more. Then I read it aloud. I just updated the review to 5 stars.

It’s a fun rhyming story about the assumptions we make about others—often based on bad information. Kids will enjoy a very humorous story about a monster who fears “hue-mans” who befriends a boy who fears monsters. Adults will have discovered a book about diversity with awesome illustrations that can be read on demand repeatedly without going insane.

As someone who has been silenced at various times in my career, I was immediately drawn to this book. I expected it to be about how to find our voices, but it was so much deeper and more nuanced than that. I loved how Elaine talked about how there are times when silence serves us well, and I especially appreciated her exploration of how we silence others, often unconsciously.

I appreciated the way Elaine shared her own journey of unlearning silence, as well as many stories and case studies throughout the book—it stayed out of the theoretical and felt grounded in real life. I also loved the optimistic and inspiring invitation in the conclusion. Count me in!

For those who love television comedy and/or are curious about major players in this genre of entertainment, Sitcoms: The 101 Greatest TV Comedies of All Time will delight. Paging through this colorful book (complete with plenty of accompanying photos), one gets a taste of such shows as I Love Lucy, Gilligan’s Island, The Facts of Life, Cheers, Designing Women, Roseanne, Seinfeld, and The Nanny among them.

Jennifer Crusie writes some of the funniest heroines I ever met. I adore her voice and I wanted to add her to my list. When I went to Jen’s blog ArghInk to ask her which of her heroines was over forty. She said Andie.

Andie’s ex-husband North wants one last favor from her as closure. Help him settle the two delinquent orphans he inherited from a distant relative. He knows Andie can handle anything.

Her new fiancée isn’t pleased. When Andie meets the two children she quickly realizes things are much worse than she feared. The place is a mess, the children, Carter and Alice, aren't your average delinquents, and the creepy old house where they live is being run by the worst housekeeper since Mrs. Danvers. What's worse, Andie's fiancé thinks this is all a plan by North to get Andie back, and he may be right.

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What a fun read about a doctor and a rodeo cowboy who find love on the side of the road when she gets a flat tire. Of course, life is never simple. She’s older than him and has reservations about getting involved with a younger man.

Love me an age-gap romance! I love this author’s writing and will read anything of hers. The steam factor is off the charts in this spicy love story. The characters are likable and engaging, and they have great chemistry. I would recommend this novel to those who love humor and steamy romance.

“The story starts at…the point perhaps at which I became aware of my inability to feel any feelings beyond those set to music by the Walt Disney Company,” Claire, the narrator of I Love You but I’ve Chosen Darkness admits on the novel’s very first page.

And so we’re primed when she does what is probably considered by many to be the most monstrous thing a woman can do: she leaves her child. Interspersed with sections about family history and old letters that shed light on complicated dynamics, the book moves us through Claire’s journey as she pushes back against the expectations of marriage and motherhood in search of her own, individualized definition.