Pop culture is my life, and I like my characters to be well-versed in it. There's no reason to pretend otherwise, as what we consume informs who we are as people. Plus, there’s something beautiful in something everybody collectively knows. I’ve worked hard to make pop culture not just an interest but a career path. I currently program films for the Seattle International Film Festival, work as a playwright and performer, cover film, theatre, and burlesque for The Ticket at the Seattle Times, am a frequent guest on podcasts such asFilm at Fifty,and assist at various arts organizations all over the greater Seattle area.
To quoteNew York Timescritic Sam Anderson,“the sitcom is arguably the defining commercial art form of the American 20th century,” and this book gives that hypothesis weight. Over 24 chapters (starting in 1951 withI Love Lucy, the Rosetta Stone of the genre, and ending in 2014 with Dan Harmon’s cult hit Community),Austerlitz uses the television comedy format to discuss joke structure, technological advancements in the arts, and the evolution of American social and political consciousness over the previous half-century. Sitcoms are by their nature the tension between two opposing forces, centering on characters who strive to change their lot in life only to have everything reset by episode’s end, just in time to do it all again next week. There’s something both beautiful and menacing about that.
The form is so elemental, so basic, that we have difficulty imagining a time before it existed: a single set, fixed cameras, canned laughter, zany sidekicks, quirky family antics. Obsessively watched and critically ignored, sitcoms were a distraction, a gentle lullaby of a kinder, gentler America—until suddenly the artificial boundary between the world and television entertainment collapsed.
In this book we can watch the growth of the sitcom, following the path that leads from Lucy to The Phil Silvers Show; from The Dick Van Dyke Show to The Mary Tyler Moore Show; from M*A*S*H to Taxi; from Cheers to Roseanne;…
I am a scholar of African Diaspora cultural studies, which means I spend a lot of time analyzing texts in various forms: books, art, film, music, and even laws and legal documents. The cultural texts I study were produced by people. I am passionate about Black popular culture, because it dismantles some of the enduring divisions between academic institutions and the people who live beyond their walls. It is a field of study that is always in flux, especially now with twenty-first-century advances that position popular culture as almost always at our fingertips.
I am recommending this book because I fell in love with the way duCille weaves cultural critique and personal experience in one of her earlier books, Skin Trade. The invention of streaming services has made televisual representation more accessible, which can be both good and bad. I love how this book demonstrates the way in which culture informs the lived experience and the way in which lived experiences can shape culture. And duCille is an excellent storyteller.
From early sitcoms such as I Love Lucy to contemporary prime-time dramas like Scandal and How to Get Away with Murder, African Americans on television have too often been asked to portray tired stereotypes of blacks as villains, vixens, victims, and disposable minorities. In Technicolored black feminist critic Ann duCille combines cultural critique with personal reflections on growing up with the new medium of TV to examine how televisual representations of African Americans have changed over the last sixty years. Whether explaining how watching Shirley Temple led her to question her own self-worth or how televisual representation functions as a…
I write cozy mysteries about a house flipper turned sleuth in fictional Crocus Heights, Minnesota. My father was a carpenter, and I was his helper. My childhood was spent on a farm, with the biggest event of the week being a trip to the local library, where I checked out seven books. I would prop my library book in front of my school book and read in class whenever I could. My favorites were mysteries, and later romances, and now cozy mysteries, which combine a bit of both. I am always fascinated by people and their motivations, and that is what I enjoy in all the authors I recommend.
I love every one of M. C. Beaton’s books, including her witty, wry humor and observations of an abusive ex-husband and her move to a small village. I love her flaws and that she is an unapologetic smoker and has two cats she loves. I love that she is relatable with a hardscrabble life, coming from an impoverished childhood and finally making it. Albeit with all the insecurities that come from her past. Every book is a treat.
'Every new Agatha Raisin escapade is a total joy' ASHLEY JENSEN
'No wonder she's been crowned Queen of Cosy Crime' MAIL ON SUNDAY
'A Beaton novel is like The Archers on speed' DAILY MAIL
The first Agatha Raisin mystery from bestselling author M. C. Beaton
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Revenge is a dish best served warm...
High-flying public relations supremo Agatha Raisin has decided to take early retirement. She's off to make a new life in a picture-perfect Cotswold village. To make friends, she enters the local quiche-making competition - and to make quite sure of first prize she secretly pays a visit…
Years ago, as I began teaching kids yoga, I noticed a lack of quality yoga-inspired children’s books. So, I took matters into my own hands and published my first book, The ABCs of Yoga for Kids, filling a void and sparking a series published in five languages. This success led to my Little Mouse Adventures series, blending storytelling with yoga and life skills. I believe in subtly imparting positive messages through playful storytelling, weaving in lessons along the way. My hope is young readers not only enjoy my stories but develop a lasting love for yoga and valuable life skills, just like the impact stories had on my own children.
Curious George meets a classic I Love Lucy episode in this adorable story!
Sugary chaos ensues when Curious George wanders off during a tour of the chocolate factory! When George accidentally sets the candy-making conveyor belt speed to HIGH, he finds himself in a hilarious race to keep pace with the rapid production, leading to deliciously amusing outcomes and a very full tummy!
Funny, silly, and full of heart, your kids will want you to read this book again and again.
Curious George finds his sweet tooth--and plenty of chocolate--on a visit to a candy store.
When George and the man with the yellow hat go shopping at a chocolate factory store, George becomes curious about how the chocolates are made. Though he starts off following the factory tour, soon he is wanders off to investigate on his own. And when George follows his curiosity there is always fun to be had!
A theatre, film, and television historian, I've spent the last fifteen years researching and writing about all three areas of entertainment. I'm also a travel and tourism writer for a variety of e-commerce platforms. Television history is an area that I have researched extensively over the last twenty years, resulting in my booksThe Encyclopedia of Television Theme Songs and Sitcommentary: Television ComediesThat Change America.
For those who love television comedy and/or are curious about major players in this genre of entertainment, Sitcoms: The 101 Greatest TV Comedies of All Time will delight. Paging through this colorful book (complete with plenty of accompanying photos), one gets a taste of such shows as I Love Lucy, Gilligan’s Island, The Facts of Life, Cheers, Designing Women, Roseanne, Seinfeld, and The Nanny among them.
The most beloved, most groundbreaking, and most entertaining TV comedies of all time are celebrated in words and pictures-many of them rare-by the award-winning authors of Broadway Musicals. In 101 lively chapters and lots of special features, the authors of Broadway Musicals explore our favorite form of popular entertainment-the TV situation comedy. Of the many hundreds of shows that have debuted over TV's 60-year history, the authors have carefully selected the most influential, popular, and enduring ones, from Gilligan's Island to Seinfeld, I Love Lucy to Will and Grace, creating a history of the medium that goes beyond stats and…
A theatre, film, and television historian, I've spent the last fifteen years researching and writing about all three areas of entertainment. I'm also a travel and tourism writer for a variety of e-commerce platforms. Television history is an area that I have researched extensively over the last twenty years, resulting in my booksThe Encyclopedia of Television Theme Songs and Sitcommentary: Television ComediesThat Change America.
For many, I Love Lucy, starring comic genius Lucille Ball, epitomizes what the great American classic television comedy is. Ben Nussbaum’s I Love Lucy: Discovering America’s Best-Loved Sitcom takes a closer look at this side-splitting comedy and gives us a glimpse into why 70-years later, people still love the antics of the title character.
Running from 1951 to 1957 and in syndication for more than fifty years, I Love Lucy has a permanent place in the hearts of American television-watchers and has reached multiple generations of viewers. Based on the humorous antics of a New York City housewife, her Cuban bandleader husband, and their landlord best friends, I Love Lucy was not only wildly popular but also groundbreaking for its filming techniques, for its use of a live audience, and for being the first television show to air reruns. INSIDE I LOVE LUCY: *The beginnings of the show as well as what made it…
Growing up, I’d always been fascinated by science fiction narratives, having been suckered in by Star Warsat a very young age. But it wasn’t until I stumbled upon The Hitchhiker’s GuideTo The Galaxy that I realized stories didn’t have to take everything so seriously. This pivoted to an obsession with comedy, leading me to write skits for the stage and screen in my late 20s as a fun side-gig along with my own comedic sci-fi novel series. I’ve always appreciated stories that lean into the lighter side of things. Reality is grim and dark enough as it is, our escapism doesn’t need to double down on that.
Carmen Loup's The Audacity is the successor to The Hitchhiker’s Guide to the Galaxy that I've been looking for for a long time. Loup takes strands of Hitchhiker's Guide DNA lovingly engineers it into its own unique tale filled with bright, colorful, and snarky characters and a fun, insightful (and, indeed, inciteful) voice that rings incredibly true to an Americanized Douglas Adams (that is, lacking in British poise and restraint). The Audacity is simply an amazing sci-fi comedy from start to finish and feels like a love letter to The Hitchhiker's Guide and, indeed, to all its fans. Plus, the entire first trilogy is available now (with more to come!).
Rocket racing can be deadly, but working in food service is worse.
May’s humdrum life is flung into hyperdrive when she’s abducted, but not all aliens are out to probe her. She’s inadvertently rescued by Xan, an “I Love Lucy” obsessed alien with the orangest rocket ship in the universe.
But you still have to eat in space, and rocket racing is a quick, if life-threatening, way to make a living.
Finally, May has a career she loves and a friend to share her winnings with. Until a Chaos goddess possessing Xan’s ex decides to start a cult on Earth…
