Here are 100 books that Slash-Her fans have personally recommended if you like
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I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
I loved these unique takes and eerie, complex stories around women’s bodies, violence, and society. Powerful, strange, and haunting, these short stories left me with a lot to contemplate. I especially appreciated the homage to certain cultural references; for example, The Husband Stitch is a brilliant retelling of The Green Ribbon, a classic tale from In A Dark, Dark Room And Other Scary Stories.
I needed to sit and think about some of these stories afterward, as many are more experimental, layered with meaning, and open to interpretation. This original, powerful collection is a heavy read but undoubtedly worth it.
SHORTLISTED FOR THE NATIONAL BOOK AWARD FICTION PRIZE 2017 SHORTLISTED FOR THE INTERNATIONAL DYLAN THOMAS PRIZE 2018
'Brilliantly inventive and blazingly smart' Garth Greenwell
'Impossible, imperfect, unforgettable' Roxane Gay
'A wild thing ... covered in sequins and scales, blazing with the influence of fabulists from Angela Carter to Kelly Link and Helen Oyeyemi' New York Times
In her provocative debut, Carmen Maria Machado demolishes the borders between magical realism and science fiction, comedy and horror, fantasy and fabulism. Startling narratives map the realities of women's lives and the violence visited on their bodies, both in myth and in practice.
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
I found each of the short stories in this collection to be entirely unnerving and deliciously disturbing. I particularly enjoyed how the complex characters and intricately crafted plots showcased strange and unusual situations to reveal the often-monstrous facets of humanity.
The stories were unsettling enough that I had to stop reading them before bedtime. I appreciated how they weren’t overly graphic but more subtle, focusing on spine-tingling, sinister suspense. These are the type of delightfully twisty stories I love reading in the fall and getting in the Halloween spirit.
A workaholic splits his time between home and hotel rooms until an anonymous cryptic message arrives, setting off a wrinkle in the time continuum and slowly shredding his sanity. Elsewhere, a woman's jealousy over her spouse's connection with their only child boils over, leading her to see monsters everywhere except the mirror. University fraternity brothers discover that a cruel prank has dire consequences but the full extent of their punishment is yet to come, while an intrepid hiker explores an abandoned Cold War facility hidden within a Massachusetts mountain only to realize that military secrets aren't the only things buried…
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
I found this to be a strong debut collection. Its fascinating and thought-provoking short stories center around the theme of womanhood in realities slightly different from our own, often with hints of the supernatural or near-future sci-fi elements.
The standouts were so powerful that I had to pause at times to contemplate the often heartbreaking and poignant observations regarding bodily safety, beauty, fertility, and power. I especially love that this collection includes poetry as well, which adds another layer of depth to the collection.
A woman desperate to achieve the life she’s always dreamed of orders an AI baby online. Mounting workplace misogyny helps an introvert unlock her innate power. A woman obsessed with skincare goes to great lengths to rid her face of imperfections. A frat boy looking to score gets much more than he bargained for when a sexy coed turns the tables on him. Seeking relief from the pressures of everyday life, a woman checks into a hotel that caters to her dark predilections.
Equal parts heartbreaking and grotesque, How Lovely To Be a Woman: Stories and Poems explores the everyday…
I am an award-winning writer based in Southern California who creates internationally published horror, fantasy, science fiction, and weird West stories. Dozens of my short stories have appeared in podcasts, magazines, games, and Stoker-nominated anthologies, and I’ve authored several books. I am the co-chair and founder of the Horror Writers Association San Diego chapter, a short story instructor, co-creator of the Monster Gunslingers game, and member of writing organizations, including the Science Fiction and Fantasy Writers Association. I find speculative horror a fascinating lens by which to view challenges faced by underrepresented groups and women. I hope you enjoy these tales.
This was a true page-turner—I could not put it down. From the first few pages, I was immediately pulled into the mystery and characters’ plights. I loved how the author kept a fast pace, keeping the action and tension high throughout.
Technically, this book is not comprised of short stories; it features segments of shorter narratives that gradually weave together to reveal a larger picture. The author skillfully played with tropes in the mystery and horror genres, presenting a thoughtful commentary on issues women face.
Imaginative and deftly told, this clever and satisfying book had me nodding along in grim recognition.
A sharp-edged, supremely twisty thriller about three women who find themselves trapped inside stories they know aren’t their own, from the author of Alice and Near the Bone.
Celia wakes up in a house that’s supposed to be hers. There’s a little girl who claims to be her daughter and a man who claims to be her husband, but Celia knows this family—and this life—is not hers…
Allie is supposed to be on a fun weekend trip—but then her friend’s boyfriend unexpectedly invites the group to a remote cabin in the woods. No one else believes Allie, but she is…
I grew up reading short stories in the annual Reader’s Digest books my parents collected, so I’ve always liked the short form. Perhaps that is why I pursued it in college, wanting to know what made them work. So I took a lot of classes in college to do just that, to dissect stories to see what made them resonate with readers. And although I’ve been trying to push myself to write longer fiction, I’ll never be able to fully abandon the short fiction. I love a story you can read in a day and think about all night.
SGJ has such a unique voice, it’s hard to deny this collection its props. Here you have a wide range of themes and unique characterization, and I think there’s a lot to be learned from a collection such as this. Dialogue, character building, tension; this is like a guide to writing good fiction.
Winner, Best Collection of the Year, This Is Horror
Nominated, Best Collection of the Year, Bram Stoker Awards
Nominated, Best Collection of the Year, Shirley Jackson Awards
The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.
In "Thirteen", horrors lurk behind the flickering images on the big screen. "Welcome to the Reptile House" reveals the secrets that hide in our flesh. In "The…
I write horror and crime thrillers grounded in my unusual lived experience as an author and attorney who has also overcome poverty, incarceration, and violent crime. I feel most fulfilled when I read a book that both entertains and expands me in meaningful ways, immersing me in lives, cultures, and history I might not otherwise know. So I love Social Horror novels, which feature characters who face significant human adversity beyond my own experience and leave me questioning what was worse, the human or the supernatural.
After a “massacre” of a herd of elk on a protected reservation forest—a scene which spoke more of frenzied bloodlust than hunting for sustenance—four Blackfoot men become the prey of a creature bent on revenge.
Jones’s narrative satisfied my thirst for wholly original horror while exploring the clash of Native American traditional and contemporary culture. The story touches on the characters’ drive to assimilate, guilt and sense of identity, and the need to move beyond resentments to create a life worth living.
I loved the originality of the beast, the slice of reservation life, and the endearing, flawed characters, all rendered with gorgeous precision.
"Thrilling, literate, scary, immersive." -Stephen King
The Stoker, Mark Twain American Voice in Literature, Bradbury, Locus and Alex Award-winning, NYT-bestselling gothic horror about cultural identity, the price of tradition and revenge for fans of Adam Nevill's The Ritual.
Ricky, Gabe, Lewis and Cassidy are men bound to their heritage, bound by society, and trapped in the endless expanses of the landscape. Now, ten years after a fateful elk hunt, which remains a closely guarded secret between them, these men - and their children - must face a ferocious spirit that is coming for them, one at a time. A spirit…
I’ve been fascinated fairy tales, folklore, and horror since I was a child, drawn to these strange stories in which wondrous and terrifying things happen. In many of these tales, the women often lack a sense of agency or control over their lives and work for a better life within the limitations of their situation. The act of retelling these stories provides space to explore this lack of power and how these women might find clever or unusual ways to reclaim it. In particular, I’m interested in the ways characters might make use of the danger or darkness around them to carve their own path in the world.
Much like fairy tales and folklore, horror stories have their own rules and tropes for how the female protagonists or villains are expected to behave within the confines of their own stories. I Am Not Your Final Girl is a powerful collection of horror-themed poetry that gives voice to female characters from horror cinema — the survivors, victims, and monsters who prowl through dark worlds, facing oppression, persecution, violence, and death. Holland’s words provide these women a platform to channel their pain, trauma, and rage into a galvanizing force. These women are survivors and fighters, women who claim their own power and take ownership over their own bodies. They do not give up; they do not relent.
"There is nothing else in this world / like realizing / you’re going to live / and not being sure / you can."
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, sexuality, violence, and healing in the world of Trump and the MeToo…
I’ve always been an outsider and empathized with people on the fringe. Being a first-generation-born Chicano gave me a different experience of growing up in the US that permanently shifted my perspective. I felt most comfortable around other creatives and intellectuals whose views were subversive. So, naturally, I began focusing on characters at the bottom of the social ladder. My writing style, “Gutter Surrealism,” combines elements of hard street culture with the supernatural to portray a viewpoint most readers have never considered.
After I published Blubber Island, I received messages from readers telling me BI was one of the best Splatterpunk books they’ve read. The funny part was I had no idea the genre existed. In order to sample a range, I ordered Sammon’s anthology. These guys were hardcore! They are what makes slasher movies awesome and hilarious. No apologies, no prisoners taken. With pornographic levels of hyper-violence, SP’s collects writers who found the edge and flew over it on dirt bikes.
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This book has been central to my research on women in Science Fiction although I am not a Horror fan.
Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.
It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the…
Whether it’s campfire tales told with the moon high or bedtime fables told to get children to stay in their beds after lights out, I believe horror fiction is at its purest, most effective form as short prose. These collections of horror, fantasy, sci-fi, and Western tales are all touched by the weird and terrifying. The twin sensations of being unsettled by something you’ve read and of being unable to resist reading on are guiding lights in my own writerly pursuits. These collections and many more played a defining role in shaping my own debut dark fiction collection Pre-Approved for Haunting and Other Stories.
No one writing horror fiction today is better at punching the reader in the guts (or ripping those guts out and showing them to you) like Stephen Graham Jones. While he’s been touted more recently for his novel-length works, I first came to know SGJ’s writing via short stories. This collection is one of several stand-outs from his catalog.
When it comes to horror and weird fiction writing, SGJ’s versatility knows no bounds. Whether it’s the literary strangeness of “Father, Son, Holy Rabbit,” or the freaky folk horror of “Raphael” (elements of which SGJ has revisited in his Indian Lake novel trilogy), there are all kinds of scares in this collection. He even pulls off a shocking jump-scare fright in “Crawlspace” that has to be experienced first-hand.
These thirteen stories are our own lives, inside out. A boy's summer
romance doesn't end in that good kind of heartbreak, but in blood. A girl
on a fishing trip makes a friend in the woods who's exactly what she
needs, except then that friend follows her back to the city. A father hears a
voice through his baby monitor that shouldn't be possible, but now he
can't stop listening. A woman finds out that the shipwreck wasn't
the disaster, but who she's shipwrecked with. A big brother learns just
what he will, and won't, trade for one night of…
