No matter how you read it, the Bible is a strange book. It weaves together beautiful narratives and deadly-dull genealogies; uplifting messages with passages that many today find ethically repulsive. Yet it gained an extraordinary authority, in a predominantly pre-literate society. The question of how this happened has been an intellectual and scholarly preoccupation of mine for decades, and as a professor at Brown University I seek to bring my students and readers into this very foreign world in order to open their eyes to new possibilities in the present.
James Kugel, a professor at Harvard and then Bar Ilan University in Israel, has been writing for years on how the Hebrew Bible was read and understood in antiquity.How to Read the Biblewill bring you on a remarkable journey through time. Kugel selectively goes through the Hebrew Bible, contrasting how those in antiquity read, understood, and interpreted biblical stories with how modern scholars do. The book is long, and can be read in sections. Kugel’s discussions of both the academic study of the Bible and the way he understands the Bible as both a critic and an Orthodox Jew, are outstanding.
James Kugel’s essential introduction and companion to the Bible combines modern scholarship with the wisdom of ancient interpreters for the entire Hebrew Bible.
As soon as it appeared, How to Read the Bible was recognized as a masterwork, “awesome, thrilling” (The New York Times), “wonderfully interesting, extremely well presented” (The Washington Post), and “a tour de force...a stunning narrative” (Publishers Weekly). Now, this classic remains the clearest, most inviting and readable guide to the Hebrew Bible around—and a profound meditation on the effect that modern biblical scholarship has had on traditional belief.
Moving chapter by chapter, Harvard professor James Kugel…
I’ve always been a thinker, asking big questions and playing around with crazy ideas. That’s why I’ve been fascinated by the Bible since I was fourteen, reading it cover-to-cover multiple times and studying it academically for—approaching four decades now. It’s a classic for a reason! At first, I read it because I became a Christian, and it’s part of the package, but within a short time, I was hooked. I was especially interested in the tough parts, the bits I didn’t like or couldn’t make sense of. They were invitations to explore, think, and learn. It never ceases to surprise me with new ideas and inspirational insights.
I like hugging trees, so this is my kind of book! It’s based on a PhD, but I found it very readable and blew me away! Its basic idea is that the OT sees the whole cosmos—including animals, plants, mountains, stars, rivers, and land—as alive and as “persons” in some sense.
The Bible is brimming with such language, but we always dismiss it as “mere” poetry. Nope, says Joerstad, ancient Israelites were animists. What the flump! That conclusion turns much of the OT scholarship upside down. I was so intrigued with this one that I read it three times.
It's such a novel interpretation, but to my mind, it makes sense! I am still not sure how it should affect the way we see the cosmos today, but the mystic within me likes it.
The environmental crisis has prompted religious leaders and lay people to look to their traditions for resources to respond to environmental degradation. In this book, Mari Joerstad contributes to this effort by examining an ignored feature of the Hebrew Bible: its attribution of activity and affect to trees, fields, soil, and mountains. The Bible presents a social cosmos, in which humans are one kind of person among many. Using a combination of the tools of biblical studies and anthropological writings on animism, Joerstad traces the activity of non-animal nature through the canon. She shows how biblical writers go beyond sustainable…
I grew up religious but loving scary things—horror movies, scary comic books, Dark Shadows, andThe Twilight Zone. Even the music of Alice Cooper. While I’m no longer religious, I have a doctorate in religious studies and I still have a fascination with media that cause fear. I also write horror stories. BeyondHoly HorrorI have written two more books on religion and horror and I read every book about this odd combination as soon as I can get my hands on it. I believe you should never judge people by their tastes in media—they can be decent folk even if they like horror.
Religion and Its Monsters started this whole conversation.
Timothy Beal successfully transitioned from an author of academic books to an author of trade books, and this one shows how he did it. He selected two unexpectedly compatible subjects and demonstrated that they lurk in the same mental spaces.
I was inspired by this book to allow myself to reclaim my childhood interest in monsters as an adult. If serious scholars wrote about such things, why shouldn’t I read about them?
Unfortunately, Beal never followed up with another book on the topic.
Religion's great and powerful mystery fascinates us, but it also terrifies. So too the monsters that haunt the stories of the Judeo-Christian mythos and earlier traditions: Leviathan, Behemoth, dragons, and other beasts. In this unusual and provocative book, Timothy K. Beal writes about the monsters that lurk in our religious texts, and about how monsters and religion are deeply entwined. Horror and faith are inextricable. Ans as monsters are part of religious texts and traditions, so religion lurks in the modern horror genre, from its birth in Dante's Inferno to the contemporary spookiness of H.P. Lovecraft and the Hellraiser films.…
I am a retired professor, was raised in a refugee camp, one of a family of 9 living in one tent. studied in Palestine, Egypt, Germany, and America, have Ph.D. in economics; scholarships financed my education journey. I lived a life no human has lived or can live, because some of the times I lived had come and gone and cannot come back again. I taught at 11 universities on 4 continents, published 60 books in Arabic and English: books on economics, politics, culture, history, conflict resolution, philosophy, racism, novels, and poetry. True intellectuals cannot stay in one area because issues that shape mankind's history and man’s destiny are interconnected.
Believers in God see him as the creator of man and women in his own image. Firm believers tried throughout history to model themselves as they imagined God. But God, the author says, evolves through his relationship with man, and man becomes rival to God. So believers and non-believers discover that God, the protector of the poor and weak, becomes a warrior who nearly destroys all humans and animals he created by causing the flood. So rational people realize that God is a tribal chief who gets angry, kills, destroys, loves some and forgets many more. This book is a must-read for all believers and non-believers. I found this book unusual in telling amazing stories about God and his actions and reactions.
What sort of "person" is God? What is his "life story"? Is it possible to approach him not as an object of religious reverence, but as the protagonist of the world's greatest book—as a character who possesses all the depths, contradictions, and abiguities of a Hamlet? This is the task that Jack Miles—a former Jesuit trained in religious studies and Near Eastern languages—accomplishes with such brilliance and originality in God: A Biography.
Using the Hebrew Bible as his text, Miles shows us a God who evolves through his relationship with man, the image who in…
As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.
This volume, with over 175 full-color pictures and illustrations, has the appearance of a coffee table book; however, its content is based on the latest research, and presents a vivid description of the world of Ancient Israel, covering many topics such as domestic life, the economy, cultural expression, and religious practices.
This special-edition volume of the Library of Ancient Israel, based on the latest research, presents a vivid description of the world of Ancient Israel, covering such topics as domestic life, the means of existence, cultural expression, and religious practices. With over 175 full-color pictures and illustrations, Life in Biblical Israel opens the door to everyday life in biblical Israel for all readers. This volume is perfect for classrooms, coffee tables, and personal use.
Volumes in the Library of Ancient Israel draw on multiple disciplines--such as archaeology, anthropology, sociology, linguistics, and literary criticism--to illuminate the everyday realities and social subtleties these…
I’ve always been driven by curiosity about other cultures. I grew up in Germany but became restless and studied in Italy before moving to the United States. Some of the texts I recommend here I discovered while working on the Norton Anthology of World Literature. When I began this work, I realized just how narrow my own education had been and spent the next several years reading world literature and world culture. Ever since, I’ve been on a mission to expand how culture is taught. This is why I became an academic: to excite students about world culture.
This book, completed in the 14th century, takes its point of departure from an episode in the Hebrew Bible (Old Testament): the visit of the Queen of Sheba to King Solomon.
In the Bible, the queen visits the famous king, cross examines him, and leaves again.
According to the Kebra Nagast, she also becomes pregnant with his son. When the son comes of age, the queen sends him to his father in Jerusalem, who recognizes him and wants him to stay. But the son yearns to return home to Askum, in Ethiopia.
Before he and his companions leave, they steal the Ten Commandments and bring them back to Ethiopia, where they become the foundation for Ethiopian Christianity.
This remarkable story shows the interconnection of cultures, the ties between the Hebrew Bible and Ethiopian Christianity. In the 20th century, it was used by Jamaicans seeking to connect to ancient…
The Kebra Nagast is an ancient text, detailing the relationship between King Solomon and the Queen of Sheba; this work examines these legends, and how they correspond with Ethiopian folklore and the Holy Bible.
Written by Ethiopian scholar Is'haq Neburä -Id in the 14th century, the Kebra Nagast is a complete narration of the meeting and relationship between the ancient King Solomon and the Ethiopian Queen named Sheba. Drawing heavily upon the Biblical lore, the Kebra Nagast includes further detail upon pertinent topics; other ancient monarchs, prophetic visions, and the culture of the court of Ethiopia. The final chapters allude…
Joy Schroeder is a historian devoted to examining the experiences of women in Christianity and Judaism. With concern for female and male victims of violence, Schroeder scrutinizes historical documents to find accounts of harassment, rape, clergy sexual abuse, and other violence. She brings the historical accounts to light while critiquing the cultural patterns that perpetuate violence in our own day. In her work as a pastor and as a professor, she has worked to support victims of harassment, sexual violence, domestic violence, and child abuse. Schroeder is a professor of church history at Capital University (Columbus, Ohio), where she teaches at Trinity Lutheran Seminary and the department of religion and philosophy.
Susanne Scholz says readers should consider biblical accounts of sexual violence to be “sacred witness” to the horrific reality of rape in the biblical world and in our own world. She proposes that we wrestle with the Bible’s words, including passages that depict God as a violent aggressor, and that we should read scriptural accounts in solidarity with victims, past and present.
In Sacred Witness, Susanne Scholz discusses the wide range of rape texts in biblical literaturesome that long have troubled readers, others that should have but didn't, such as texts of marital rape, for example, or metaphorical speech about God as rapist. Assuming the androcentric nature of these writings, Scholz asks how we may read these texts in order to find some redemptive meaning for women, children, and men who have been injured by sexual violence and by cultures of rape. Sacred Witness provides illuminating reflection on some of the most troubling texts in the Hebrew Bible.
I have led many seders using a traditional Haggadah. We would just recite the Haggadah at the seder and put the books away until Passover of the following year. And then one year, after Passover, I read the Haggadah in earnest. I realized that the traditional Haggadah didn’t tell the Passover story very well, that big chunks of the story were missing, that much of the time we had no understanding of what we were reading, and that, for literally decades, we had been doing a rote recitation with little meaning. It was because of that realization that I decided to write my Haggadah.
The venerable Goldberg Haggadah is a wonderful example of a traditional Haggadah. I led seders using it for many years. The translation is very accessible, easy for all participants to read. The book has a great cover, both front and back, which normally wouldn’t be important in a book recommendation, but there is something almost magical about this cover – it just gives the feeling that you’re going to have a wonderful seder. The interior is nicely designed, with clear delineation of paragraphs, lots of white space, attractive fonts in Hebrew and English, and simple but expressive illustrations, all of which are important for a book that will be recited out loud.
Passover Haggadah: A New English Translation and Instructions for the Seder, New Revised Edition It includes the full text and translation, plus instructions, notes and an introduction. Convenient and ideal for groups.
Peter Marshall is Professor of History at the University of Warwick, co-editor of the English Historical Review, and the author of nine books and over sixty articles on the religious and cultural history of early modern Europe. His authoritative account of the Reformation in England, Heretics and Believers, was awarded the Wolfson History Prize in 2018. Peter is a native of the Orkney Islands, and currently writing a book on the islanders’ experiences in the Reformation era.
At the heart of the Reformation in England was an insistence that people be allowed access to Scripture in their own language, but translation was invariably a selective and creative process. Tadmor brilliantly shows how the translators of the Hebrew Bible (‘Old Testament’) remade the ancient world in the image of contemporary Tudor society, editing out many references to slavery and polygamous marriage, and merging together distinct forms of political governance through consistent reference to the authority of a ‘prince’. The findings are eye-opening, and the book should be required reading for modern biblical fundamentalists.
How can we explain the immense popularity of the English Bible? In this book, Naomi Tadmor argues that the vernacular Bible became so influential in early modern English society and culture not only because it was deeply revered, widely propagated, and resonant, but also because it was - at least in some ways - Anglicised. She focuses in particular on the rendering into English of biblical terms of social description and demonstrates the emergence of a social universe through the processes of translation from ancient and medieval texts to successive and interrelated English versions. She investigates the dissemination of these…
At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.
Not the best-known Dylan book but Jokerman is unusually productive in its scholarly analysis of many of the Nobel Laurette’s revered lyrics.
Investigating the writer’s use of ‘Identity’ in his work happens to coincide with 20 of his best-known and most loved songs. At one level, this might be seen as a book for anoraks, but it is much more likely to be of interest to anyone inclined to seek answers to questions raised in the apparent opacity of these Dylan classics.
Bob Dylan is described as one of the most startling, prolific and controversial contemporary song-writers. This book explores the complexity and subtlety of his lyrics and their themes, seeking to make intelligible that seems obscure and difficult. The author reviews the manner in which many of Dylan's lyrics treat fundamental questions concerning the nature of human identity. He argues that these lyrics represent a continuation of the experimental poetic practices of modernism. At the heart of Dylan's work are the discrepancies between the conscious, socialized self, born of language, and those potencies of personality that lie outside rational formulation. For…
