At the age of 23 I brought Bob Dylan to the Isle of Wight to play the 1969 festival. In my naivety when making the bid I knew nothing about the sixties superstar but by the time he accepted the invitation I had soaked up all that was generally known of his music and backstory. Through the decades since I have closely followed Dylan’s remarkable career and written about his indispensable place in the counterculture. I am an architect and author working in Oxford.
I wrote...
Stealing Bob Dylan from Woodstock: When the World Came to the Isle of Wight. Volume 1
As well as the background to the festival and the event itself, Stealing Dylan from Woodstock also explores the artist’s career through a period in which the Isle of Wight was the only pre-scheduled or full concert he performed in seven-and-a-half years. This critical period was a major transition in his life and work, during which he was resident in Woodstock, working with the Band, until, to his chagrin, the eponymous festival was put in his backyard, and from which he departed for England to play his own festival.
A timely anthology of 35 essays by an interestingly diverse array of contributors. A correspondingly diverse selection of aspects of the multi-dimensional Bob Dylan and his remarkable six-decade career is subjected to forensic scrutiny. No Dylan book peaks beneath the cloak of so many of the mysteries surrounding the enigmatic ‘song and dance man’.
2021 marks Bob Dylan's 80th birthday and his 60th year in the music world. It invites us to look back on his career and the multitudes that it contains. Is he a song and dance man? A political hero? A protest singer? A self-portrait artist who has yet to paint his masterpiece? Is he Shakespeare in the alley? The greatest living exponent of American music? An ironsmith? Internet radio DJ? Poet (who knows it)? Is he a spiritual and religious parking meter? Judas? The voice of a generation or a false prophet, jokerman, and thief? Dylan is all these and…
An essential read for anyone interested in the life and art of Bob Dylan. The long-awaited autobiography is scarcely the typical celebrity volume. While little more than a taster, providing selected parts of the artist’s story in his own words and in his uniquely engaging voice, the areas covered appear in surprisingly revelatory detail and with extraordinary candor. It is the biggest selling Dylan book, by far, with an initial print run of 250,000, eclipsing all other such titles, its appearance 18 years ago was a major publishing event. Sub-titled Volume One, it begs the question, will we ever see a subsequent edition?
Building on the success of Bob Dylan in His Own Words, an autobiographical portrait of the acclaimed musical performer recounts personal and professional experiences and features black-and-white photography. 250,000 first printing.
Among the 1,000 plus books about Bob Dylan this is the closest we have to a full authorised biography. Robert Shelton was with the artist from the beginning in 1961, witnessing all the controversial concerts. No Direction Home is the definitive biography, written with Dylan’s blessing and co-operation and with favoured access to original sources. This beautifully illustrated 2011 edition, edited By Elizabeth Thomson and Patrick Humphries, is an update of the original 1986 standard.
This lavishly illustrated and thoughtfully abridged edition of THE classic book on Dylan—published to coincide with Dylan’s 80th birthday (May 24, 1941)—is a must for all Dylan aficionados.
Robert Shelton met Bob Dylan when the young singer arrived in New York in 1960, becoming Dylan’s friend, champion, and critic. Shelton’s book No Direction Home, first published in 1986, was hailed as the definitive unauthorized biography of this complex, passionate genius, and is the only one written with the subject’s active cooperation. Dylan gave Shelton access to his parents, his brother, and his childhood friends, among others. No Direction Home took…
Not the best-known Dylan book but Jokerman is unusually productive in its scholarly analysis of many of the Nobel Laurette’s revered lyrics. Investigating the writer’s use of ‘Identity’ in his work happens to coincide with 20 of his best known and most loved songs. At one level this might be seen as a book for anoraks, but it is much more and likely to be of interest to anyone inclined to seek answers to questions raised in the apparent opacity of these Dylan classics.
Bob Dylan is described as one of the most startling, prolific and controversial contemporary song-writers. This book explores the complexity and subtlety of his lyrics and their themes, seeking to make intelligible that seems obscure and difficult. The author reviews the manner in which many of Dylan's lyrics treat fundamental questions concerning the nature of human identity. He argues that these lyrics represent a continuation of the experimental poetic practices of modernism. At the heart of Dylan's work are the discrepancies between the conscious, socialized self, born of language, and those potencies of personality that lie outside rational formulation. For…
While not just a Bob Dylan book his presence and that of his powerful manager Albert Grossman dominate this history of the period in the sixties in the artist’s retreat which gave its name to the Woodstock Festival. Hoskins reveals a wealth of fascinating detail of Dylan’s sojourn between his last UK tour of 1966 and his Isle of Wight concert three-and-a-half years later. This was the most crucial period of his artistic development after achieving superstardom in the mid-decade. Holed up in Woodstock with The Band, he remained there until the notorious festival effaced the privacy of his sanctuary, prompting his departure for England.
Think "Woodstock" and the mind turns to the seminal 1969 festival that crowned a seismic decade of sex, drugs, and rock 'n' roll. But the town of Woodstock, New York, the original planned venue of the concert, is located over 60 miles from the site to which the fabled half a million flocked. Long before the landmark music festival usurped the name, Woodstock-the tiny Catskills town where Bob Dylan holed up after his infamous 1966 motorcycle accident-was already a key location in the '60s rock landscape. In Small Town Talk, Barney Hoskyns re-creates Woodstock's community of brilliant dysfunctional musicians, scheming…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
Now that he is in his eighties, she contemplates her obligation to an absentee father. The Truth About Unringing Phones is an exploration of responsibility and culpability told in experimental and fragmented essays.
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket. Now that he is in his eighties, she contemplates her obligation to an absentee father.
The Truth About Unringing Phones: Essays on Yearning is an exploration of responsibility and culpability told in experimental and fragmented essays.
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