Stories of the past are always about making claims to the present and future. These claims include which stories—whose stories—are persistently silenced, ignored, or made very hard to hear, see, and know in the dominant culture. I am a cultural historian of U.S. political history, broadly imagined. My work is almost always driven by the same question: Why didn’t I already know this? Quickly followed by: What has it meant that I didn’t know this? Invariably, the answers are found in the histories of women, gender, race, sexuality, class, and immigration.
Bailey originated the term “misogynoir” in 2008 to describe, she writes, “the anti-Black racist misogyny that Black women experience, particularly in US visual and digital culture.” The controlling image of the “Mammy” has long been a hyper-visible, toxic presence in this milieu. In this book, Bailey examines the digital resistance and social media-based activisms of Black women—particularly queer and trans women—who seize representational power to dismantle the distorting stereotypes, expose their systemic impacts, and make spaces for telling their own diverse, gendered Black stories and enable others to do so as well. Throughout, Bailey makes clear that cultural representations have material, life-and-death effects, but also the capacity to create new and better worlds.
Where racism and sexism meet-an understanding of anti-Black misogyny
When Moya Bailey first coined the term misogynoir, she defined it as the ways anti-Black and misogynistic representation shape broader ideas about Black women, particularly in visual culture and digital spaces. She had no idea that the term would go viral, touching a cultural nerve and quickly entering into the lexicon. Misogynoir now has its own Wikipedia page and hashtag, and has been featured on Comedy Central's The Daily Show and CNN's Cuomo Prime Time. In Misogynoir Transformed, Bailey delves into her groundbreaking concept, highlighting Black women's digital resistance to anti-Black…
I've been passionate about Fantasy ever since I found a used copy of the Dragonlance Chronicles in a second-hand book store in India. I was 10 years old and immediately fell in love with the idea of fantasy worlds with magic and dragons. Soon after I read Terry Brooks, Neil Gaiman, Piers Anthony, RA Salvatore, Edgar Burroughs, and a host of other writers from the 1980s. What I like about the books I've chosen is that these characters are memorable. They are stories that can be re-read because the plot doesn't feel like rehashed tropes. The uniqueness of the settings, the challenges they face, and the solutions they engineer are what make them worth reading.
In a magical world, based in Japan, a young girl needs to rely on her wits to survive. A highly political intrigue-filled thriller. This book is easily one of the best examples of Asian fantasy done right. What I like about the book is the way the characters are brought to life. The female lead Mara of the Acoma starts the story in a desperately vulnerable position and finds a way to work within the rigidly hierarchical and misogynistic system she is part of to effect change from within. The challenges she faces don't appear contrived in any way and her solutions are masterfully implemented.
The world on the other side of the rift: Kelewan, a land seething with political intrigue and deadly conspiracies. Following the opulent panoply of Daughter Of The Empire and the dazzling pageantry of Servant Of The Empire comes the resounding conclusion to the Empire trilogy.
Besieged by spies and rival houses, stalked by a secret and merciless brotherhood of assassins, the brilliant Lady Mara of the Acoma faces the most deadly challenge she has ever known. The fearsome Black Robes see Mara as the ultimate threat to their ancient power. In search of allies who will join her against them,…
This is a novel of violence and misogyny, but it is also strangely uplifting and inspirational.
A group of women brought up in a cult discover a horrifying secret about the men in their lives that leaves them with two choices: go or stay. Their dilemma is complicated by their extreme isolation; none of them can read or write and they speak a language distinct to their religious sect. It is told from the POV of a recently returned outcast whose presence is a mystery until the last page.
Now a major motion picture from writer/director Sarah Polley, starring Rooney Mara, Claire Foy, Jessie Buckley, with Ben Whishaw and Frances McDormand.
INTERNATIONAL BESTSELLER
“This amazing, sad, shocking, but touching novel, based on a real-life event, could be right out of The Handmaid's Tale.” -Margaret Atwood, on Twitter
"Scorching . . . a wry, freewheeling novel of ideas that touches on the nature of evil, questions of free will, collective responsibility, cultural determinism, and, above all, forgiveness." -New York Times Book Review, Editors' Choice
One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For…
Terry Pratchett never ceases to amaze me. Serious philosophical points, political and religious dogma, current affairs, social commentary on what affects our lives today. He wraps it all up in a fantasy world which is sailing through the universe on the back of four giant elephants carried on the back of a gigantic turtle. Oh and there are jokes and satire too. Lots of jokes.
A new stage adaptation of one of Pratchett's best-selling novels The Monstrous Regiment in question is made up of a vampire (reformed and off the blood, thank you), a troll, Igor (who is only too happy to sew you a new leg if you aren't too particular about previous ownership), a collection of misfits and a young woman discovers that a pair of socks shoved down her pants is a good way to open up doors in a man's army."One of the funniest English authors alive" (Independent)
Set in modern-day Acapulco, a small team of detectives wade through the increasing violence of gangs and cartels, where every night another two or three people lose their lives, widows pray in church while their sons are recruited to crime, their daughters are kidnapped and sold as sex slaves, and orphans wear plastic bottles around their necks, a drop of glue at the bottom, the fumes a way to ward off hunger. Emilia Cruz is the newest detective on the team – the first and only woman. The welcome mat is deployed only to try and trip her up as she investigates a murder, kidnapping, and millions of counterfeit pesos, all somehow linked. I felt Cruz’s fear and frustration, the blazing heat of the Mexican sun, and I drooled at the lush descriptions of fish tacos, ceviche with fresh limes, and ice-cold mojitos. The plot was tight, the writing superb,…
Acapulco’s first female police detective dives into an ocean of secrets, lies, and murder when she investigates her own lieutenant’s death.
In this explosive start to the award-winning Detective Emilia Cruz mystery series set in Acapulco, Emilia beat the odds to become the resort city's first female police detective. But she lives in a pressure cooker where trust is in short supply.
Her fellow detectives are scheming to push her out. Her lieutenant is a shady character playing both sides of the law. The police department is riddled with corruption and drug cartel influence.
I grew up on a tiny peninsula in Downeast Maine, an evocative and rugged place, both lovely and haunting. As a girl, walking home late down gravel roads through an encompassing darkness I’ve found nowhere else, I sensed the world’s dangers long before I knew how to articulate them. Surrounded by woods, water, and unnerving quiet broken by the fox’s scream and rustling branches, I began to write. I sought out strange and unsettling books by Shirley Jackson and Stephen King (his home just a few towns away from mine) that left their mark. Storytelling became a way to process and explore what keeps me up at night.
Elements of this book feel made for me – a woman, alone on her sheep farm on a remote British island, faces predatory danger that straddles the line between real and imagined, internal and external. The writing is pure poetry, each detail telegraphing threat.
A stark natural world surrounds and encroaches on the home that strong, complex, reclusive Jake shares with her dog named Dog (as soon as this good boy was introduced, the stakes ratcheted). I can’t shake this frightening and moving exploration of misogyny, patriarchal terror, and trauma.
Jake Whyte is the sole resident of an old farmhouse on an unnamed British island, a place of ceaseless rains and battering winds. It's just her, her untamed companion, Dog, and a flock of sheep. Which is how she wanted it to be. But something is coming for the sheep - every few nights it picks one off, leaves it in rags.
It could be anything. There are foxes in the woods, a strange boy and a strange man, rumours of an obscure, formidable beast. And there is Jake's unknown past, perhaps breaking into the present, a story hidden thousands…
I couldn’t help but fall in love with this story of a closeted cheerleader who falls for a female quarterback named Jack. Tension kept the plot moving as the two fight the misogyny and queerphobia of the football-crazy school and town.
"Home Field Advantage has it all. A swoony romance, characters you will be cheering for from start to finish, and a plot that sucks you in from the very first page. An instant favorite, perfectly capturing the power in being true to yourself and fighting for what is right." - Rachael Lippincott, #1 New York Times bestselling coauthor of Five Feet Apart and She Gets the Girl
Amber McCloud’s dream is to become cheer captain at the end of the year, but it’s an extra-tall order to be joyful and spirited when the quarterback of your team has been killed…
I began writing speculative fiction because I was fascinated by its potential as a laboratory to imagine the world that could be. It’s a narrative form that allows us to play with revolutionary changes in society without any real people getting hurt. And it compels the author to do the hard work of imagining how others experience life in the real world as well as the imaginary one. The best SF novels balance their speculations with a grounding in the observed world, entertaining us with propulsive wonder while filling our minds with new ideas and fresh perspectives that linger long after we put the book down.
After her most famous work of speculative fiction, The Handmaid’s Tale, was adapted for a popular television series in 2017, Atwood wrote a sequel of sorts and a book that, to me, is more interesting and engaging than the remarkable story it builds on.
It takes the form of a truth-and-reconciliation investigation of the theocratic coup that turned the U.S. into the Republic of Gilead. It turns the epilogue to The Handmaid’s Tale—often criticized as a Wizard of Oz-like cop-out at the end of an otherwise unflinching novel—into the launching point for a text that digs in much deeper, with profound wisdom and a clear-eyed species of hope.
BOOK OF THE YEAR: Daily Telegraph, Evening Standard, Stylist, Sunday Times, Financial Times, Guardian, The Times, Observer, Red
Margaret Atwood's dystopian masterpiece, The Handmaid's Tale, is a modern classic. Now she brings the iconic story to a dramatic conclusion in this riveting sequel.
More than fifteen years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of…
This
book is a collection of Arabian folk tales, stories that have been told for
centuries. It hooked me from the start.
It’s told as a story within a story,
and it starts out as the doomed Scheherazade’s ruse to keep a ruthless tyrant
from marrying and then killing the women of his kingdom (including her). Every
night she builds on the previous night’s story by spinning a different tale of
intrigue and excitement, of men and women, children and adults, beggars and
royalty, and as the king is drawn into her world, so are we.
Scheherazade
is witty and wise, and her stories feature characters, especially women, who are
equally cunning and clever, touching on subjects that range from misogyny to
love to revenge. This is a must-read.
The disciplines of musical scholarship (music theory, music history, and music education) are rooted in ideas and value-sets that were determined in the 18th-early 20th centuries by individuals who were profoundly racist and classist.
As a result, today’s musicians learn how to think about music in ways that are deeply at odds with modern understandings of who musicians are, who listeners are, and how music communicates. Ewell dismantles these ideological barriers to understanding and points the way to new systems of understanding music – and each other – that will make tomorrow’s musical world better, richer, more inclusive, and a product of our own time rather than the age of Jim Crow and Nazism: a music theory (and view of music history) for today. It’s essential reading.
Although a world without music is unthinkable, a world without racism, anti-Semitism, sexism, and misogyny is almost inconceivable. One big step in…
Since its inception in the mid-twentieth century, American music theory has been framed and taught almost exclusively by white men. As a result, whiteness and maleness are woven into the fabric of the field, and BIPOC music theorists face enormous hurdles due to their racial identities. In On Music Theory, Philip Ewell brings together autobiography, music theory and history, and theory and history of race in the United States to offer a black perspective on the state of music theory and to confront the field's white supremacist roots. Over the course of the book, Ewell undertakes a textbook analysis to…
