Fans pick 100 books like Monstrous Regiment

Three worlds in one book! There’s the not-so-important world of the Ancelstierre, roughly Edwardian or early-20th-Century-ish, and there’s the Old Kingdom, basically medieval, where Charter Magic wars with Free Magic (and how well Nix thinks through the workings of his forms of magic).

But the third world is the one that takes the cake! An underworld of the dead, with its different levels, gates, and sills. Sabriel discovers her own special inheritance and powers—OK, that’s standard fantasy fare, except that Sabriel’s powers are those of an abhorsen. It’s the Abhorsen’s role to make sure that the dead stay dead, and journey on down into the deeper levels of death. Of course, the dead who keep coming back are the ones who drive the narrative!

This is a fantastic story with a strong female role model that reverts a lot of the classic princess stories.

It is a fabulous story about a brave and wonderful girl who refuses to be defined by her wardrobe or to whose idea of “living happily ever after” is much more than marrying a prince.

Fun and a great conversation starter!

I like to think I’m pretty good at guessing where a book is going to go—this is not the case with Gideon the Ninth. Every time I thought I had a grip on what was going on and where we were going, it took a turn. Every time I thought I had an idea of how I felt about a character, new lore dropped, and I fell in love (or in hate, or in a complicated love/hate thing that I have yet to figure out).

By the time I finished, I was torn between picking up the second book in the series to learn what happened next or rereading the first just to see how different it would be once I had a better understanding of the book.

Maybe it’s the millennial in me, but I can’t begin to tell you how much I relate to Murderbot. All it wants to do is get through its workday so it can take a break and watch its shows—and yes, maybe my job is slightly less stressful than acting as security for a science expedition that’s pissed off a bloodthirsty super-corporation, but we all have our struggles. Like socializing with our coworkers. Or capitalism. Or man-eating space worms. 

Probably my favorite thing about Murderbot is the deadpan humor with which it tells its story, which really comes to life in the audiobook thanks to Kevin R. Free’s narration. 

Confession time: I tend to be picky about mermaid stories because life under the sea is such a dramatic difference from our reality that it’s often hard to really reflect that difference. In this book, you never forget that these people aren’t human, and you never lose their connection to the sea. It’s everywhere, from the way they think about distances to their relationships with the other creatures around them to the way Yetu’s disabilities are handled.

In the same way, the trauma that created their people was always lingering at the forefront of my mind as I read, even when it wasn’t the subject at hand. This is another one where my experience was elevated even further by the audiobook, as narrated by Daveed Diggs. 

This is one of the finest works of modern epic fantasy available. Although the pace is not swift, Rothfuss styles the whole thing with beautiful, carefully crafted prose that makes this novel an enjoyable read. The main character, Kvothe, provides plenty of wit and grit. It’s worth reading despite being part of an infamously unfinished series.

I’ve tried to style some of my own prose and wit off of Rothfuss from time to time.

There’s something about an ensemble book that I love. Seeing personalities clash as insults fly and banter is exchanged really gets me going. I usually don’t like overtly funny books or jokes at the expense of drama, but Nicholas Eames has somehow hit the sweet spot for me with Kings of the Wyld.

These characters are more than just there to crack one-liners, of course. They’ve got their fair share of baggage to unpack, and sometimes it takes a friend or a brother to lend a listening ear for the healing to start happening.

For various reasons, I had very few people that I could consider to be true friends when I read this book, and seeing these burly, fearsome warriors start to grow on each other was a balm on my soul.

I loved this YA because it contains many of my favorite things: an evocative island setting, strong characters, high stakes, some romance, and animals.

The Celtic-inspired island of Thisby felt so incredibly real to me, as did the dangerous water horses the men raced every fall. I loved how brave the female protagonist, Puck, is to want to enter this race with her ordinary pony, Dove. Sean, an island boy, has his own sympathetic reasons for entering the race.

I’m always drawn to books with impossible problems. Neither Puck nor Sean can afford to lose, even as a romance develops between them. I also really like a YA book that touches on sibling relationships. This book stayed with me for a long time.

This is possibly the best known book on my list, yet it took me a long time to discover it.

This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.

Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.

Quite simply, Erin Morgenstern’s book is the finest example of urban fantasy I have ever read. Besides a plot rich in sorcery and romance, with a circus (think Bradbury’s Something Wicked This Way Comes) that appears mysteriously, vanishing just as suddenly and the shadowy game of two great sorcerers playing out their competitiveness through the lives of their young apprentices, this is a beautifully written book. The writing is elegant, rounded, and rich. What a writer! The imagery is transporting without clobbering the reader over the head. The characters are each fully drawn, but in slow increments as the story steams inexorably ahead like the mysterious train that carries the circus from locale to locale. 

This book showed me that you do not need blazing dragons or drooling werewolves to create menace, sinister characters, and mystery. Morgenstern places this world of circus magic just out of reach but so… show more.