A lot of people feel intimidated by fantasy. Admittedly, the classics of the genre can be hard to get into, with their epic worldbuilding and thousand-page counts. But what made me fall in love with fantasy was the way it made me feel. Growing up queer, Jewish, fat, and chronically ill in the American South made it impossible for me to relate to the people around me. But fantasy, with its stories of outcasts becoming saviors, resonated with me. That’s why I started writing Queen of All when I was only twelve years old—I wanted to make people feel seen and understood. That’s what these books have done for me.
The conclusion to a charming middle-grade trilogy about a quick-witted demon named Bartimaeus, this book also depicts love and loss with an intensity and realism that resonates with readers of any age. I first read this book when I was about nine years old, eager to find out what would happen to the hilarious characters I’d loved so much in the first few books. I’ll never forget how hard I cried on that school bus home. I was just old enough to understand what that kind of loss would feel like, and still young enough to be moved by the story’s idealism and for the fantastical world to feel real for me. But I think, no matter who you are, this is a story at once heartbreaking and hilarious.
Three years on from the events in The Golem's Eye, the magicians' rule in London is teetering on a knife-edge, with strikes, riots and general unrest. The Prime Minister is largely controlled by two advisers, one of whom is 17-year-old Nathaniel. Meanwhile, living under a false identity, Kitty has been researching djinn; she has come to believe that the only way to destroy the magicians is with an alliance between djinn and ordinary people.
Kitty seeks out Bartimaeus and embarks on a terrifying journey into the djinn's chaotic domain - the Other Place…
Omar Sakr is a poet. Son of Sin is his first novel and his prose reflects his poetic style.
You can see this in extracts such as:
“…the staggered and warped back and forth of people who don’t know how to talk to each other without trying to win, to force the other to concede.”
And this is what appealed to me about this work. It’s less of a narrative and more of a meditation on identity. Yes, there are story elements, but the words make you muse on what it means to ‘fit in’.
One message I took away is the idea that our identity is linked to memory, and memory fades. And it’s reflections like this that makes this novel stay with you long after the final page.
Poet Omar Sakr’s debut novel is a fierce and fantastic force that illuminates the bonds that bind families together as well as what can break them.
An estranged father. An abused and abusive mother. An army of relatives. A tapestry of violence, woven across generations and geographies, from Turkey to Lebanon to Western Sydney. This is the legacy left to Jamal Smith, a young queer Muslim trying to escape a past in which memory and rumour trace ugly shapes in the dark. When every thread in life constricts instead of connects, how do you find a way to breathe? Torn…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Tim Powers is best known for his secret histories. Unlike alternate history, a secret history doesn’t change the publicly known facts of the past; instead, it tells a story hidden beneath those facts that may change their meaning.
Powers takes a strict approach to secret history that I admire and try to follow when I can: all the known historical details (who was where and when and what they were doing) must remain the same. His marvelous novel Declare applies this rule to the Kim Philby spy case. Powerful beings that have been dwelling among us provide the hidden motivations for espionage and treason from WWII into the Cold War.
Declare is fun both for its spycraft and occult details.
As a young double agent infiltrating the Soviet spy network in Nazi-occupied Paris, Andrew Hale finds himself caught up in a secret, even more ruthless war. Two decades later, in 1963, he will be forced to confront again the nightmarethat has haunted his adult life: a lethal unfinished operation code-named Declare. From the corridors of Whitehall to the Arabian desert, from post-war Berlin to the streets of Cold War Moscow, Hale's desperate quest draws him into international politics and gritty espionage tradecraft -- and inexorably drives Hale, the fiery and beautiful Communist agent Elena Teresa Ceniza-Bendiga, and Kim Philby, mysterious…
I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends.
The start of an epic fantasy adventure. Filled with djinn, magic, and myth, Dalen Pax and the Beads of Fire pulls you into an engaging fantasy world where time unravels and reforms a world of wild imagine. The protagonist begins his adventure as a normal teenager trying to find his place in the world. A world that expands with the revelation that magic exists, that time is a construct. Joined by a band of engaging characters I highly recommend joining the adventure.
Dalen Pax and the Beads of Fire is a delightfully inventive Fantasy novel, a remarkably touching and insightful coming-of-age story, and a philosophical tour de force.
Dalen Pax is a typical high school misfit who has always wished that magic was real. One fateful night, he found that it was when he risked his life to save Mathias, a man he didn't know. A man with the ability to wield real magic. After their meeting, Mathias enlists Dalen to help him retrieve a powerful artifact known as the Beads of Fire, which connects its wearer to the Fire Jinn, a…
I came to my passion for history later in life—when I realized I could trade in the endless date memorization I remembered from history class for an exploration of fierce lady pirates like Shek Yeung and unwilling empresses like Sisi of Austria. Historical stories that felt like thrillers, adventures, or mystery novels. Comedies. Tragedies. And most of all: books that didn’t require a history PhD to get swept up in the story. These are the books that made me fall in love with history, and they’re the kind of books I now write. I’m the author of three historical novels, all written first and foremost to sweep you away into a damn good story.
This book reads more like a thriller with heart than a historical novel, which makes it the perfect historical fiction for those just dipping a toe into the genre.
Set in 1969 in Malaysia, during the historic race riots, the story follows a Beatles-obsessed teenage girl with OCD as she struggles to survive and get back to her family. I devoured this story over a couple of nail-biting days – and I bet you will too.
A music loving teen with OCD does everything she can to find her way back to her mother during the historic race riots in 1969 Kuala Lumpur, Malaysia, in this heart-pounding literary debut.
Melati Ahmad looks like your typical movie-going, Beatles-obsessed sixteen-year-old. Unlike most other sixteen-year-olds though, Mel also believes that she harbors a djinn inside her, one who threatens her with horrific images of her mother's death unless she adheres to an elaborate ritual of counting and tapping to keep him satisfied.
A trip to the movies after school turns into a nightmare when the city erupts into violent…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.
I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
As a series culmination, Sabaa Tahir drove to the end fearlessly and with great panache.
Though classified as YA, the issues Sabaa addressed were enlarged thanks to bypassing a “me-me-me” focus. Instead, she dug into the heart of injustice and gave her readers a ‘we-can-all-do-what’s-right ending. Beyond that, this chick can write!
Prepare for the jaw-dropping finale of Sabaa Tahir's beloved New York Times bestselling An Ember in the Ashes fantasy series, and discover: Who will survive the storm?
Picking up just a few months after A Reaper at the Gates left off...
The long-imprisoned jinn are on the attack, wreaking bloody havoc in villages and cities alike. But for the Nightbringer, vengeance on his human foes is just the beginning.
At his side, Commandant Keris Veturia declares herself Empress, and calls for the heads of any and all who defy her rule. At the top of the list? The Blood Shrike…
I was born and raised in Mumbai, India, and as a kid I loved to read. But I never saw myself—an Indian girl like me—represented in children’s books before. I didn’t realize how much it affected me until I began writing my first novel at age 23. When I did, I wrote the entire first draft with white characters and set it in a western country. I believed my Indian culture and my experience as an Indian kid was not worth writing about. I was so wrong! Now, with the novels I write, I’m passionate about representation, especially South Asian representation because all kids deserve to see themselves and their cultures in the books they read.
Jinn. A sleep spell. A mystical land. A piece of the moon hurtling towards Earth. An ancient prophecy. And my favorite—a tale of siblings. What sets this book apart from other fantasy novels is that when Amira and her younger brother Hamza are tasked to save the world from the wrath of terrifying jinn, devs, and ghuls, they use science and logic instead of magic to win. This book is full of relatable references and hilarious puns while Amira is a budding feminist. What’s not to love in this riveting story of legend, science, history, adventure, and humor?
From bestselling author Samira Ahmed comes a thrilling and magical adventure intertwining Islamic legend and history, perfect for fans of Aru Shah and the Land of Stories.
On the day of a rare super blue blood moon eclipse, twelve-year-old Amira and her little brother, Hamza, can’t stop their bickering while attending a special exhibit on medieval Islamic astronomy. While stargazer Amira is wowed by the amazing gadgets, a bored Hamza wanders off, stumbling across the mesmerizing and forbidden Box of the Moon. Amira can only watch in horror as Hamza grabs the…
The allure of magic in literature has gripped me since I was a kid, probably due to a very difficult childhood and the unusually precocious scope of my imagination. Escape is prized in such circumstances. The fact that I could illustrate my own little stories as well as I could read adult works helped, too. Majoring in English and History later on only fortified my subsequent desire to blend contemporary and classically appointed styles along with elaborate illustrations to create (hopefully) enduring works of my own. I describe myself as “raised by wolves, saved by stories, and still exploring the universe in my own magical hot air balloon.”
The fragrance of exotic spice, dreamy Moroccan evenings rife with jasmine, and whispers of dark magic leap from the pages of this little-known fairy tale classic I latched onto as a kid. A young boy must save his beleaguered household from the mischievous plots of wicked djinn, helped by a kind and marvelously magical desert fox in disguise. This evocative tale is breathtaking for readers of all ages—a fantasy feast for the senses, embellished with illustrations by the great Fritz Eichenberg. A “best-kept secret” treasure that I still read once a year!
" This is a tale of djinns, - of their mischief and their magic in the Moroccan city of Fez." The 14th century city of Fez entertains and informs young listeners through action set in the palace, mosque, and market place in a tale of adventure and delicious danger to the household of Mohammed Ali and his son Mousa.
First published in 1943, this extraordinary story blends the exotic traditions of a Moroccan household with ancient legends of spirits, both good and bad. Who is the mysterious bride with her pet gazelle? When the fountain stops, the orange tree is…
