Here are 95 books that Dalen Pax and the Beads of Fire fans have personally recommended if you like
Dalen Pax and the Beads of Fire.
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My upbringing in refined Bucharest, surrounded by books and Romania's rich folklore, as well as my youth excursions in the idyllic Transylvanian countryside, instilled in me a love for storytelling. Although I have a medical degree, my insatiable curiosity about historical figures' lives, journeys, and the landscapes they encountered has driven me to investigate and write about these enthralling tales. This allowed me to share the wonders of travel through historical and contemporary fiction with a strong historical foundation - and a dog or two. On my blog I share enchanting gems from Romania’s past, while on social media I promote Romania’s history and culture under the hashtag #Im4Ro.
I'd heard a lot about Norse myths on social media recently, but I was unfamiliar with them.
The idea of Gaiman weaving his narrative magic through the tapestry of these ancient tales intrigued me, and it surely made for an exciting read.
Even if you're unfamiliar with Norse mythology (as I was), this retelling will awe you with the strangeness and wonder of these ancient tales. Norse Mythology is more than a book; it's an invitation to a hypnotic world inhabited by gods, giants, undead goats, betrayals, a mischievous squirrel, elves, dwarves, and Valkyries.
This collection is an enthralling journey through a selection of Norse myths, narrated with Neil Gaiman's trademark wit and simplicity.
Neil Gaiman, long inspired by ancient mythology in creating the fantastical realms of his fiction, presents a bravura rendition of the Norse gods and their world from their origin though their upheaval in Ragnarok.
In Norse Mythology, Gaiman stays true to the myths in envisioning the major Norse pantheon: Odin, the highest of the high, wise, daring, and cunning; Thor, Odin's son, incredibly strong yet not the wisest of gods; and Loki-son of a giant-blood brother to Odin and a trickster and unsurpassable manipulator.
Gaiman fashions these primeval stories into a novelistic arc that begins with the genesis of the…
I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!
Gaiman doesn’t just incorporate one myth into his story; he goes for them all and brings all the gods to America.
This novel defies categorizing. I have always been interested in probing the nature of religion and humanity’s invention of gods. How did we first encounter them, and are they still relevant in today’s world? How does the nature of story itself relate to the lives of the gods?
All of these points are dealt with in this unique and entirely new introduction to some very old gods. I found it not only highly entertaining but thought-provoking.
Now a STARZ® Original Series – Season 3 premiere in January 2021
“Pointed, occasionally comic, often scary, consistently moving and provocative….American Gods is strewn with secrets and magical visions.”—USA Today
Newly updated and expanded with the author’s preferred text. A modern masterpiece from the multiple-award-winning master of innovative fiction, Neil Gaiman.
First published in 2001, American Gods became an instant classic, lauded for its brilliant synthesis of “mystery, satire, sex, horror, and poetic prose” (Washington Post) and as a modern phantasmagoria that “distills the essence of America” (Seattle Post-Intelligencer). It is the story of Shadow—released from prison just days after…
I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends.
One of the most powerful, magical poetic storytelling I have ever read. Amanda Lovelace weaves heartache and magic into a tale of love, loss, and rebirth. Unraveling the magical tropes, this poetic tale proves that the greatest hero is ourself. That the princess can be both victim and heroine, and that wielding a broken heart can be as powerful as any magic talisman.
Winner of the 2016 Goodreads Choice Award, the princess saves herself in this one is a collection of poetry about resilience. It is about writing your own ending.
From Amanda Lovelace, a poetry collection in four parts: the princess, the damsel, the queen, and you. The first three sections piece together the life of the author while the final section serves as a note to the reader. This moving book explores love, loss, grief, healing, empowerment, and inspiration.
the princess saves herself in this one is the first book in the "women are some kind of magic" series.
I’ve always been fascinated by folklore and religious myth. A passion further inspired by my path as an Eclectic Pagan, and my pursuit of a Masters in Mythological Studies. My interest in mythology was first inspired by my mother as she told us bedtime stories filled with the exploits of heroes, of gods, and angels. My upbringing in Christianity introduced me to the mythologies of Judaism, which eventually led me into the greater world of Paganism and an entire universe filled with a multitude of pantheons filled with their own gods, heroes, and legends.
Book 14 of Sherrilyn Kenyon’s Dark-Hunter series, Acheron is a heartbreaking masterpiece. Delving deeply into the heartbreaking past of Acheron, a demi-god and leader of the Dark-Hunters, we at long last discover his origins and true self. After years of solitude and betrayal, he is given his final redemption and love. My favorite in this stellar series.
Eleven thousand years ago, a god was born. Cursed into the body of a human, Acheron spent a lifetime of shame. But the strongest steel is forged from the fires of hell...Acheron's human death unleashed an unspeakable horror that almost destroyed the earth. Then, brought back against his will, he became the sole defender of mankind. Only, it was never that simple. For centuries, Acheron has fought for our survival and hidden a past he'll do anything to keep concealed. Until a lone woman who refuses to be intimidated by him threatens his very existence. Now his survival - and…
I have always been enamored with myth and the fantastic, even as a child. They offer an escape from the mundane, but also deliver a fine method to guide our moral compasses, learn about other cultures, and assign meaning to those things that vex us. I studied literature and history in college and found myself delving more and more into theology and mythology as I went because literature is filled with their essence. My exploits have guided me to the desk as a language arts and special education teacher, but my heart always whisks me back to the bookshelf or the desk to visit these fantastic worlds of the supernatural.
The pretense for modern fantasy and supernatural suspense is rooted in the concept of folklore and fairytale. Harkening back to those days, Byatt weaves an intricate world of wonder and spirits the reader away to become enveloped within it. Byatt stands on the shoulder of the giants who came before to tell these five songs and expertly uses imagery and allegory to make the reader think about the deeper meaning of these stories.
A stunning collection of fairy tales for grown-ups from the Booker Prize-winning author of Possession, a "storyteller who could keep a sultan on the edge of his throne for a thousand and one nights" (The New York Times Book Review).
Includes the story “The Djinn in the Nightingale's Eye”—the basis for the George Miller film Three Thousand Years of Longing starring Idris Elba and Tilda Swinton
A.S. Byatt portrays the strange relationship between an intelligent heroine—a world-renowned scholar of the art of storytelling—and the marvelous being that lives in a bottle, found in a dusty shop in an Istanbul bazaar.…
I am a fiction writer and currently live in Cairo, where I have lived for over twenty years. I noticed that the way I started telling stories was influenced by learning Arabic and by listening to the stories of the people in the city. My interest in Arabic also led me to read Arabic literature, like A Thousand and One Nights.
This is a fun, playful novel that completely breaks all of the boundaries—time, gender, country, and fact—not
surprising from Salman Rushdie! It is a dizzying ride, going from the
Ferris wheel, to bumper cars, to the house of mirrors in a theme park.
Rather
than relying so much on the strict frame narrative, Rushdie experiments
with the idea of characters who are overtaken by “the jinn”—a wild,
irrational impulse that perverts existing norms. It is Dunyazad,
Shahrazad’s sister who marries Ibn Rushd, the great philosopher who was
marginalized in 1195 by the Caliph. Rushdie tells the stories of all of
Dunyazad or Dunia’s descendants, as well as the eternal war between Ibn
Rushd and Al-Ghazali, eight hundred years beyond the grave. A fan
of the wacky and weird, Rushdie outdoes himself with the characters in this story.
After a
super-storm, the line between humans and the jinns blurs…
Blending history, mythology and a timeless love story, this is a satirical, magical masterpiece.
In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own comic book creation. Abandoned at the mayor's office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining.
Unbeknownst to them, they are all descended from the whimsical,…
A lot of people feel intimidated by fantasy. Admittedly, the classics of the genre can be hard to get into, with their epic worldbuilding and thousand-page counts. But what made me fall in love with fantasy was the way it made me feel. Growing up queer, Jewish, fat, and chronically ill in the American South made it impossible for me to relate to the people around me. But fantasy, with its stories of outcasts becoming saviors, resonated with me. That’s why I started writing Queen of All when I was only twelve years old—I wanted to make people feel seen and understood. That’s what these books have done for me.
The conclusion to a charming middle-grade trilogy about a quick-witted demon named Bartimaeus, this book also depicts love and loss with an intensity and realism that resonates with readers of any age. I first read this book when I was about nine years old, eager to find out what would happen to the hilarious characters I’d loved so much in the first few books. I’ll never forget how hard I cried on that school bus home. I was just old enough to understand what that kind of loss would feel like, and still young enough to be moved by the story’s idealism and for the fantastical world to feel real for me. But I think, no matter who you are, this is a story at once heartbreaking and hilarious.
Three years on from the events in The Golem's Eye, the magicians' rule in London is teetering on a knife-edge, with strikes, riots and general unrest. The Prime Minister is largely controlled by two advisers, one of whom is 17-year-old Nathaniel. Meanwhile, living under a false identity, Kitty has been researching djinn; she has come to believe that the only way to destroy the magicians is with an alliance between djinn and ordinary people.
Kitty seeks out Bartimaeus and embarks on a terrifying journey into the djinn's chaotic domain - the Other Place…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
My favorite books—to read and to write—have always been funny Christian romances. But all four of my kids prefer fantasy. They want me to read with them, and they’ve been asking me to read nothing but fantasy for years. Now I can say it’s my second favorite genre. In fact, I learned to like it so much I eventually started writing a children’s fantasy series of my own, in between all the mushy stuff. Beyond Wisherton is the first in that series.
There is a fine line between silly and slapstick. This book manages to stay just barely on the good side of that line. Basically, we have two kids with genies being chased by bad guys. The danger motivates the kids to make wishes. The wishes are unlimited, but so are the consequences. Little wishes have little consequences while a big enough wish comes with death. Reading about the kids being forced to hop up and down, clap their hands and make weird noises as a result of the wishes is highly entertaining. But there are also a lot of openings for serious discussion as the kids try to negotiate smaller wishes to achieve similar results. Which consequences would you accept?
"Looking for a fantastically fast-paced and funny read? Your wish is granted!" -Chris Grabenstein, #1 New York Times bestselling author of Escape from Mr. Lemoncello's Library
Twelve-year-old Ace's life is about to change in the most unexpected and magical ways-all because of a peanut butter jar.
When he opens it, he inadvertently releases a genie named Ridge. Now a Wishmaker, Ace is given a week to complete a seemingly impossible quest, and if he fails the world will end in the most tragic (but cuddly) way imaginable.
Luckily, Ridge can help by granting Ace an unlimited number of wishes...as long…
Historical fantasy is my favorite genre, combining my twin passions of history and mythology/folklore. I especially like to read about unfamiliar times, places, identities, and cultures. What I love best about the fantastical is that it allows me to think and write about deep matters symbolically. As someone still discovering my asexuality in middle age, I’ve always identified best with coming-of-age stories, which is why there are so many young protagonists in both my reading and my writing.
There’s not enough Muslim historical fantasy in the world, and this one is so lavish and full of aching romance—my favorite kind! It takes us from 18th-century Cairo, where con-girl Nahri accidentally summons centuries-old deava warrior Dara, to the fabled City of Brass, its walls covered in enchanted statues, home to rival clans of djinn.
I love how the tribes of Deavabad reflect different parts of the Islamic world and its pre-Islamic culture. For example, the main djinn faith reflects Islam, whereas the deava faith with its fire temple reflects the Zoroastrianism of ancient Persia. It’s a complex, believable world in which I can immerse myself, full of revelations, betrayals, tugs of loyalty, and dilemmas of love.
Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by-palm readings, zars, and a mysterious gift for healing-are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot,…
