My great interests have been ships and space travel, and if one takes time to consider the similarities the parallels stand out. Ships, especially submarines, travel in a medium and through an environment that is hostile to human life. In space travel, the ‘ship’ becomes the only habitat in which we can survive for any extended period, leaving it without a space suit is a fatal move. I cannot claim to be an expert in closed environments, but it's a subject that has fascinated me throughout my life. Every ‘biosphere’ is unique and incredibly complex and depends on the symbiosis of an enormous number of living creatures right down to bacteria and even viruses.
This book and the others, including The Globe, Darwin’s Watch, and Judgement Day, are wonderful in their mix of fantasy – Pratchett’s Discworld Wizards mixing it up in their quest to understand the “Round World” they accidentally created – and real science introduced and explained by Ian Stewart and Jack Cohen. The fantasy and the science are seamlessly interwoven in a way that make some complex subjects not just understandable but very readable. Like the explanation of exploring particle physics in the Large Hadron Collider by comparing it to a race that has never seen a piano, cannot see the piano, and try to determine its function and properties by hitting it and eventually pushing it out of a window five stories up and then naming the sounds it makes on hitting the ground…
When a wizardly experiment goes adrift, the wizards of Unseen University find themselves with a pocket universe on their hands: Roundworld, where neither magic nor common sense seems to stand a chance against logic. The Universe, of course, is our own. And Roundworld is Earth. As the wizards watch their accidental creation grow, we follow the story of our universe from the primal singularity of the Big Bang to the Internet and beyond. Through this original Terry Pratchett story (with intervening chapters from Cohen and Stewart) we discover how puny and insignificant individual lives are against a cosmic backdrop of…
Ever since childhood, I have been enthralled by dragons. The stories of these mythical creatures can be told in so many ways, from dragons as pets to bonding with them or even shapeshifting into them. I chose these books because they are memorable, they have stuck with me, and they have fascinated and inspired me for years. All of these writers have influenced my own work, and they are sure to resonate with you, too.
I like Terry Pratchett’s fresh take on dragons. I’ve always appreciated his sense of humor, and his portrayal of little swamp dragons is hilarious! It cracked me up to read about little dragons like they are purebred lap dogs.
In this book, Sir Terry skillfully uses a big dragon as a metaphor, and I always love a good metaphor. Although I read it years ago, this book has stuck with me.
First book of the original and best CITY WATCH series, now reinterpreted in BBC's The Watch
'This is one of Pratchett's best books. Hilarious and highly recommended' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . . _________________
'It was the usual Ankh-Morpork mob in times of crisis; half of them were here to complain, a quarter of them were here to watch the other half, and the…
Growing up in a rural area influenced by both Protestantism and Catholicism, I found that the daily habits of devoutly religious people were often contradictory to the basic practices of their religion. I also discovered that people were every day forced to adjust their beliefs and behaviors depending on which microcosm within the culture they were in at a given moment participating. People unable to play by these ever-shifting cultural rules would quickly lose respect. This scared the hell out of me, as I was never good at adjusting to different social situations on the fly, but I also found it interesting, and it therefore became the primary theme of my book.
Most all of Terry Pratchett’s books do an excellent job of turning absurdity into humor while remaining thought provoking, and this one is probably my favorite.
In terms of style and humor, I really found myself thinking of Kurt Vonnegut and Douglas Adams while reading this, which is obviously good company to be in. Essentially, the book deals with the question: “What happens to religion when no one believes in its God?”
Fans of Sir Terry Pratchett will love this stunning graphic novel adaptation of his bestselling standalone Discworld novel Small Gods. Beautifully brought to life by illustrator Ray Friesen, it takes a close look at religion's institutions, its people, its practices and its role in politics in Pratchett's unique way...
'An intriguing satire on institutionalized religion corrupted by power...' - Independent 'Deftly weaves themes of forgiveness, belief and spiritual regeneration' - The Times 'I loved this book. I wish it could go on and on and on because it was so enjoyable to read. I wish more books are like this…
I love fantasy adventures. Always have. I think The Hobbit was one of the very first books I ever read from start to finish. The way fun-filled adventures draw you in with intricate worlds that ignite the imagination and keep you sucked in with amazing characters and story is comparable to nothing else. That feeling of emptiness after reading a great story is indescribable and something I have always tried to create with my own books.
What I liked most about this book of the Discworld series, in particular, is the characters. They are very well written and the dialogue of banter between them is fantastic. The world, too, is something I will always remember, how it sucks you in and is so vivid.
But the best part of this book is Ricewind's ability to stumble into trouble and always come out on top.
On a world supported on the back of a giant turtle (sex unknown), a gleeful, explosive, wickedly eccentric expedition sets out. There's an avaricious buy inept wizard, a naive tourist whose luggage moves on hundreds of dear little legs, dragons who only exist if you believe in them, and of course The Edge of the planet...
I love fantasy, particularly comic fantasy. But there's an art to making something that is mind-meltingly silly feel real and meaningful, at the same time. To make it feel solid. If something is too chaotic, too randomly silly, then the narrative integrity disintegrates. You're left feeling, ‘yes, I know that the troll has now mysteriously turned into a chicken; but really, what’s the point?’ On the other hand, if the story isn’t silly enough…well, then it becomes straight fantasy, which is wonderful when it’s done well, but can feel mundane and derivative when it is not. I've deliberately limited this list to include only two Discworld books. To include any more would seem, well—silly.
I said I would limit myself to two Discworld books, so here we have my other favourite. This is quite an early one, before the world is fully formed, but the portrayal of the wizards and their University is beginning to emerge, full of chaos and joy and demented energy. But again, this madcap, surreal mania is corralled masterfully, the characters feeling like real people with real agency, moving through a world that—while full of vivid colours and impossible, surreal things—is also somehow solid and real. It is a testament to Pratchett’s incredible storytelling powers that Ankh Morpork is more real to me than several cities I have actually, physically visited. It is unreal and yet hyper-real at the same time. You should go visit. It is wonderful.
'May well be considered his masterpiece . . . Humour such as his is an endangered species' The Times
The Discworld is very much like our own - if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .
All this books and stuff, that isn't what it should all be about. What we need is real wizardry.
Once there was an eighth son of an eighth son, a wizard squared, a source of magic. A Sourcerer.
I could say I’ve had a hard life (and I have), but who hasn’t? Life is one adversity after another, and we need all the help we can get. Without that help, moods suffer, hope falters, and our souls are diminished. During my own personal journey through this quagmire called life, I have often been lifted up and out of the mud whilst reading the books I suggest below and more. These books either made me laugh and cry, made me think, or made me change the way I approached things. Quite often, they did all four at the same time. Their insights were invaluable.
No one has taught me more about life than Terry Pratchett. No one has taught me how to wrestle with my demons (both literal and metaphorical) or how to be a better person no matter what fate befalls me. Humanists don’t need a bible, but if they did, the collected works of Terry Pratchett would be that book.
More than just fantasy, humor, or satire, his words work at a profound and subtle level. All of his books are favorites of mine, but this one is my most favorite of all. It’s a book about witches and magic and fairy tales. It’s also a story that contains stories within stories, but most of all, it’s a book about knowing who you are.
'You can't go around building a better world for people. Only people can build a better world for people. Otherwise, it's just a cage.'
There's power in stories. The Fairy Godmother is good. The servant girl marries the Prince. Everyone lives happily ever after . . . don't they?
The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse?
Wyrd Sisters is one of the funniest books I’ve ever read.
It is unapologetically satirical and seizes upon a well-fleshed-out genre and turns it upon its head, making every last detail into a caricature that somehow creates more interesting, realistic characters than fantasy ever could.
His witches aren’t really mystical but don’t mistake that for lacking power. They’re more like indomitable grandmothers you don’t dare cross.
This book has everything from ghosts to prophecies to bastard sons and lost heirs of the kingdom. Nothing turns out the way you’d expect.
Terry Pratchett’s genius includes an anthropomorphized thunderstorm waiting in the wings after appearing briefly in the opening scenes, only to surprise you with a grand performance in the final act, just when you’d thought it was a very random start to a topsy-turvy story. I’ve never laughed so much!
'Destiny is important, see, but people go wrong when they think it controls them. It's the other way around.'
Three witches gathered on a lonely heath. A king cruelly murdered, his throne usurped by his ambitious cousin. A child heir and the royal crown, both missing.
Witches don't have these kinds of leadership problems themselves - in fact, they don't have leaders.
Granny Weatherwax is the most highly regarded of the leaders they don't have. But even she finds that meddling in royal politics is a lot more complicated than certain playwrights would have you believe. Particularly when the blood…
The 14th century had it all: the 100 Years' War, near-constant famines, and, of course, the Black Plague. As a medievalist studying the art of the time, I was struck by the representations of Death that emerged from this near-perfect storm of misery. Yes, Death was often portrayed accompanied by demons and devils, lumped willy-nilly with evil. But it was more often portrayed in the Danse Macabre as a skeletal partner, leading everyone—Pope and Emperor, Lord and Laborer—on a merry dance. I know it was meant as a warning, but I found the Danse Macabre to be oddly comforting, a vision of an ultimate democracy, with Death the final partner and companion to us all.
We all know what happens when Death takes a holiday, but what happens when Death is given notice?
Dismissed from the only job he’s ever known, Death must decide how to spend the time he has left. Taking on the random name “Bill Door,” he offers his talents scything hay, “one blade at a time, one time, one blade.” Death is a recurring character in Discworld and has the casually brutal forbearance of someone who has seen it all.
Seen, but not experienced and it is the dawning comprehension that I love most about Reaper Man: “[Death] wondered if he’d ever felt wind and sunlight before. Yes, he’d felt them, he must have done. But he’d never experienced them like this; the way wind pushed at you, the way the sun made you hot. The way you could feel Time passing. Carrying you with it.”
One of the "Discworld" humorous fantasy series. Death is missing. Dead Rights activist Reg Shoe suddenly has more work than he'd ever dreamed of, and newly-deceased wizard Windle Poons wakes up in his coffin to find that he has come back as a corpse.
We first met about 10 years ago at Sheffield Hallam University, bonding as work colleagues over a love of enabling students to understand wealth management and finance in a way that we hoped they would find interesting and accessible. The books we chose mix our love of storytelling and making finance accessible by using real-world experiences. They do this in a unique way, challenging the reader to think about their understanding and perspective, something we try to do every day. It has been lovely to reread these books before writing the reviews, reminding us of what makes us tick. We hope they help you to find your tick too.
From the moment I first read a Discworld novel, I was hooked by the unique and whimsical twist, given by Terry Pratchett, to the situations his characters find themselves in. His clever use of humor allows him to entertain his readers while making complex financial concepts accessible to readers of all backgrounds. This use of humor and the underlying message that finance is as much about human nature as it is about numbers underpins my teaching and writing.
He highlights the quirks and motivations of bankers and entrepreneurs which I recognised from my time in the industry. But importantly he highlights the personal transformation and ethical dilemmas a quest for wealth can bring. For me, this resulted in really considering the true meaning of success.
That said he doesn’t shy away from addressing economic disparities. But overall, when I read this I was given a chance to view the finance…
This title features M19, F10, and Extras. This play can by played at various simple settings. Lord Vetinari wants to overhaul the banks of Ankh-Morpork so he appoints former con-man Albert Spangler, aka Moist von Lipwig, to the position of Mater of the Royal Mint, attached to a senior post at the Bank of Ankh-Morpork. Then Mrs Lavish, the bank manager, dies, leaving her dog Mr Fusspot - who also happens to be the majority shareholder - to Moist. Suddenly he finds himself in charge, and his life being threatened by resentful members of the Lavish family. His talent for…
I am a food blogger and cookbook author who has been making up recipes for fictional foods from fantasy and science fiction since I was old enough to walk and talk. I love building a bridge between stories, imagination, fandom and food. For over a decade, with a lot of research and some really bad puns, I have been helping other geeks and nerds all over the world make their fictional food fantasies come true.
Written by the late and great Terry Pratchett himself, this is obviously a must-have for any Discworld fanatic. The actual recipes in this tome range from questionable to delightful, the “narrator,” Nanny Ogg, is the real star of the show. Nanny Ogg’s er… life advice, this book will have you giggling and the recipes will have you intrigued.
'They say that the way to a man's heart is through his stomach which just goes to show they're as confused about anatomy as they gen'rally are about everything else, unless they're talking about instructions on how to stab him, in which case a better way is up and under the ribcage. Anyway, we do not live in a perfect world and it is foresighted and useful for a young woman to become proficient in those arts which will keep a weak-willed man from straying. Learning to cook is also useful.'
Nanny Ogg, one of Discworld's most famous witches, is…
