73 books like Witches Abroad

The Multiverse had been my deepest passion of interest for a long time. Experiencing crossover stories in various mediums, both official and fan-made, especially fan-made. To see how two different worlds would meet. I spent hours reading fanfictions involving crossovers, as well as conjuring up my own. I considered the multiverse as a grand bedrock to create any story, hence why I wrote The Mariverse, followed by The Mariverse: Guardians, to create my own bedrock for my writing career.

I taught my first three recommendations as an English professor at Dickinson College. Since I retired, I’m constantly on the lookout for books worth discussing. Growing up, my feelings towards my brilliant and accomplished older sister cycled between awe, jealousy, resentment, and affection. That must partly account for the draw of books that explore the shared experiences and complex relationships of siblings. She’s sadly gone now, but watching the closening ties and lingering frictions between my own daughter and son keeps that interest alive—as does my constant witnessing of my wife’s rich relationship with her two older brothers. Since Cain and Abel, it’s all been about siblings.

The allure of magic in literature has gripped me since I was a kid, probably due to a very difficult childhood and the unusually precocious scope of my imagination. Escape is prized in such circumstances. The fact that I could illustrate my own little stories as well as I could read adult works helped, too. Majoring in English and History later on only fortified my subsequent desire to blend contemporary and classically appointed styles along with elaborate illustrations to create (hopefully) enduring works of my own. I describe myself as “raised by wolves, saved by stories, and still exploring the universe in my own magical hot air balloon.”

Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.

Found family is my favorite trope. You can change up the genre but give me a cast of loveable characters and you got me. It hits close to home, since when I left home to go to college, I created my own family. They are my Albany family, and we all still meet up at least twice a year no matter that we all live across the country. The bonds we created as we figured out who each of us was, are still strong to this day. I write stories that contain those same elements so everyone can experience the joys and tribulations of these bonds. 

I have always been a reader, and with Irish and Scottish families, I’ve grown up hearing beautiful stories of magic and the fair folk. When I discovered romance novels, I was able to combine my love of happily ever afters and the myth and legend of my childhood. I even took classes on the Mythology of Ireland and Britain while I was obtaining my degrees. With a specialty in British Literature, I have been able to ensure my stories, while full of myth and magic, are also steeped in historical accuracy. The lush and vivid descriptions in my stories are paired with magic and time travel, with every story leaving the reader satisfied with the happily ever after the characters have earned.

I’m a lifelong reader who cut my teeth on Narnia and Nancy Drew. Buffy the Vampire Slayer was a later-in-life revelation, combining the fantasy and mystery elements I’d loved in childhood with a butt-kicking heroine and plenty of romance. I’m always seeking that same blend of humor and action in the paranormal romances I read, as well as the ones I write. It can be tough to find paranormal romances that aren’t deeply intense and moody, so I hope this list will help you enjoy the lighter side of paranormal.

I’ve been obsessed with stories and storytelling ever since I learned to read, which is probably why fairy tales, some of the oldest stories around, play a huge role in Unwritten. What I love most about fairy tales is how exciting they are: they have magic, wicked witches, abandoned children, magical transformations…. And yet, the original fairy tales are often simply “story skeletons” –some are only a few pages (or even paragraphs) long. Still, they have endured over hundreds of years and are constantly evolving. I love studying what makes these tales continue to resonate with readers and thinking about how I can use these elements in my own work.

I was a weird kid. Often accused of ‘thinking too much’, I cut my literary teeth on Stephen King, Ray Bradbury, Phillip K Dick, and Shirley Jackson. Raised on their dark milk, I grew up wanting more than hollow scares and mindless eviscerations. Don’t just give me a scary story, give me a scary story that resonates, one that raises a lens to our world, our history, the rules we’re asked to live by. Unsettle me, make me think. Most of all, give me characters worth my precious time. These are the kind of stories I endeavor to write and the ones I most enjoy reading. I hope you enjoy this small selection as much as I have.

I am the oldest of six children – all girls! I used to make up imaginary worlds for my little sisters. We’d steal clothes from Mum and Dad for dressing up; we’d pull all the cushions off the sofa to make a show; we even used to put ribbons on the poor dog. Nowadays I write books with magic and fairy tales and adventure. I write for the child inside me; the child that loved an exciting, fantastical story. I have written over 50 books for children from picture book to middle grade, and I still love inventing imaginary worlds.