Fans pick 100 books like The Thief of Always

Cormac McCarthy does the impossible in this book—he writes an emotionally satisfying, literary-minded travelogue of horrors. It shatters the reader but then lifts them up with its beautifully wrought prose.

Be patient: the novel gets brutally dark before the light.

I picked this book up from a second-hand street bookshop. It was the wisteria that did it. Something about those climbing vines made me fall right into the world of Lestat and Louis, and I’ve never fallen out again. Also, I love love, and there’s nothing more intriguing than three unrelated people/beings managing to stay together for sixty-five years.

Of course, there was murder and mayhem, but the love endured, and my secret romantic heart ate that shit up.

So much of Lindqvists writing is fantastic, but this has to be my favorite. I read it while in university and then I re-read it and re-read it until one of my housemates asked why it was taking me so long to read a single book then seemed confused when I admitted that every time I finished it I just started it again. 

I love the take Lindqvist has on the vampire as a ‘monster’ Eli is complex and sympathetic, dangerous and vulnerable it’s a wonderful balancing act. But what I enjoyed most of all was that Eli, while being hundreds of years old, is physically and mentally, twelve. Their long life did not make them an adult in a child’s body, they literally stunted their growth and that makes them so compelling.

It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.

I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.

And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.

Jackson’s Gothic horror flows like black chiffon over a yawing window. That’s how I felt reading about Hill House. I loved the way the house sneaks up with its psychological weights swinging and jarring. Eleanor possesses a dark ambiance. She desperately needed to belong to something or someone, and I couldn’t let go of that.

Her emotions and fears were right there with me. But it was the romantic underbelly that got me: Eleanor’s romance with Hill House. The statuesque gardens, the light, and shadows, all tempted her into its sinister realm. As it tempted me. I felt deeply for Eleanor, wanting to belong to something extraordinary to replace her dull life. Shirley Jackson is quoted as saying, “I delight in what I fear.” This book proves it.

Stephen King is a literary titan whose work continues to captivate and terrify readers worldwide. This is undoubtedly one of his most iconic novels, a chilling tale of a family’s descent into madness. King’s ability to build suspense and create unforgettable characters is unparalleled.

But it is just the tip of the iceberg. King’s body of work is vast and diverse, encompassing everything from psychological horror to supernatural thrillers. Misery, The Shawshank Redemption, IT, and 11/22/63 are just a few examples of his many masterpieces.

What makes King so special is his ability to tap into our deepest fears and anxieties. His stories often explore the darker side of human nature, exposing the horrors that lurk beneath the surface. Yet, even in the darkest of times, King’s characters offer hope and resilience, reminding us that the human spirit can endure even the most terrifying trials.

King’s prolific output and enduring… show more.

Richard Hughes has always been my favorite under-read author. I tell people he writes as though he were the love child of A. A. Milne and Joseph Conrad.

A High Wind begins in an idyllic Caribbean setting, with the five Thornton and two Fernandez children living in what seems to be pre-lapsarian innocence; but Hughes soon plunks them square into the world of “Typhoon” and Lord Jim.

There are hellacious hurricanes and swashbuckling pirates involved, but it’s the pirates that are finally defenseless in the face of the children they unluckily take on board from an England-bound passenger ship. Time and time again, Hughes captures the bizarre ways in which children see the world, just as often warped by imagination as consolidated by fact.

I’m struck by the way his empathy for his characters never guarantees that their fate in his hands will be anything other than brutal.

This is more of a general recommendation for the myriad of terrific horror-themed short stories that I’ve been reading since I was young. The Most Dangerous Game, The Birds, The Upper Berth, anything by Poe, The Legend of Sleepy Hollow, The Specialty of the House, the list goes on. And on.

These types of short stories always have a disturbing premise that makes you shudder; they are paced so that you can’t turn the pages fast enough and often end with a stunning twist. I picked this book since I feel it is a quintessential example of this genre and because I have a personal bias since I used it as the basis for the pilot episode of my TV series. 

Be prepared. If you want a good cry, this book is for you, as it has one of the saddest endings of any novel I have read.

The Green Mile is the riveting and tragic story of John Coffee, a giant, gentle inmate with supernatural powers, condemned to death for the rape and murder of twin nine-year-old girls.

Coffee is a simple and kind man with a deathly fear of the dark. Your heart will break. Mine did. 

I had to include at least one King book, I’m a big fan of King and this is one of his lesser-known books. 

I love this book because it’s a good and interesting story that hooked me from the first chapter and kept me till the end. 

But also, I am passionate about good representation (particularly disability representation) in the horror genre, I’m writing my PhD thesis on it. King is a mixed bag when it comes to good and bad representation but he does a good job in this one. Marty is a 10-year-old paraplegic boy who suspects a werewolf is in his town.

The story revolves around Marty hunting and defeating the beast. It’s a high stakes, exciting, and utterly plausible (if you suspend belief for the werewolf lol).