Here are 70 books that Cycle of the Werewolf fans have personally recommended if you like
Cycle of the Werewolf.
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Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
So much of Lindqvists writing is fantastic, but this has to be my favorite. I read it while in university and then I re-read it and re-read it until one of my housemates asked why it was taking me so long to read a single book then seemed confused when I admitted that every time I finished it I just started it again.
I love the take Lindqvist has on the vampire as a ‘monster’ Eli is complex and sympathetic, dangerous and vulnerable it’s a wonderful balancing act. But what I enjoyed most of all was that Eli, while being hundreds of years old, is physically and mentally, twelve. Their long life did not make them an adult in a child’s body, they literally stunted their growth and that makes them so compelling.
John Ajvide Lindqvist’s international bestseller Let the Right One In is “a brilliant take on the vampire myth, and a roaring good story” (New York Times bestselling author Kelley Armstrong), the basis for the multi-film festival award-winning Swedish film, the U.S. adaptation Let Me In directed by Matt Reeves (The Batman), and the Showtime TV series.
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at…
I love books that whisk me away and keep me reading long into the night. There’s something so exciting about realizing you’ve been reading for so long that you have no idea what the time is or if it’s even the same day. I’m also incredibly passionate about horror and what it can teach us about ourselves and our society. Being diagnosed with epilepsy at the age of 12 made me feel isolated and alone, but horror granted me a form of escapism and taught me to embrace what made me feel different, something each of these books does. I hope you enjoy reading them as much as I did!
This was one of the best books about werewolves—that isn’t really about werewolves—I have ever read. The story is told from the perspective of an unnamed boy who lives with his aunt and uncle—who happen to be werewolves—and the struggles he and his family face while living on the edge of society to avoid discovery.
What fascinated me the most was that Jones created entirely new werewolf lore with its own culture, rituals, and traditions, and it all felt real. I loved the non-linear timeline following the boy from 8 to 16, yearning to change like his aunt and uncle. Jones encapsulated the real difficulties of living on the fringes of society for whatever reason. It’s a dark book, raw and visceral, but also really funny.
A spellbinding and darkly humorous coming-of-age story about an unusual boy, whose family lives on the fringe of society and struggles to survive in a hostile world that shuns and fears them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the center of Mongrels must decide if he belongs on the road with his…
I’m fascinated by the dichotomy between humanity’s beauty and its penchant for visiting horror upon the world. This fascination drove me to write my own werewolf novel (and keep it true to the heart of the mythos). In no other genre/subgenre is human double-nature better explored than the werewolf one. From earliest times, these tales examined human complexity, mental illness, moral responsibility, the tenuousness of our understanding of reality. For me, a great werewolf novel is notan erotic romance or comedy urban fantasy. It’s a monsterstory: antsy, atmospheric, dark, violent, fraught. It's a thriller, not a swooner, with more in common withJekyll and Hydeor Incredible Hulkthan with Twilight.
This Aussie lycan tale is your classic “I’ve turned into a what!?!”
It’s wonderfully Australian and it’s decent werewolf fare. Not a romance in sight. Not a hint of alpha males riding motorbikes. Our main character faces the consequences and the mysteries that follow “getting bit.” Violent, stark, and tense.
The Valor of Valhalla series by Martin Kearns is a pulse-pounding dark urban fantasy trilogy that fuses the raw power of Norse mythology with the grit of modern warfare. Set in a world where ancient gods and mythical creatures clash with secret military organizations and rogue heroes, the series follows a band of unseeming heroes who are bound to an ancient prophecy. As they navigate a dangerous web of deceit, sacrifice, and violent combat, they must confront not only their own demons but also the growing threat of Ragnarök—the Norse apocalypse.
At its heart, The Valor of Valhalla blends high-stakes…
In a battle between two ancient evils, can one naïve young man become the last hope against powerful creatures of legend?
David Dolan thinks he's already got the world figured out. But when a collapsed bridge plunges him into the icy Hudson, he's pulled deep into the deadly realm that exists between life and death. And with his earthly form trapped in a coma, he's vulnerable to the horde of demons hell-bent on his utter destruction.
Traversing the road to the afterlife, David seeks the wisdom and skills he needs to fight the demonic forces reigning havoc on his allies…
I’m fascinated by the dichotomy between humanity’s beauty and its penchant for visiting horror upon the world. This fascination drove me to write my own werewolf novel (and keep it true to the heart of the mythos). In no other genre/subgenre is human double-nature better explored than the werewolf one. From earliest times, these tales examined human complexity, mental illness, moral responsibility, the tenuousness of our understanding of reality. For me, a great werewolf novel is notan erotic romance or comedy urban fantasy. It’s a monsterstory: antsy, atmospheric, dark, violent, fraught. It's a thriller, not a swooner, with more in common withJekyll and Hydeor Incredible Hulkthan with Twilight.
Oh, man, can Paul Kearney write. The language in this book is so beautiful, at first, you think you’re reading a mainstream historical novel. Oh, you’re definitely not.
When this novel starts, you think there’ll never be any violence or horror in this story. Oh, there most certainly will be. Imagine a story where a Chronicles of Narnia child discovers a netherworld where people say “fuck,” change shape, and invite her to join them in doing questionable things.
Wolf in the Attic deals in part with an adolescent finding her place/identity in an unfriendly world. Set in the 1930s, the book features brilliantly-rendered cameos from CS Lewis and Tolkien. Clever and atmospheric, with a kickass payoff.
1920s Oxford: home to C.S. Lewis, J.R.R. Tolkien... and Anna Francis, a young Greek refugee looking to escape the grim reality of her new life. The night they cross paths, none suspect the fantastic world at work around them. Anna Francis lives in a tall old house with her father and her doll Penelope. She is a refugee, a piece of flotsam washed up in England by the tides of the Great War and the chaos that trailed in its wake.
Once upon a time, she had a mother and a brother, and they all lived together in the most…
I’m fascinated by the dichotomy between humanity’s beauty and its penchant for visiting horror upon the world. This fascination drove me to write my own werewolf novel (and keep it true to the heart of the mythos). In no other genre/subgenre is human double-nature better explored than the werewolf one. From earliest times, these tales examined human complexity, mental illness, moral responsibility, the tenuousness of our understanding of reality. For me, a great werewolf novel is notan erotic romance or comedy urban fantasy. It’s a monsterstory: antsy, atmospheric, dark, violent, fraught. It's a thriller, not a swooner, with more in common withJekyll and Hydeor Incredible Hulkthan with Twilight.
Okay, so the title already has you frowning. Stay with me here. This indie ebook novelette had me smiling, nodding, and ooo-ing. I loved the brave way the author attempted something new and, well, left field. Because this is a lot of left field…
Our main character is a hitman. Or is he? He’s a werewolf. Or is he? I loved every paragraph of this story’s prose. But it was this “what’s really going on here?” aspect that had me smiling all the way through. It reminded me of Mad Max: Fury Road—because you can watch that entire movie as a psychotic episode on Max’s part. Same with this book. Leaves you guessing until the last page while keeping things fun along the way.
This Bizarro tale is part Naked Lunch, part Goodfellas.
Jasper Hobbes believes he is an assassin. He also believes demons were injected into his brain by the Illuminati, connecting him to the occult machinations of the Great Wyrm. Hospitalized once again for a psychotic break, Jasper is given an ultimatum—either continue his anti-psychotic drug therapy and accept what is real and what are delusions created by his disease, or be committed to a psychological hospital for the duration of his life.
In his struggle to avoid being pulled into a spiral of delusion, Jasper battles inhuman cosplayers, public transportation to…
To understand why I write macabre stories, you could ask my therapist if I had one. I’ve had this bent since my mother read me Dr. Seuss’ What Was I Scared Of? (A title that inspired the title of my TV series Are You Afraid of the Dark?) Blame it on her. My reading was dominated by the short stories I mentioned and magazines like Eerie and Creepy. I also consumed a steady diet of Twilight Zone and Saturday matinee horror movies. Why? I believe it’s because these stories offer imaginative conflicts that are far removed from reality yet told through the perspective of common experience. And they’re always wrapped in a compelling mystery.
Like Stephen King, Clive Barker has an impressive list of horror-themed novels for all tastes, ranging from fantasy to deeply disturbing and graphic horror tales like Books of Blood. This book skews more toward fantasy but still has its share of scares and disturbing imagery.
A young boy is sent on a whimsical and horrifying imaginative adventure. It’s like a modern-day Grimm fairy tale, right up my alley.
Horror is my passion and most things I read and everything I write fits neatly into the genre. But I am also passionate about telling stories from a unique perspective, or if not entirely unique then at least one that is underused. My novella A Man in Winter is told from the perspective of an elderly chap with dementia for instance. I have also found that many people think books with child protagonists must be children’s books and it makes me sad to think of all the wonderful work is being missed out on, I hope that my list has convinced you to try one of the above books.
Another vampire one I’m afraid. But trust me this is so worth your time.
I read this for the first time when I was in college and well into my Goth phase, this book became my aesthetic afterwards. It’s a different take on vampires, explored through a few different groups of vampires. The characters are wonderfully portrayed and unique but what really hooked me into this book was the setting. It's got depth and feels like you could walk through the book and be in Missing Mile.
Abandoned as an infant, Nothing reads his true name on the handwritten note that was pinned to his baby blanket eighteen years earlier, and discovers that he is the son of a vampire
Growing up in New England, my mother had a set of books that she kept in the living room, more for display than anything else. It was The Works of Edgar Allen Poe. I read them and instantly became hooked on horror. In the seventh grade, I entertained my friends at a sleepover by telling them the mysterious clanking noise (created by the baseboard heater) was the ghost of a woman who had once lived in the farmhouse, forced to cannibalize her ten children during a particularly bad winter. And I’ve been enjoying scaring people ever since.
Alright, so a theme seems to be developing here, but in this case, ‘Don’t mess with nature’ gets a Canadian island treatment (those poor Boy Scouts). And, of course, a storm is coming. And, of course, the communications go out. I was gripped and frankly grossed out by this Stephen King-esque tale.
There are also shades of Frankenstein and Lord of the Flies, and I love a horror novel that asks the question of which monsters are worse—the ones we create or the ones that lurk inside.
'THE TROOP scared the hell out of me, and I couldn't put it down. Not for the faint-hearted' STEPHEN KING
He felt something touch his hand. Which is when he looked down.
For the scouts of Troop 52, three days of camping, hiking and survival lessons on Falstaff Island is as close as they'll get to a proper holiday.
Which was when he saw it.
But when an emaciated figure stumbles into their camp asking for food, the trip takes a horrifying turn. The man is not just hungry, he's sick. Sick in a way they have never seen before.…
Nearly 20 years ago, I awkwardly stumbled into a yoga class after a therapist informed me that I needed to do something about my anxiety issues (“Take your pick,” she said, “I’ll prescribe pills or you can try yoga.”) From the very first class, I was drawn not only to the physical practice, but to the sense that yoga could lead me deeper into my own heart and soul. I wrote a memoir about my journey—and about how yoga helped me later face and conquer breast cancer. I now teach yoga, and I love reading about how yoga changes lives—as it almost always does.
This memoir follows the healing (both physical and ultimately spiritual) journey of a 13-year-old Iowan boy who is seriously injured in a car accident in which his father and sister are killed. Paralyzed from the chest down, Sanford recounts the excruciating challenge of restoring his mind/body connection. Though confined to a wheelchair for the rest of his life he digs deep to locate hope and inner strength and even eventually becomes a yoga teacher. (I attended his inspiring class when he visited near my home so I can attest to the fact that this is a true story!) This is an unforgettable memoir of fortitude, love, and resilience.
Matt Sanford's life and body were irrevocably changed at age 13 on a snowy lowa road. On that day, his family's car skidded off an overpass, killing Matt's father and sister and leaving him paralyzed from the chest down and confined to a wheelchair. His mother and brother escaped from the accident unharmed but were left to pick up the pieces of their decimated family. This pivotal event set Matt off on a lifelong journey, from his intensive care experiences at the Mayo Clinic to becoming a paralyzed yoga teacher and founder of a non-profit organization. Forced to explore what…
I suspect my passion for this topic was born when my doctor came into my C-section recovery room and uttered the words “chromosomal abnormality.” My daughter has Down syndrome, and full disclosure: I had zero interest in being a disability mom. Yet as I fell in love with this beautiful, funny, sassy girl, my whole worldview shifted. I am a far better person than I was when she entered my life. She has taught me the beauty and the blessing wrapped up in the things that first appear to be the most difficult.
Sometimes you hear about someone who’s experienced something truly terrible, and you think two things in quick succession: “Thank God that’s not me” and “How can anyone possibly recover from that?” Some people who find themselves contemplating the unthinkable—like, say, instant and permanent paralysis, as the main character of How to Walk Away—sink into bitterness, wallowing in their victimhood.
But some rise to meet the challenge and find richness and joy and a meaning to life that they didn’t even know they were missing.
That’s this book. It’s heartbreaking and inspiring and absolutely gorgeous.
Margaret Jacobsen is just about to step into the bright future she's worked for so hard and so long: a new dream job, a fiance she adores, and the promise of a picture-perfect life just around the corner. Then, suddenly, on what should have been one of the happiest days of her life, everything she worked for is taken away in a brief, tumultuous moment.
In the hospital and forced to face the possibility that nothing will ever be the same again, Maggie must confront the unthinkable. First there is her fiance, Chip, who wallows in self-pity while simultaneously expecting…
