I grew up in Chicago in the waning days of Mayor Richard J. Daley’s machine, which politicized everything from schools to loading zones. Everyone—whether they were civil servants or small business owners—had to pledge loyalty to Da Boss, Hizzoner, or suffer the consequences. As a result, I’ve always gravitated to crime stories with a political element, one showing the effects of big conflicts on regular people. And I’ve written about the same.
A social satire that perfectly captured the greed and arrogance of the 1980s. Sherman Helmsly is a master of the universe, a rich bond trader with a penthouse in New York, and a randy mistress—until he accidentally runs over a black boy in the Bronx. The result is a political scandal that reaches from the mayor’s office to the tabloids, with many memorable characters and acute parodies of the era. Those who lived in or followed the scandals of the city at the time—from Tawana Brawley to Ivan Boesky—will recognize several real people and stories in this fiction.
An exhilarating satire of Eighties excess that captures the effervescent spirit of New York, from one of the greatest writers of modern American prose
Sherman McCoy is a WASP, bond trader and self-appointed 'Master of the Universe'. He has a fashionable wife, a Park Avenue apartment and a Southern mistress. His spectacular fall begins the moment he is involved in a hit-and-run accident in the Bronx. Prosecutors, newspaper hacks, politicians and clergy close in on him, determined to bring him down.
Exuberant, scandalous and exceptionally discerning, The Bonfire of the Vanities was Tom Wolfe's first venture into fiction and cemented…
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
In Everything You Are, Braden is a cellist who has lost the use of his hands—in his case, through a tragic twist of fate. Enter Ophelia, granddaughter of the man who sold Branden his cello and made Ophelia swear that he will always play it. Author Kerry Anne King weaves a magical spell around these two characters as, together, they find their way to forgiveness. This is a story full of twists and turns, culminating in a beautiful ending that depicts the healing power of music.
From the bestselling author of Whisper Me This comes a haunting and lyrical novel about the promises we make and the forgiveness we need when we break them.
One tragic twist of fate destroyed Braden Healey's hands, his musical career, and his family. Now, unable to play, adrift in an alcoholic daze, and with only fragmented memories of his past, Braden wants desperately to escape the darkness of the last eleven years.
When his ex-wife and son are killed in a car accident, Braden returns home, hoping to forge a relationship with his troubled seventeen-year-old daughter, Allie. But how can…
Mary
Kubica might be my favorite author. She’s the master of psychological suspense, and I’m like a little fanboy waiting for her next book to come out. But back to
this audiobook.
A woman’s
husband dies in a car wreck. But it’s not what it seems. Or is it? The tension
between Clara’s post-crash grief and Nick’s pre-crash stress is brought to the
forefront by the dueling narrators—Robins and Hamilton—telling each
protagonist’s story in a dual timeline.
This is
easily a one-day read—good luck putting it down.
New York Times bestselling author of THE GOOD GIRL Mary Kubica is back with another exhilarating thriller as a widow’s pursuit of the truth leads her to the darkest corners of the psyche.
Clara Solberg’s world shatters when her husband and their four-year-old daughter are in a car crash, killing Nick while Maisie is remarkably unharmed. The crash is ruled an accident…until the coming days, when Maisie starts having night terrors that make Clara question what really happened on that fateful afternoon.
Tormented by grief and her obsession that Nick’s death was far more than just an accident, Clara is…
Nearly 20 years ago, I awkwardly stumbled into a yoga class after a therapist informed me that I needed to do something about my anxiety issues (“Take your pick,” she said, “I’ll prescribe pills or you can try yoga.”) From the very first class, I was drawn not only to the physical practice, but to the sense that yoga could lead me deeper into my own heart and soul. I wrote a memoir about my journey—and about how yoga helped me later face and conquer breast cancer. I now teach yoga, and I love reading about how yoga changes lives—as it almost always does.
This memoir follows the healing (both physical and ultimately spiritual) journey of a 13-year-old Iowan boy who is seriously injured in a car accident in which his father and sister are killed. Paralyzed from the chest down, Sanford recounts the excruciating challenge of restoring his mind/body connection. Though confined to a wheelchair for the rest of his life he digs deep to locate hope and inner strength and even eventually becomes a yoga teacher. (I attended his inspiring class when he visited near my home so I can attest to the fact that this is a true story!) This is an unforgettable memoir of fortitude, love, and resilience.
Matt Sanford's life and body were irrevocably changed at age 13 on a snowy lowa road. On that day, his family's car skidded off an overpass, killing Matt's father and sister and leaving him paralyzed from the chest down and confined to a wheelchair. His mother and brother escaped from the accident unharmed but were left to pick up the pieces of their decimated family. This pivotal event set Matt off on a lifelong journey, from his intensive care experiences at the Mayo Clinic to becoming a paralyzed yoga teacher and founder of a non-profit organization. Forced to explore what…
I'm a full-time author and freelance editor from a small Canadian city, and I’ve always been fascinated by a good mystery—flipping through the pages, trying to guess who did or didn’t do it. Dark and gritty are my favorites, and the titles on this list do a good job of staying in that realm while still being very much YA. I hope you love them as much as I did!
Blackout follows Allie, a girl who has woken up after a car accident with amnesia in the small town of Pender Falls, British Columbia. Allie can’t remember who she was before, but she’s forced to fall back into the life of “Old Allie”—a girl who had a boyfriend the new Allie isn’t comfortable with, a best friend she doesn’t trust, and a shady past she finds more than unsavory. Allie slowly discovers that she doesn’t like who she was before—and she wants to be better.
The core mystery of this story revolves around Allie discovering the events that lead to her car accident. What caused it? And do all these strange dreams mean anything? Can she really trust the people who apparently love and know her?
While the mystery certainly kept me turning the pages, what I loved most about this book was the characters. Allie is a strong girl…
When Allie Castillo wakes up after a terrible car accident, with head injuries and zero recollection of who she is or what happened, one thing haunts the edges of her mind: the crash may not have been an accident.
Her body still bruised, she returns to a life she doesn’t recall, to a house that’s unfamiliar, and to a family that doesn’t feel like her own. School is another minefield―her boyfriend wants his girl back, her best friend wants to carry on their old partying ways, and the mysterious guy at the back of…
For as long as I can remember, I have always wanted to make a difference—by helping others become wiser and/or happier. But how? Colleagues, clients, and friends tell me that I have a capacity for energy that is boundless. I resisted that statement. It sounded “fluffy”. How could I make a difference if I saw “energy” as being some flighty firefly? Then, when I went through 2 bouts of burnout, I realized that energy was the secret—the secret to resilience, the secret to growth and service. Reading, writing, and speaking fill me with the energy to grow, learn, laugh, and serve. I trust these books and my writing will bring the same to you.
I was so intrigued by Becky and her story that she became one of my case studies in my book. She has been through more traumatic transitions than most of us have in a lifetime. From her own experience and struggle, Becky has crafted a masterful model for sustaining and stabilizing our lives.
She created the Four C’s as a foundation: comfort, control, community, and connection. I refer to her work as another guiding source when life becomes crazy…as indeed it will. From a place of feeling stabilized, Becky advocates a resilient response: how do you understand and use the experience? What assumption will offer support? And what resources do you have? I can and should refer to her book often for my own stabilizing.
If you are in crisis or walking alongside someone in crisis, this book is meant for you. This is more than a book; it is like being with a great friend.
When you hear the word crisis what do you think? A dramatic car wreck. A critical medical diagnosis. Divorce. Job loss. Natural disaster. Death. What about the mini-shocks within those crises or the smaller events that disrupt our lives more frequently? A fender bender in rush-hour traffic. Personal information getting hacked. Being overlooked for a promotion. When crisis hits, large or small, we are thrown off balance.
I’m a YA writer who likes to tackle difficult subject matter. My books cover things like euthanasia, drug abuse, coming out, and accessing sex as someone with a disability. If my books are found by even just one person who needs to see themselves in a story, then I feel like my job is done.
I really enjoyed this book. Both main characters had real problems to deal with and the ways they coped and reacted felt authentic, even when they frustrated me. Jonas and Brennan are sweet kids and I was rooting for them to work out ways to overcome their issues and realize they were better together than they were on their own.I also liked that their parents were part of the picture and were just as clumsy in the way they dealt with their kids' problems as their kids. It was clear they really loved them and wanted the best for them, but they were no better prepared to deal with these issues.
To get back up sometimes you have to fall down, hard . . .
What's the point of pretending nothing has changed when everything has? It's the last summer before college, and Jonas Avery knows he should be excited. Instead, he hides out at home, avoiding his friends, his family, and everything that resembles his old life. Because nothing will be normal again―because of The Accident, when everything started falling apart.
Brennan Davis knows she needs to stand up and face her anxiety―the deep, dark, debilitating dread that rules her everyday life. Because what stops her from going out into…
I like to create silly, fun things. This is not the kind of content I consume. If something makes me feel bad, I generally like it; if it is also beautiful, I will like it a lot. It is through the generosity of the Shepherd team that I was allowed to flip a promo for a gay dad comic into a way for me to peer pressure you into consuming media that will make you feel bad. Consider this list an aperitif for the feel-goodness of Dream Daddy, a delicate shot glass of cyanide after a hearty meal. Bon appetit!
Cronenberg’s 1996 movie adaptation (not the one that won many Oscars and is bad) captures Ballard’s sensual mechanical fetishism and apocalyptic consumerism perfectly. It is a 120-minute-long sex scene in a carousel of mangled metal. It is probably the best adaptation of prose to film I can think of, which is bolstered by the sheer strength of the book itself. Crash (again, not the 2006 one, the car crash sex one) is by far Cronenberg’s horniest feature, and that’s saying something. Uh. I didn’t mean to just talk about the movie. I should probably talk about the book. The book is very good. I’m deathly afraid of car accidents, and reading about them through Ballard’s dreamy, eroticized lens is a capital-E Experience. Truly one of my favorites.
The definitive cult, post-modern novel - a shocking blend of violence, transgression and eroticism - reissued with a new introduction from Zadie Smith.
When Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of auto-erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash - a head-on…
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This castaway story, about a man trapped on a concrete island under and between converging freeways on the outskirts of London, still stands the test of time.
I found it especially resonant during the imposed isolation of the global pandemic; all of us each marooned in our living rooms. The protagonist, architect Robert Maitland, has to learn to survive and thrive in reduced and restricted circumstances, and he can’t buy or build his way out of it.
When he finally discovers a way off the island he no longer really wants to leave, reminding us that we are sometimes most effectively imprisoned by our own minds and desires.
On a day in April, just after three o'clock in the afternoon, Robert Maitland's car crashes over the concrete parapet of a high-speed highway onto the island below, where he is injured and, finally, trapped. What begins as an almost ludicrous predicament soon turns into horror as Maitland-a wickedly modern Robinson Crusoe-realizes that, despite evidence of other inhabitants, this doomed terrain has become a mirror of his own mind. Seeking the dark outer rim of the everyday, Ballard weaves private catastrophe into an intensely specular allegory in Concrete Island.
