I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
This book opened my eyes to my own obsessive need to find the truth. The main character is a seemingly ordinary person; however, you quickly get the sense that everything is not what it seems. It is easy to get drawn into the arc of the story, which appears simple only on the surface.
There was a lot of uncertainty that captured my imagination. The author did a masterful job of keeping the mystery flowing. This led to an outcome I was pleasantly surprised by. A well-written quick read that leaves you satisfied.
Diane already had enough problems when she bought the book of drawings from an antique store. Sometime later she finds disturbing words written on a back page of that sketchbook. Her attempts to learn the meaning of those words will uncover even more mysteries. She will come to question her own sanity as she draws nearer to the truth about one deadly night long ago.
I was one of those kids who wanted to understand everything. Early on, I worked at a research laboratory and majored in biology. When studies in religion and philosophy offered an even deeper level of inquiry, I turned to archeology, anthropology, psychology, and linguistic analysis. Over the years, I was a counselor for people at the end of life, taught college philosophy, and a cultural approach to religion. I have traveled throughout western Kenya, Guyana, New Zealand, Alaska, and Labrador. I also listened for the stories of the people. Additionally, I have sailed for more than forty years. I write about what I know, and about what still puzzles me.
C.S. Lewis is widely known for his children’s book series, The Chronicles of Narnia. His list of publications is, however, much longer. This little volume of essays gives a reader (or a writer) insight into how the form of a story shapes its meaning. For instance, he writes about stories for children and how some authors mistakenly think that children are only interested in childish things. He compares that to people who have the gift of being able to access the child that is still in them and speak with them in a shared experience.
Of science fiction, he shares the difference between an author who is a creator of worlds, and one who rearranges alien props to make a pedestrian story appear clever. The key is a story that makes contact with the reader.
The theme of this collection is the excellence of the Story, especially the kind of story dear to Lewis-fantasy and science fiction, which he fostered in an age dominated by realistic fiction. On Stories is a companion volume to Lewis’s collected shorter fiction, The Dark Tower and Other Stories. Edited and with a Preface by Walter Hooper.
Victoria Talwar, PhD, is a professor and the chair of the Department of Educational & Counselling Psychology at McGill University. She is a recognized leading expert on children’s deception and has published numerous articles on children’s honesty and lie-telling behaviors. Dr. Talwar has given workshops to parents, teachers, social workers, and legal professionals. Among other distinctions, she was awarded the Society for Research on Child Development Outstanding Early Career Contributions to Child Development Research award. She is a Fellow of the American Psychological Association (Division 7), a Fellow of the Association for Psychological Science, and a member of the College of the Royal Society of Canada.
What makes this a great book for parents of young children, is all the examples it provides on how children can be honest.
It clearly illustrates to children concrete examples of honesty that are relevant to their everyday lives. It also has helpful suggestions at the back of the book of questions parents can ask children to promote deeper thinking, as well as activities and games to help children’s understanding.
As I discuss in my book about fostering children’s honesty, having conversations about honesty and illustrating how to tell the truth are crucial for developing children’s honest behaviour. This book is ideal for parents who want to start having these conversations with their preschool and kindergarten children.
It s never too soon to learn the difference between what s true and what isn t. Words and pictures help young children discover that being honest in words and actions builds trust and self-confidence. They also learn that telling the truth sometimes takes courage and tact. Includes discussion questions, skits, scenarios, and games that reinforce the ideas being taught.
I have always loved being around children, first as a primary school teacher, then as a parent and now as a grandma. The love, laughter, humour, and fun that I share with my grandkids keep me young in mind, body, and soul. My story is about the wonderful adventures we have. There is nothing more rewarding than seeing the world through the eyes of a child and I am enjoying every minute of it.
This author’s writing style and her great sense of humour will definitely be a big hit with the kids and also with grandparents. I love the twist Ellis puts on her book. She accomplishes this by telling a story that does not in any way match the illustrations. The reader’s attention is captured immediately because he realizes that something is different about this book, something isn’t quite right. The drawings are funny, exaggerated, and colourful, all the ingredients that kids love to see in a book. I’m a grandparent and I laughed right along with my grandchildren as we read the story. The ending is priceless. On the last page, the illustrations finally match the words. What an entertaining book for both the young and the young at heart.
A Children's Book of the Year in The Telegraph and an Empathy Lab Read for Empathy book 2020.
A very funny and lovable picture book tribute to grandparents and older people.
When you're small, everybody bigger than you seems really old. But does being older have to mean being boring, or slow, or quiet? NO! Elina Ellis' wonderful illustrations reveal that the age you are makes no difference to how amazing you can be.
From the winner of the Macmillan Prize for Illustration 2017, The Truth About Old People is an instant favourite with children and grown-ups that tackles ageism…
In the summer of 2017 I went to see the Mer de Glace, the longest glacier in France and a tourist spot for over 200 years. But this dramatic and overwhelming glacier had all but melted away and I found myself in a dry valley a mile across and half a mile deep – concrete evidence of global warming. It was one of the most disturbing experiences I have ever had. As a philosopher and historian of science, I dedicated myself to discovering how and why people were accusing reputable scientists of dishonesty, incompetence, and aloofness while staring at the evidence. The answer is not simple, and requires a lot of telling and hearing stories.
Why do democracies seem particularly vulnerable to populist movements that promote conspiracies and science denial? It’s as old as democracy itself, argues Sophia Rosenfeld, who points to seeds of our current predicament planted at the birth of our republic. Social and technological stratification encourages groups, in the name of “the people” to reject advice and decrees of leaders, and seek political action based on their gut feelings.
"Fake news," wild conspiracy theories, misleading claims, doctored photos, lies peddled as facts, facts dismissed as lies-citizens of democracies increasingly inhabit a public sphere teeming with competing claims and counterclaims, with no institution or person possessing the authority to settle basic disputes in a definitive way.
The problem may be novel in some of its details-including the role of today's political leaders, along with broadcast and digital media, in intensifying the epistemic anarchy-but the challenge of determining truth in a democratic world has a backstory. In this lively and illuminating book, historian Sophia Rosenfeld explores a longstanding and largely unspoken…
I am a journalist with a background in performing arts and have spent much of my work life as a storyteller, fascinated by the process of knocking a narrative into shape, either for print or stage performance. My mother’s death prompted me to use those same skills to tell my own stories and the process has been the most satisfying of my professional life. As a memoirist of two books, my dreams have come true. My work has been shortlisted for awards, featured in national newspapers, special interest magazines, and by the BBC. I regularly speak to family history societies, book clubs, writer’s groups, and at literature festivals.
Miranda Doyle makes sense of her life through a series of lies told to her and by her. It’s a fabulously original and shocking approach.
One of several siblings at the mercy of an explosive father and passive mother, her truth, as she admits, is also unreliable. I enjoyed how the writer breaks free to question the idea of truthfulness in memoir and her astute observations made me look a little closer at her family photos for the subtext, and to question their veracity. Terrifying episodes are recounted with verve and urgency, akin to a rollercoaster ride.
In an age of post-truth, fake news, and false narratives, the science behind lying sheds further light on the dynamics of this family and the narrator’s quest for closure.
A Book of Untruths is a family story told through a series of lies. Each short chapter features one of these lies and each lie builds to form a picture of a life-Miranda Doyle's life as she struggles to understand her complicated family and her own place within it.
This is a book about love, family and marriage. It is about the fallibility of human beings and the terrible things we do to one another. It is about the ways we get at-or avoid-the truth. And it is about storytelling itself: how we build a sense of ourselves and our…
As a child, I read stories of courageous women and men who risked their lives for their faith, for their freedom, or for the freedom of others. Many of these stories were dark and brutal. History taught me that governments are capable of atrocities that defy understanding. Fiction stories led me to envision dark futures. But I do not enjoy stories that discourage or depress. Instead, I believe stories should display hope, faithfulness, and sacrifice. I admire the heroes of our history and I seek fiction that speaks these same truths. We need stories that inspire us to stand up, to speak out against injustice, no matter the consequences.
In this short, but incredibly powerful book, Andrews asks questions every citizen should consider. The reader is confronted with questions about truth, freedom, and the price of apathy. This book transformed my understanding of oppression and why people allow it. It is a call to think, to seek truth, and to hold government leaders accountable. It can be read in about twenty minutes.
How do you get away with the murder of 11 million people? The answer is simple-and disturbing. You lie to them. Learn how you can become an informed, passionate citizen who demands honesty and integrity from your leaders in this updated and expanded edition of the original New York Times bestselling book.
In this updated and expanded nonpartisan New York Times bestselling book, Andy Andrews emphasizes that seeking and discerning the truth is of critical importance, and that believing lies is the most dangerous thing you can do. You'll be challenged to become a more careful student of the past,…
I have been fortunate to have spent the last 40 years of my professional life dealing with new networks and new technology. From the early days of cable television and mobile communications to the development of digital video and the transmission of data over cable lines and satellite. It was a career topped off with the privilege of being the Chairman of the Federal Communications Commission (FCC) with regulatory responsibly for approximately 1/6th of the American economy (on which the other 5/6s depended).
At a time when new technology has delivered us to a world of misinformation, disinformation, and malinformation, we have lost our shared understanding of just what facts and truth are.
Jonathan Rauch helps us recall the importance of facts and truth to the liberal democratic process. He challenges us to reinstate knowledge and truth.
Arming Americans to defend the truth from today's war on facts.
Disinformation. Trolling. Conspiracies. Social media pile-ons. Campus intolerance. On the surface, these recent additions to our daily vocabulary appear to have little in common. But together, they are driving an epistemic crisis: a multi-front challenge to America's ability to distinguish fact from fiction and elevate truth above falsehood.
In 2016 Russian trolls and bots nearly drowned the truth in a flood of fake news and conspiracy theories, and Donald Trump and his troll armies continued to do the same. Social media companies struggled to keep up with a flood…
Everybody lies. Good people, evil-doers, and the well-intentioned. My fascination began when I discovered through genealogy the mistruths, obfuscations, and lies by omission that peppered my own family tree. In my case the forebears believed there were good reasons to lie and no reason to think that the truth would ever be uncovered. But DNA profiling has shone a big light on the dark corners. Also being a teacher for a few decades means I’ve heard just about every permutation of alleged truth there is! These books focus on the character’s journey through deception and fabrications to arrive at a version of truth that is less unbearable than the lies.
Vertigo is not so much about the lies people tell, more the reasons why they can’t face the truth. The story unfolds as the reader is immersed in the physical world of the characters. The environment frames the sense of loss and isolation they experience and is described in detail. You can almost hear and smell the land around them. Lohrey also evokes the power of the Australian bushfire season and its power to destroy everything we build. Having lived through the New Year’s Eve fire in NSW in 2019/20 I feel every raw nerve ignite through her description.
Luke and Anna, thirty-something and restless, decide on a sea change. Worn down by city life and wounded by a loss neither can talk about, they flee to a sleepy village by the coast. There, surrounded by nature, they begin to feel rejuvenated. But when bushfire threatens their new home, they must confront what they have tried to put behind them.
Vertigo is a fable of love and awakening by one of Australia's finest writers, about the unexpected way emotions can return and life can change.
‘Vertigo will keep you up much too late but it’s worth a one-sitting read.’…
In researching the next book in my Kindred Spirit series I intended to tell the story of the “Angel of Hadley,” which occurred in my hometown. As I researched the topic, I fell into more, and more convoluted rabbit holes. For example, the Indian who led King Philip's War was Metacom, son of the great sachem Massasoit who signed the mutual defense treaty with Governor Carver of Plymouth Plantation when they first met in 1621. The rapid descent from 40 years of peace into the proportionally bloodiest war to take place in what is now America, was spellbinding. And my research continues.
Not often does a history text make me guffaw. Hendrik van Loons writing is an exception. His scholarship is serious, his delivery casual and delightful. In 1922, Van Loon won the first Newberry Prize for his children's book, The History of Mankind.
The Story of America is not a linear history; it is more like an explanation, of putting it all together, around a campfire. Van Loon assumes the reader's familiarity with the events of history, and he makes value judgments and simplifies the complex with no loss of significance. It is more an explanation of history and motivation than a history of events.
