Everybody lies. Good people, evil-doers, and the well-intentioned. My fascination began when I discovered through genealogy the mistruths, obfuscations, and lies by omission that peppered my own family tree. In my case the forebears believed there were good reasons to lie and no reason to think that the truth would ever be uncovered. But DNA profiling has shone a big light on the dark corners. Also being a teacher for a few decades means I’ve heard just about every permutation of alleged truth there is! These books focus on the character’s journey through deception and fabrications to arrive at a version of truth that is less unbearable than the lies.
Lily O’Hara searches the past to solve problems of the present. Her own and those of others. The answers to these mysteries are often hiding in plain sight, but it takes Lily and her unlikely sidekicks to find the evidence buried in the memories of the living and the artefacts of the dead. In Wither, the second book of the series, she sifts through the lies, obfuscations, and half-truths to uncover the brutal reason for a young man’s death. Lily believes lives are like jigsaws, and to see the whole picture, one must have most of the pieces. Her journey takes her through the lives of those looking for answers, and those intent on covering them up.
This book remains one of the most evocative texts for me about where truth lies in a story. But this beautifully crafted version of the events that ended Joe Cinque’s life is no fiction. My heart breaks every time I read it, my rage at the callousness of his murderer and deep-seated sadness at the carelessness of his friends bubbles anew with each foray into the pages. Garner’s writing takes me to the scene, to the court, and into the very core of his family’s grief. Powerful.
A true story of death, grief and the law from the 2019 winner of the Australia Council Award for Lifetime Achievement in Literature.
In October 1997 a clever young law student at ANU made a bizarre plan to murder her devoted boyfriend after a dinner party at their house. Some of the dinner guests-most of them university students-had heard rumours of the plan. Nobody warned Joe Cinque. He died one Sunday, in his own bed, of a massive dose of rohypnol and heroin. His girlfriend and her best friend were charged with murder.
Vertigo is not so much about the lies people tell, more the reasons why they can’t face the truth. The story unfolds as the reader is immersed in the physical world of the characters. The environment frames the sense of loss and isolation they experience and is described in detail. You can almost hear and smell the land around them. Lohrey also evokes the power of the Australian bushfire season and its power to destroy everything we build. Having lived through the New Year’s Eve fire in NSW in 2019/20 I feel every raw nerve ignite through her description.
Luke and Anna, thirty-something and restless, decide on a sea change. Worn down by city life and wounded by a loss neither can talk about, they flee to a sleepy village by the coast. There, surrounded by nature, they begin to feel rejuvenated. But when bushfire threatens their new home, they must confront what they have tried to put behind them.
Vertigo is a fable of love and awakening by one of Australia's finest writers, about the unexpected way emotions can return and life can change.
‘Vertigo will keep you up much too late but it’s worth a one-sitting read.’…
This classic American novel was the first real book I read at school. I was 16 and felt a little connected to Holden Caulfield’s sense of disillusionment and self-alienation. I hadn’t been expelled like Holden, nor was I burdened with the grief of loss or the silence he had to endure after the death of his brother, but I was definitely experiencing some sense of apprehension and insecurity. I really wanted a red hunting hat…still do. Holden was the quintessential liar; he lied and obfuscated to avoid the inevitability of suffering, personal responsibility, and the wild ride of adolescence. My first visit to New York included what was left of Holden’s haunts; the Natural History Museum, the Central Park duck pond, and West 57th.
I love Nordic crime and Icelandic writer Arnaldur Indridason writes a good game. His Detective Erlendur is a complex man who has little luck in his relationships with the living; but when it comes to solving murder and mystery, he is like a dog with a bone. Like all his Reykjavik Murder Mysteries there are several strands interwoven to create a multi-layered puzzle. At the heart of the series, and this fifth book, is the one mystery that he can’t, yet most desperately wants to solve, his brother’s disappearance in a snowstorm when they were boys. Everyone lies, particularly the guilty.
One cold autumn night, a woman is found hanging from a beam at her holiday cottage. At first sight, it appears like a straightforward case of suicide; Maria had never recovered from the death of her mother two years previously and she had a history of depression. But then the friend who found her body approaches Detective Erlendur with a tape of a seance that Maria attended before her death and his curiosity is aroused.
Driven by a need to find answers, Erlendur begins an unofficial investigation into Maria's death. But he is also haunted by another unsolved mystery -…
Brian McGilloway’s novel is told in the first person from the perspective of a grieving mother who tries to pick through the lies and secrets to uncover what happened to her only child. On her journey she uncovers the brutal truth; everybody lies. The book takes a realistic look at Dora Condron’s emotional descent into a bleak world where she comes to believe that no one will tell the truth. I like most of all that it is crime novel, a mystery, and a family drama that is told from the single perspective. The mother’s introspection about her failings as a parent really hits home when we consider what our own last words might have been to a loved one who walks out the door and never walks back in.
'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly
'The tension and heartbreak kept me turning the pages' Patricia Gibney
'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris Whitaker
Pandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party.
The day Ellie disappears, Dora is alone as her husband Eamon…
I am a freelance writer from Winnipeg, Manitoba, Canada, specializing in media history and speculative fiction. I have been enchanted by animation since childhood and followed many series avidly through adulthood. My viewing inspired my MA thesis on the history of animation, out of which grew two books on the history and theory of animation on television, America 'Toons In: A History of Television Animation (available from McFarland and Co.) and The Encyclopedia of American Animated Television Shows (available from Rowman and Littlefield). Hopefully, others will follow.
Jefferson Ball, the mightiest female dog in a universe of the same, is, despite her anti-heroic behavior, intent on keeping her legacy as an athlete and adventurer intact. So, when female teenage robot Jody Ryder inadvertently angers her by smashing her high school records, Jefferson is intent on proving her superiority by outmuscling the robot in a not-so-fair fight. Not wanting to seem like a coward, and eager to end her enemy's trash talking, Jody agrees.
However, they have been lured to fight each other by circumstances beyond their control. Which are intent on destroying them if they don't destroy each other in combat first...
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