100 books like Lost Souls

So much of Lindqvists writing is fantastic, but this has to be my favorite. I read it while in university and then I re-read it and re-read it until one of my housemates asked why it was taking me so long to read a single book then seemed confused when I admitted that every time I finished it I just started it again. 

I love the take Lindqvist has on the vampire as a ‘monster’ Eli is complex and sympathetic, dangerous and vulnerable it’s a wonderful balancing act. But what I enjoyed most of all was that Eli, while being hundreds of years old, is physically and mentally, twelve. Their long life did not make them an adult in a child’s body, they literally stunted their growth and that makes them so compelling.

I had to include at least one King book, I’m a big fan of King and this is one of his lesser-known books. 

I love this book because it’s a good and interesting story that hooked me from the first chapter and kept me till the end. 

But also, I am passionate about good representation (particularly disability representation) in the horror genre, I’m writing my PhD thesis on it. King is a mixed bag when it comes to good and bad representation but he does a good job in this one. Marty is a 10-year-old paraplegic boy who suspects a werewolf is in his town.

The story revolves around Marty hunting and defeating the beast. It’s a high stakes, exciting, and utterly plausible (if you suspend belief for the werewolf lol).

My mum read this book to me when I was little, so I think it will always hold a special place in my heart for that reason. 

But even re-reading it as an adult I can say that it is a marvellous story. The imagery is spectacular, Harvey’s night as a vampire especially stays with me due to the vivid imagery. As well as the ‘creatures in the pond’ (trying to not spoil anything too badly here). Overall, it’s a well written, imaginative story that sucks you in and holds you tightly right up to the end.

This was my first Nick Cutter reading but it won’t be the last. He created a most terrifying scenario that is so close to reality it’s disturbing.

I couldn’t help but be reminded of Lord of the Flies but much more violent. He truly kept turning the horror crank with each dripping chapter. I couldn’t stop listening to this story. 

I really like the title of this book because it captures why your brain reacts as it does to fear, anxiety, and stress. Because of the fight-or-flight reaction in response to danger, your brain revs your body up to get ready to fight a tiger or run away. But that reaction doesn’t help when your stress is about taking a test, introducing yourself to someone, or handling a rough situation at home. It’s like your brain is reacting to invisible tigers chasing you. Self-care for “tiger bites” is a fun way to think about ways to reduce the impact of stressful situations.

When I was growing up, there was zero queer Iranian representation to inspire me or guide me.

I felt quite literally invisible in the world, and my own mission has been to flood the world with queer Iranian stories to fill this void. Thankfully, a number of other authors are now doing the same, including Sara Farizan, Arvin Ahmadi, and Adib Khorram.

I chose the sequel to Adib’s masterful Darius the Great Deserves Better because I love how it leans into intergenerational family dynamics, which are a particular passion of mine (and of most immigrants who must work to unite the disparate parts of our histories).

I’ve long had a professional crush on sociologist Lisa Wade as her work is a deadly combination of brilliant and compulsively readable.

Her study was published while I was writing my book and serves as a companion piece to understanding how hookup culture operates on American college campuses. As de facto speakeasies, fraternity houses serve as the campus party and, by extension, hookup headquarters.

This isn’t necessarily a bad thing, but it’s not always a good thing either.

This is a book about many things—guilt, artmaking, and love among them—but when I think of it, I think of a novel that depicts the complexities of making and sustaining a life more deftly than anything else I’ve read. How things like cruelty and beauty, innocence and evil, truth and lies all coexist. How we move forward despite this uneasy balance.

The novel follows Fee, a boy who grows up in Maine and sings in an all-boys choir. The choir director turns out to be an abuser, and his actions haunt Fee and the other boys in the choir into adulthood.

On a prose level alone, Chee’s writing is unparalleled, his sentences sharp enough to cut glass. I don’t see how anyone could read this book and come away unchanged. 

When I first read this book (almost 40 years ago), it became the foundation for how I think about culture, creativity, and their connection to revolution.

Hebdige shows how little things like the cut of a pair of trousers or a hairstyle can make important social critiques that are understood and reverberate far beyond the youth subcultures that spawn them. And he provides a theoretical framework for thinking about possibilities for revolution in everyday life. Plus, it’s the most insightful book about punk ever written.

Nothing brings a classroom alive like an engaged and enthusiastic teacher! The best ones know how to guide their students into the heart of a text to make discoveries and connections on their own. I have done hundreds of school visits (virtual and in-person), and I love watching kids beam with pride as they reveal something they’ve learned from reading my book or come to a revelation through our chat. 

Lesley Roessing’s book is not a work of fiction – but it’s an invaluable tool to help teachers guide young readers through the books on this list. The final section of the book is a sample 9/11 book club using all the books on my list (and many more). Any teacher drawn to this list would be well-served by Lesley’s insightful lesson plans.