Here are 91 books that Subculture fans have personally recommended if you like
Subculture.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
How do jazz musicians think about what they are doing when they are improvising within a group? How do they learn to do such a thing in the first place – going their own way, but still going there together?
This is an immersion into the minds of musicians, starting with their earliest days and going through the rigors of learning their craft and then mastering it. The combination of discipline and freedom, hard work and wild inventive joy, finding an individual voice, and being part of the larger whole – the things that make improvisation a breath-taking artistic high-wire act – come together in this book.
I can’t carry a tune in a bucket, but this book made me wish I was a jazz musician.
This text reveals how musicians, both individually and collectively, learn to improvise. It aims to illuminate the distinctive creative processes that comprise improvisation. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note. Berliner's integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic and a tradition. The product of…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
What I love about this book is the way it delves into all the intimate details of a group of artists/writers/creators in early 20th-century England who rebelled against the day-to-day strictures of a buttoned-up society and embraced eccentricity in even the most humdrum aspects of their lives.
What did they eat? What did they wear? Where did their children go to school? I wouldn’t necessarily imitate absolutely everything that these iconoclasts did, but the allure of their example is intoxicating.
Virginia Nicholson's Among the Bohemians is a portrait of England's artistic community in the first half of the twentieth century, engaged in a grand experiment.
Subversive, eccentric and flamboyant - the Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.
In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.
'Interesting, gorgeous, wonderful.... this book displays the best of bohemia itself…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.
Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
We tend to think of “creativity” as an individual attribute – some people have lots of it, some not much at all. But this book challenges that entire way of thinking.
Farrell’s fun and fascinating analysis of six case studies (the Impressionists, Sigmund Freud and his friends, J.R.R. Tolkien and C.S. Lewis, and the First Wave feminists, among others) shows the importance of friendships and group dynamics in fostering creativity in much the same way that any type of gang can foster other forms of deviance.
Farrell goes into specifics of the different roles – like “scapegoat” or “lightning rod” – within these collaborative circles and how they function in the group. We see why creative movements flourish in certain circumstances and flounder when circumstances change.
Many artists, writers, and other creative people do their best work when collaborating within a circle of likeminded friends. Experimenting together and challenging one another, they develop the courage to rebel against the established traditions in their field. Out of their discussions they develop a new, shared vision that guides their work even when they work alone. In a unique study that will become a rich source of ideas for professionals and anyone interested in fostering creative work in the arts and sciences, Michael P. Farrell looks at the group dynamics in six collaborative circles: the French Impressionists; Sigmund Freud…
I’m a screenwriter and novelist who loves writing stories for kids! (And long-suffering parents.) I mostly write and produce animated movies and TV shows, am currently executive producer of The Chicken Squad for Disney, and won an Emmy® Award for children’s TV writing in 2020. A few years ago, my nephew stopped me in my tracks with a question: “Uncle T, what’s the big deal about 9/11?” His confusion opened my eyes to the fact that many schools don’t teach about this momentous event. “Never forget” has been our national refrain, but how will future generations remember if we don’t tell them the story?
Nothing brings a classroom alive like an engaged and enthusiastic teacher! The best ones know how to guide their students into the heart of a text to make discoveries and connections on their own. I have done hundreds of school visits (virtual and in-person), and I love watching kids beam with pride as they reveal something they’ve learned from reading my bookor come to a revelation through our chat.
Lesley Roessing’s book is not a work of fiction – but it’s an invaluable tool to help teachers guide young readers through the books on this list. The final section of the book is a sample 9/11 book club using all the books on my list (and many more). Any teacher drawn to this list would be well-served by Lesley’s insightful lesson plans.
Talking Texts is a guide for teachers to the steps and strategies of implementing text clubs in many forms- fiction and nonfiction book clubs, textbook clubs, article clubs, and even poetry clubs-in the classroom. All strategies presented are applicable to any discipline so that text clubs can be employed across the curriculum in any grade level.
I have spent 20+ years working on the question of how social and environmental change happens, from my long-time career in progressive politics to my current work writing about the most pressing issues of our time through an economic lens, and occasionally talking about them on my podcast, also called Wallet Activism. So I know well how intimidating it can feel to get involved, whether it’s worrying your voice isn’t needed (trust me, it is!) or not knowing the nuts and bolts of where to start. But we have so much power when we act collectively, and I want you to feel personally invited to take action.
Ignore the word “youth” in the title, because this is not just a book for kids and teens! Jamie is a young, queer activist who has achieved some impressive activism victories at a young age, but best of all, she combines real activist know-how with a sense of hope and optimism that’s hard to find in older activists. This book is an excellent guide to getting involved and staying involved anywhere from the local level up to a global scale. This is a must-read for people who are fired up to take action but don’t know where to start.
The 1963 Children's March in Birmingham, Alabama. Tiananmen Square, 1989. The 2016 Dakota Access Pipeline protests. March for Our Lives, and School Strike for Climate. What do all these social justice movements have in common? They were led by passionate, informed, engaged young people. Jamie Margolin has been organizing and protesting since she was fourteen years old. Now the co-leader of a global climate action movement, she knows better than most how powerful a young person can be. You don't have to be able to vote or hold positions of power to change the world.
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
This is a slightly biased choice as a historian of LSD and psychedelics, but to me, this book offers the most staggering illustration of acid-infused idealism by telling the riveting story of a group of California hoodlums turned LSD crusaders.
This dizzying page-turner takes you through the rise of evangelical acid chemists who manufactured millions of doses and had them distributed by the Brotherhood of Eternal Love, who made very little profit and often gifted their acid. A book I would have loved to write!
Few stories in the annals of American counterculture are as intriguing or dramatic as that of the Brotherhood of Eternal Love.
Dubbed the "Hippie Mafia," the Brotherhood began in the mid-1960s as a small band of peace-loving, adventure-seeking surfers in Southern California. After discovering LSD, they took to Timothy Leary's mantra of "Turn on, tune in, and drop out" and resolved to make that vision a reality by becoming the biggest group of acid dealers and hashish smugglers in the nation, and literally providing the fuel for the psychedelic revolution in the process.
In 2011, I was a newly minted college professor who was trying to support my students’ interests (Greek life) in hopes that they would return the favor and support mine (medieval literature). Never in a million years would I have guessed that accepting an invitation to attend a Greek event on campus would snowball into receiving a bid to join a National Panhellenic Conference sorority and serve as its faculty advisor. Somewhere along the way, I realized that my perspective uniquely positioned me to shed new light on the longstanding controversies plaguing these organizations and provide a new lens through which to view their impact not only on campus culture but society at large.
I’ve long had a professional crush on sociologist Lisa Wade as her work is a deadly combination of brilliant and compulsively readable.
Her study was published while I was writing my book and serves as a companion piece to understanding how hookup culture operates on American college campuses. As de facto speakeasies, fraternity houses serve as the campus party and, by extension, hookup headquarters.
This isn’t necessarily a bad thing, but it’s not always a good thing either.
The hookup is now part of college life. Yet the drunken encounter we always hear about tells only a fraction of the story. Lisa Wade offers the definitive account of this new sexual culture and demonstrates that the truth is both more heartening and disturbing than we thought. Offering invaluable insights for parents, educators and students, Wade situates hookup culture within the history of sexuality, the evolution of higher education and the unfinished feminist revolution. Using new research, she maps out a challenging emotional landscape marked by unequal pleasures, competition for status and sexual violence. Accessible and open-minded, compassionate and…
I'm fascinated by the potential of teenagers. The teen years are full of passion and energy. It's a time of seeing injustice and recognizing inequality. For some young people, it becomes imperative to make the world a better place. My maternal grandparents joined the Communist Party when they were teenagers. They were deeply committed to making the world a better place, but it was a commitment that affected all of their decisions. They were saving the world—what happened with their children was of little consequence. Therefore the books on my list reflect my interest in teenage radicals, as well as the fate of children who grow up under a system of radical beliefs.
Cathy Wilkerson was one of The Weather Underground. She became notorious because The Weather Underground was using her father’s townhouse in Greenwich Village when a bomb was accidentally detonated, killing three people and destroyed the building.
What I love about this book is that it is by a woman in the movement. Most of the people who have written about The Weatherman and the various radical movements of the sixties are men and they are writing from a very different perspective. The women in the movement were dealing not only with their desire to end the war and overturn the government, but with pushing for a feminist revolution amongside their male comrades.
Wilkerson reflects on her radicalization as a teenager, on joining the movement, and on her struggles within the movement. The book makes dynamic reading for anyone interested in social change.
Flying Close to the Sun is the stunning memoir of a white middle-class girl from Connecticut who became a member of the Weather Underground, one of the most notorious groups of the 1960s. Cathy Wilkerson, who famously escaped the Greenwich Village townhouse explosion, here wrestles with the legacy of the movement, at times finding contradictions that many others have avoided: the absence of women’s voices then, and in the retelling; the incompetence and the egos; the hundreds of bombs detonated in protest which caused little loss of life but which were also ineffective in fomenting revolution. In searching for new…
I’m a therapist and Jungian analyst who has been writing and speaking about the transgender phenomenon since 2016. Across the Anglosphere, teen girls have begun identifying as transgender in significant numbers since around 2011. Many are quickly accessing medical interventions. When I became aware of these trends, I got curious about them. I’m especially fascinated by the way that social and psychological factors can shape our understanding of mental health and mental illness, and I’ve been exploring these topics as they relate to trans adolescents. I’ve worked with trans-identifying young people and their parents, as well as detransitioners.
I love Alderman’s writing. This book is dense. It isn’t long but it does take a bit of work to get through it, but it’s worth it.
He does the heavy lifting I’ve always wanted someone to do, looking carefully at the writings of Derrida and pointing out where these ideas bend back unhelpfully on themselves. He brings a Jungian lens to this exploration, battling back the nihilistic implications of deconstruction and finding again the helpful bedrock of meaning.
In Eternal Youth and the Myth of Deconstruction, Bret Alderman puts forth a compelling thesis: Deconstruction tells a mythic story. Through an attentive examination of multiple texts and literary works, he elucidates this story in psychological and philosophical terms.
Deconstruction, the method of philosophical and literary analysis originated by Jacques Derrida, arises from what Carl Jung called "a kind of readiness to produce over and over again the same or similar mythical ideas." In the case of deconstruction, such ideas bear a striking resemblance to a figure that Jungian and Post-Jungian writers refer to as the puer aeternus or eternal…
