Fans pick 100 books like Among the Bohemians

At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.

This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.

Everybody loves this book because it, of course, has become an international classic of literature and one of the best works F. Scott Fitzgerald wrote, which takes the reader on a time-traveling secretive world of the upper-class set in New England life in the 1920s.

In F. Scott's work, we are casually and comfortably introduced to an America where new money met old money, and the tender tightrope one had to walk in order to vie for position, marriage, and peer acceptance in a world founded on wealth and prestige.    

How do jazz musicians think about what they are doing when they are improvising within a group? How do they learn to do such a thing in the first place – going their own way, but still going there together?

This is an immersion into the minds of musicians, starting with their earliest days and going through the rigors of learning their craft and then mastering it. The combination of discipline and freedom, hard work and wild inventive joy, finding an individual voice, and being part of the larger whole – the things that make improvisation a breath-taking artistic high-wire act – come together in this book.

I can’t carry a tune in a bucket, but this book made me wish I was a jazz musician.

This beautiful tome, with endless photos, takes a tour of Paris through the années folles, from the end of the Great War in 1919 to the start of World War Two in 1939. Many histories of Paris in this period focus solely on the culture – understandable, as this outpouring of modernism was world-shaking. This book includes history, politics, law, Parisian café life, sex workers, immigration, and more. My copy is full of so many notes that I had to buy a second copy. Here I found the underground gay scene and the effect of the war on the working class. Schiaparelli’s surreal hats sat along an overview of soup kitchens during the Depression. The book shows Paris as it was lived in those years, and mostly through visual material, giving the impression that you could book a ticket and visit.

This book should not be out of print. It is beautifully written – economical, witty yet discreet, and joyful. Bowen was a young woman from Adelaide, in South Australia, who set off to London to be an artist and landed there during the Great War. She had a long affair and daughter with writer Ford Madox Ford, painted and partied in Paris, moved her daughter back to England in time to watch German bombers fly overhead during the Blitz. This book became another guide for how to live the creative life, the bohemian life, a life full of honesty and art. Like Hemingway’s memoir, it’s full of anecdotes of other writers and artists that were her friends for a time. It reflects on what it means to be an artist, a woman artist, an artist and mother, ideas that still hold true as they are about the inner life of… show more.

On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.

Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!

When I first read this book (almost 40 years ago), it became the foundation for how I think about culture, creativity, and their connection to revolution.

Hebdige shows how little things like the cut of a pair of trousers or a hairstyle can make important social critiques that are understood and reverberate far beyond the youth subcultures that spawn them. And he provides a theoretical framework for thinking about possibilities for revolution in everyday life. Plus, it’s the most insightful book about punk ever written.

We tend to think of “creativity” as an individual attribute – some people have lots of it, some not much at all. But this book challenges that entire way of thinking.

Farrell’s fun and fascinating analysis of six case studies (the Impressionists, Sigmund Freud and his friends, J.R.R. Tolkien and C.S. Lewis, and the First Wave feminists, among others) shows the importance of friendships and group dynamics in fostering creativity in much the same way that any type of gang can foster other forms of deviance.

Farrell goes into specifics of the different roles – like “scapegoat” or “lightning rod” – within these collaborative circles and how they function in the group. We see why creative movements flourish in certain circumstances and flounder when circumstances change.

This book covers the drama and upheaval of the years leading up to the war to end all wars, and how five young British artist’s lives were changed utterly by their experiences, with all the energy of a great historical novel. All artists hope to find a powerful subject to drive their work, but this generation had to somehow express the madness and horror they found in those fields of Europe. A later generation would learn from these expressionists, futurists and vorticists and conjure international careers out of those lessons, but this very English group, during this century defining decade, did the heavy lifting.

We all know Beatrix Potter wrote and illustrated Peter Rabbit and other children’s books, but how many people are aware that young Beatrix was a groundbreaking mushroom scientist? In Beatrix Potter, Scientist, Metcalf unveils the secret scientific side of Beatrix Potter, long before her books became classics. Beatrix studied all sorts of fungi, discovering a mushroom known as the Old Man Of The Woods, but as a female she was prohibited from presenting a scientific paper to London’s Linean Society. I love one of this book’s underlying messages, that someone can be an artist AND a scientist; there’s no need to choose one or the other. There’s also a terrific author’s note and strong supporting end matter for further study.