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I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
How do jazz musicians think about what they are doing when they are improvising within a group? How do they learn to do such a thing in the first place – going their own way, but still going there together?
This is an immersion into the minds of musicians, starting with their earliest days and going through the rigors of learning their craft and then mastering it. The combination of discipline and freedom, hard work and wild inventive joy, finding an individual voice, and being part of the larger whole – the things that make improvisation a breath-taking artistic high-wire act – come together in this book.
I can’t carry a tune in a bucket, but this book made me wish I was a jazz musician.
This text reveals how musicians, both individually and collectively, learn to improvise. It aims to illuminate the distinctive creative processes that comprise improvisation. Chronicling leading musicians from their first encounters with jazz to the development of a unique improvisatory voice, Paul Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note. Berliner's integration of data concerning musical development, the rigorous practice and thought artists devote to jazz outside performance, and the complexities of composing in the moment leads to a new understanding of jazz improvisation as a language, an aesthetic and a tradition. The product of…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
What I love about this book is the way it delves into all the intimate details of a group of artists/writers/creators in early 20th-century England who rebelled against the day-to-day strictures of a buttoned-up society and embraced eccentricity in even the most humdrum aspects of their lives.
What did they eat? What did they wear? Where did their children go to school? I wouldn’t necessarily imitate absolutely everything that these iconoclasts did, but the allure of their example is intoxicating.
Virginia Nicholson's Among the Bohemians is a portrait of England's artistic community in the first half of the twentieth century, engaged in a grand experiment.
Subversive, eccentric and flamboyant - the Bohemians ate garlic and didn't always wash; they painted and danced and didn't care what people thought. They sent their children to co-ed schools; explored homosexuality and Free Love. They were often drunk, broke and hungry but they were rebels.
In this fascinating book Virginia Nicholson examines the way the Bohemians refashioned the way we live our lives.
'Interesting, gorgeous, wonderful.... this book displays the best of bohemia itself…
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
On top of having written one of the most profound novels of the 20th century, Zora Neale Hurston was a fierce and fearless proponent of authenticity in literature and art – and she paid the price for that.
Boyd’s biography of her is the best, delving into this complex woman who was both deeply of her time and way ahead of it. Boyd quotes Hurston in one of my all-time favorite lines by a writer responding to a demeaning critic: “I will send my toe-nails to debate him…” An inspiration for all creative people facing rejection for being true to themselves!
From critically acclaimed journalist Valerie Boyd comes an eloquent profile of one of the most intriguing cultural figures of the twentieth century—Zora Neale Hurston.
A woman of enormous talent and remarkable drive, Zora Neale Hurston published seven books, many short stories, and several articles and plays over a career that spanned more than thirty years. Today, nearly every black woman writer of significance—including Maya Angelou, Toni Morrison, and Alice Walker—acknowledges Hurston as a literary foremother, and her 1937 masterpiece Their Eyes Were Watching God has become a crucial part of the modern literary canon.
I’ve spent my career as a sociologist studying how creative people work, what social settings are most conducive to creativity, and how to foster creativity for everyone in our daily lives. I know that creativity is often not easy and can even be met with hostility much more frequently than we might think. Creativity is, after all, a type of deviance and creative people can face real obstacles in finding and following their vision. But a richer understanding of how and why creativity happens – and of its obstacles – can be a tool for making a more vibrant, creative, inclusive, and just world.
When I first read this book (almost 40 years ago), it became the foundation for how I think about culture, creativity, and their connection to revolution.
Hebdige shows how little things like the cut of a pair of trousers or a hairstyle can make important social critiques that are understood and reverberate far beyond the youth subcultures that spawn them. And he provides a theoretical framework for thinking about possibilities for revolution in everyday life. Plus, it’s the most insightful book about punk ever written.
'Hebdige's Subculture: The Meaning of Style is so important: complex and remarkably lucid, it's the first book dealing with punk to offer intellectual content. Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling Stone
With enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book…
I didn’t grow up with a close family, but I yearned for one. Which is why I gravitate towards books with a cast of characters who are family, or a found family. I also prefer romantic plots or subplots. Combining romance and amazing side characters that are close automatically hooks me. That’s why I always include these dynamics in the books I write. I write my books for my own entertainment and hope others who love romance with swoony leads and a fun cast of characters will find my book and enjoy it as much as I do.
The large family dynamic immediately pulled me into this story about family, love, and learning to let go of expectations.
As someone who wishes I had a large family, adores love, and needs help going with the flow, it was a perfect fit. The sibling camaraderie and bickering, and how they all talk in quick succession and sometimes over each other, gives a depth and reality to the interactions. I loved that part best.
From the author of Since You've Been Gone and The Unexpected Everything comes a dreamy story of summer romance and finding yourself, perfect for fans of Jenny Han and Sarah Dessen
Charlie Grant tries to keep her life as normal as possible. Hanging out with her best friend, pining for Jesse Foster - who she's loved since she was twelve - and generally flying under the radar as much as she can.
But sometimes normal is just another word for stuck, and this weekend that's all going to change. Not only will everyone be back home for her sister's wedding,…
A university professor for 40 years (now emerita), I focused my most recent research on moral psychology. I am also a political junkie, so perhaps it is no surprise that I have combined these two interests. As both a social psychologist and political psychologist, I have conducted numerous studies on the moral underpinnings of our political ideologies. In addition to two books, I have published over 90 papers, many devoted to morality and/or politics, and I was awarded a generous three-year National Science Foundation grant to study the two moralities that are discussed in my book.
This book has become a classic in social psychology, and social dominance, as both a personality trait and a feature of societies, has become an indispensable factor in understanding individual, cultural, and political differences.
In this book social/political psychologists Jim Sidanius and Felicia Pratto draw on their own excellent research and scholarship to present their influential theory of social hierarchy and the psychological and societal mechanisms that support it.
This book is for anyone interested in our political differences, and in particular factors that contribute to social inequality.
This volume focuses on two questions: why do people from one social group oppress and discriminate against people from other groups? and why is this oppression so mind numbingly difficult to eliminate? The answers to these questions are framed using the conceptual framework of social dominance theory. Social dominance theory argues that the major forms of intergroup conflict, such as racism, classism and patriarchy, are all basically derived from the basic human predisposition to form and maintain hierarchical and group-based systems of social organization. In essence, social dominance theory presumes that, beneath major and sometimes profound difference between different human…
I was attracted to the study of interest groups for two main reasons. First, not too many scholars study interest groups and lobbying. This means I might have something to contribute. Second, interest groups are fascinating. Almost every interest you can think of has an interest group trying to affect (or retard) change. Every year, for example, I get to regale my students with stories about little-known interest groups such as the American Frozen Food Institute, the Pink Pistols (a pro-gun LGBTQ group), the California Prune Board, and Declassify UAP (an anti-UFO secrecy group). Talking and learning about interest groups is fun.
Mancur Olson was one of the most influential social scientists of the 20th century. This slender (though at times dense) volume presents Olson’s thoughts on why shared interests are seldom enough to motivate people to join together in interest groups.
Beginning with the “rational economic man” assumption common in microeconomics, Olson demonstrates that people have powerful incentives not to support organizations that work to obtain collective goods they value.
Olson got a few things wrong, but his argument explains a lot of the political inaction and nonparticipation we see. If you have ever wondered, “Why don’t people join organizations that are working to help them?” or “Why do oppressed people not rise up against their oppressors?” this book is a good place to start.
Every time I start to get frustrated with what I view as political apathy, I go back to this book. I do this because the…
This book develops an original theory of group and organizational behavior that cuts across disciplinary lines and illustrates the theory with empirical and historical studies of particular organizations. Applying economic analysis to the subjects of the political scientist, sociologist, and economist, Mancur Olson examines the extent to which the individuals that share a common interest find it in their individual interest to bear the costs of the organizational effort.
The theory shows that most organizations produce what the economist calls "public goods"-goods or services that are available to every member, whether or not he has borne any of the costs…
As a kid, I had a lot of experience having a close group of friends… and a lot of experience looking into other groups from the outside. I waded from circle to circle, trying on friendships like some people try on hats. The books I’m recommending represent the best of fictional friend groups—the groups that topped any clique I saw in real life. Reading these books made me feel like an in-kid in the best possible way. Many of the characters remain the absolute coolest people I know, and serve as inspiration for the friend group dynamics I get to explore in my own stories.
While I absolutely love the recent graphic novel series, I have to give some major props to the OG Baby-sitter’s Club. These books are the perfect length to devour on a lazy Sunday afternoon. With so many adventures to choose from as each member of the group gets to play narrator, it’s impossible to not feel like a fellow babysitter handing out club flyers or herding little kids into softball teams. You may even find yourself making your very own kid kit at home and filling up a box with puzzles and games to play with the neighbor’s cat. No? Just me, then?
NOW A MAJOR NETFLIX SERIES! When Kristy Thomas has a great idea to form a BABYSITTERS CLUB - a chance to earn money and spend time with her friends - she has no idea how much the club will change everything.
Crank calls, uncontrollable toddlers, wild pets, untruthful clients . . . running a business is hard work! Kristy and her co-founders, Mary Anne, Claudia, and Stacey, are sure they can handle anything. But only if they stick together . . .
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
This is the book that launched a thousand essays about gentrification in urban neighborhoods and reinvented the term “revanchism” for use in critical geography.
From the French noun revanche, revanchism refers to a policy or movement focused on reacquiring a nation's lost territory. The Revanchist City as it became known after Smith’s book, describes city residents under siege by their own city governments.
Starting with a description of the battles over who could use Tompkins Square Park in New York City’s Lower East Side in the 1980s and 90s, and moving on to other case studies (some global), Smith shows how cities are transformed into zones of international capital investment and class privilege through neoliberal policies enacted at the municipal level.
Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the last three decades, converting urban decay into new chic? Will the process continue in the twenty-first century or has it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom, which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living. It reveals gentrification as part of a much larger shift in the political economy and culture of the late twentieth…
I have been studying neoliberal political economy and its future transformations since I wrote Rationalizing Capitalist Democracy. One major insight has been the deep entanglement of neoliberal political-economic practices with de facto power relations. The liberal normative bargaining characterizing Adam Smith’s Wealth of Nations yields to coercive bargaining in which threats of harm are the surest and best means to get one’s way. If one seeks to understand how systems will evolve when governed by strategic competition, then orthodox game theory is useful. However, if one seeks to live in a post-scarcity society in which genuine cooperation is possible, then we can enact solidarity, trust-based relationships, and collective moral accountability.
Neoliberal political economy assumes either a strategic rational actor or an irrational actor who needs to be “nudged” to act rationally. This theory endorses a theory of individualist agency which holds that ultimately all agents must compete against each other. This system of thought emphasizes a lack of alternatives and recommends institutions that accept that actors are narrowly self-interested: people evolved to be machines that survive and propagate. Against this view of human agency, alternative theorists construct theories of action in which individuals can reason together, act in concert, and together be morally accountable. Schwenkenbecher effectively builds this alternative perspective affording possibilities of intentional cooperation and collective moral action.
Together we can often achieve things that are impossible to do on our own. We can prevent something bad from happening, or we can produce something good, even if none of us could do it by ourselves. But when are we morally required to do something of moral importance together with others?
This book develops an original theory of collective moral obligations. These are obligations that individual moral agents hold jointly but not as unified collective agents. The theory does not stipulate a new type of moral obligation but rather suggests that to think of some of our obligations as…
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