My family moved around a lot when I was younger, which may explain why I’m fascinated by the experience of being an outsider. To me, it’s not a bad thing; being on the outside can sometimes help a person to see things more clearly, to think more critically and creatively. The year I spent living in a country where English wasn’t the main language was one of the most stimulating periods of my life, because I was so attuned to all the tiny details that other people took for granted. Plus, as teenagers, everyone feels like they’re on the outside looking in – which is probably why all of my books have contained some coming-of-age element.
I stumbled across this coming-of-age story by one of my favourite South African writers in a second-hand bookshop in Oxford when I was an undergraduate. I hadn’t been able to lose myself in fiction for a couple of years because I was so immersed in academic reading (history, mostly) – but this novel got me back on the wagon. It was the first novel I’d read in a long time that really made me want to write, to tell a story that could move a reader in the same way. In it, a white, middle-class girl growing up in a small colonial town in 1940s South Africa starts to see the world around her as it really is. Definitely one of those books that deserves a much wider audience.
Nadine Gordimer's first novel, published in 1953, tells the story of Helen Shaw, daughter of white middle-class parents in a small gold-mining town in South Africa. As Helen comes of age, so does her awareness grow of the African life around her. Her involvement, as a bohemian student, with young blacks leads her into complex relationships of emotion and action in a culture of dissension.
I’ve been writing queer historical romances/murder mysteries since the third grade when I accidentally wrote a pretty homoerotic Sherlock Holmes fanfiction despite being too young to know what any of those words meant. I’m now both a writer and reader of the genre and while I’m delighted that so many other people love gay historical romance as much as I do, I feel like I always see the same few books recommended. I wanted to share some of my lesser-known favorites so that they can get the love they richly deserve and so that there are more people who can geek-out about them with me!
Honestly, I could recommend all of Bonnie Dee’s back catalog, but this one in particular has always stuck with me. I think what I love most is that the setup seems like a standard Beauty and the Beast type tale, but instead, a thoughtful (and incredibly hot!) novel that doesn’t shy away from the fact that one of the characters is far from traditionally handsome, but embraces it.
I really cheered him on as he began to see himself in a new light, the way the man who loves him sees him.
Creating love from darkness is the greatest art…Living a bohemian lifestyle in Paris is wonderful for Teddy Dandridge, but disastrous for his finances. His unconventional artistic creations find few buyers. After a year of failure, he returns to England to fulfill a portrait commission for a wealthy family, but he finds a different, source of inspiration secreted away in their sprawling house. Isolated and rejected by his family, Phineas Abernathy haunts the west wing like a ghost. A physical deformity has locked him away from society for all his life. Filling his days with reading and drawing, he dreams of…
My father, when he consented to talk about all the moments in his life when the odds against his survival were so small as to make them statistically non-existent, would say, ‘I was lucky.’ Trying to understand what he meant got me started on this book. As well as being a novelist, I’m a poker player. Luck is a subject that every poker player has a relationship to; more importantly it’s a subject that every person has a relationship to. The combination of family history and intellectual curiosity and the gambler’s desire to win drove me on this quest.
Argentinians in 1950s Paris argue about art and philosophy. They fall in and out of love to a jazz soundtrack. The novel itself is in love with the modern city and the secret patterns of chance. Prefacing it is a ‘table of instructions’ in which the author writes that "this book consists of many books, but two books above all. The first can be read in a normal fashion and it ends with Chapter 56... The second should be read by beginning with Chapter 73 and then following the sequence indicated at the end of each chapter."
There’s an exhilaration of structure, a deadpan formal playfulness that still thrills. It’s the book that taught me the most about reading. And, not entirely coincidentally, it’s the book that made me realise I was going to become a writer.
"Cortazar's masterpiece ... The first great novel of Spanish America" (The Times Literary Supplement) • Winner of the National Book Award for Translation in 1967, translated by Gregory Rabassa
Horacio Oliveira is an Argentinian writer who lives in Paris with his mistress, La Maga, surrounded by a loose-knit circle of bohemian friends who call themselves "the Club." A child's death and La Maga's disappearance put an end to his life of empty pleasures and intellectual acrobatics, and prompt Oliveira to return to Buenos Aires, where he works by turns as a salesman, a keeper of a circus cat which can…
I like to tell people that I found my passion in life and it's books. I write them, read them, review them and I’ve been a librarian for 17 years. (I’ve worked in libraries for longer than that. Over 25 years!) It’s been dark times recently and romance has become my happy place. I’m a sucker for romances with pretty covers, quirky characters, and not so much of the on-page spice. If there’s some travel involved, even better!
This book blew me away. I have never read a book like this, let alone a romance. The female main character suffers from a rare liver disease that requires a donor for her survival. Sounds pretty grim, right? Well, the prognosis is dire but the story is charming, heartwarming, and ultimately up-lifting. I enjoyed the perspective of a main character hoping for a donor in addition to the unfolding love story. (There’s also an amazing bestie relationship to make you swoon.) Plus, the cover is absolutely gorgeous. It’s a work of art all the way around.
I’m Jules Kelly, a certified bohemian boss babe, whose hip tech company just won subsidized office space in the coolest co-working space in town. From a distance I seem poised to take over the world (or at least the travel industry), and I would be if it weren’t for two big complications:
1. A rare and seriously inconvenient disease is tanking my health by the day, and my only hope for a cure—a transplant—is moving further from my grasp.
2. A soulless database company is sharing my new office…
Born in the San Francisco Bay Area with immigrant grandparents, I couldn't put this book down.
This is the story of photographer Dorothea Lange's arrival in San Francisco in 1918, the people she met, the friends she made, the city she adopted, the pictures she took, and the artists who lived side by side in what is now Little Italy.
It is beautifully rendered with grit and tension, everything that makes for good writing. We learn about the Spanish flu, the wars, the Golden Gate Bridge, the anti-Chinese sentiment, the corrupt politicians, artists, and the great bohemians and their supporters whose steep streets bear their names.
A dazzling novel of one of America’s most celebrated photographers, Dorothea Lange, exploring the wild years in San Francisco that awakened her career-defining grit, compassion, and daring.
“Jasmin Darznik expertly delivers an intriguing glimpse into the woman behind those unforgettable photographs of the Great Depression, and their impact on humanity.”—Susan Meissner, bestselling author of The Nature of Fragile Things
In this novel of the glittering and gritty Jazz Age, a young aspiring photographer named Dorothea Lange arrives in San Francisco in 1918. As a newcomer—and naïve one at that—Dorothea is grateful for the fast friendship of Caroline Lee, a vivacious,…
As a child of divorce who moved around often, cooking and entertaining was consistent in my life on both sides of my family. The comforting smells and traditions around food in the home became a religion to me—something I could count on. My grandmother was a hostess to be admired—her impeccable entertaining etiquette was where my love of hosting was born. My degree in psychology lends itself to sharing what’s so important about creating intentional gatherings at the table. My education and passion for creative arts pair well with my husband’s expertise as an Architect, where we understand the importance of creating inviting spaces for people to occupy.
As an event planner, Amanda shares her tips for how to host beautiful and meaningful gatherings with friends from small and simple to a larger outdoor party, all of which she uses a bohemian vibe to do so. Her ideas for throwing themed parties are creative, fun, and doable, and I love how she organizes them by season. Her bohemian style uses interesting contrasts, the mixing and matching of tableware and linens, and is a vibe based on feeling rather than rules. There are so many good tips on how to be the best hostess using good planning, calculating how much food you’ll need, and also how to pick drinks to complement your meal.
Learn the rules, traditions and customs of table setting and entertaining and how to incorporate principles of bohemian design.
The Modern Bohemian Table teaches you how to: Build an heirloom tabletop collection; Design a welcoming and beautiful table; Calculate how much food you need you for each gathering; Select wine or other drinks to complement the meal.
And inspires you with over 20 fresh and fun party ideas, broken up into seasons, including: Morrocan Rooftop Soiree; Wine Night; Medieval-Inspired Feast; Garden Gathering; Apres-Ski Get-Together.
From tablescapes to menu planning, napkin folding to cocktail mixing, learn to gather your favorite people…
I’m a Canadian writer, and a mother of three. I think I do qualify as an ACOH (Adult Child of Hippies). My mom taught elementary school, and my dad was a university professor, but otherwise they fully embraced the hippy movement. It was a rich childhood in terms of nature, literature, art, and foreign cultures, but dysfunctional and confusing on the emotional front. Sadly, dropping a lot of acid leads to a lifetime of anxiety and depression. My father descended into mental illness and opiate addiction when I was an adult, eventually leading to his suicide. I came to terms with his death by writing Corridor Nine.
I love this book because it makes me realize mine wasn’t the only crazy bohemian family out there! This extremely funny read with authentic ’60s photos is structured as a test to determine if you really are an ACOH (Adult Child of Hippies). People might find this strange, but humour was a necessary ingredient in my coming to terms with my father’s suicide (and the reason my novel is both tragic and funny). Although my father struggled with mental illness and addiction, he had a wickedly funny black sense of humour. For me, it is a tribute to my father to see the ridiculous and laugh even in the face of grief. Certainly, there is much to laugh about in the flower child era.
Do you have a name such as Willow, River, Oak, or Sunshine? Have you ever lived in a commune, or done yoga naked with your family? If yes, then you are an Adult Child of Hippies (ACOH). ACOHs grew up in extreme conditions: eating sprouts, and lugging herbal tea to school in their Thermoses (if they were fortunate enough to make it to school). ACOHs were born and brought up mostly in the 70s and 80s. As their parents reveled in the counterculture, their children struggled with basic hygiene, not to mention broader social acceptance. Until now, this group has…
This is embarrassing. Joseph Mitchell, the journalist and legendary longtime contributor to the New Yorker, is, in my opinion, the finest chronicler of 1950-80s Manhattan life who ever lived.
Here’s what’s embarrassing. I have previously devoured all of his story collections and any reprints in the New Yorker, but never read his greatest work, about the Village bohemian eccentric Joe Gould. Not anymore. As deft a piece of journalism as ever was.
'It's a masterpiece, of course, but more than that it shows that there is some such thing as being a simple observer' Nicci French, Independent
It was 1932 when Joseph Mitchell first came across Joe Gould, a Harvard-educated vagrant of Greenwich Village. Penniless, filthy, scurrilous, charming, thieving, Joe Gould was widely considered a genius. He was working on a book he called an Oral History - the longest book ever written he claimed, formed of recorded conversations set down in exercise books. Of course, when Gould died the great epic was nowhere to be found.
I'm not usually a romance reader, but I love Eva Ibbotson's romances. Sadly, Ibbotson is no longer with us, but when I heard that Laura Wood has a similar style, I knew I had to check out her work.
I had a smile on my face all through this book. Though it's inspired by Shakespeare's Much Ado About Nothing, it's set amongst British characters living in Italy in the early 1930s.
The lighter elements of romance and fun are tinged with the coming specter of fascism and war. Wood balances these two contrasting elements wonderfully.
"...it will sweep you into a glorious, romantic summer haze!" - thebookactivist
A long, hot Italian summer. A duel of kisses. The rules: sparks must fly. Dreams must dance. Neither party must fall in love. In grey, 1930s England, Bea has grown up kicking against the conventions of the time, all the while knowing that she will one day have to marry someone her parents choose - someone rich enough to keep the family estate alive. But she longs for so much more - for adventure, excitement, travel, and maybe even romance.
I’m a cultural anthropologist with a passion for exploring how we humans make meaning of the wonderful, terrible, startling, often-absurd existence in which we find ourselves. My research has taken me from NYC’s underground occult scene to the conflict-resolution strategies of Central Peru; from circus performers in Portland, Maine, grappling with their physical potential, to a comedy club in Berlin where I set out to discover the secret sauce for evoking “collective joy” amongst strangers.I am drawn to artistic works that mix genres and defy categorization… and thus have a penchant for alienating editors, librarians, and bookstore owners who struggle to identify on which shelf my books belong.
Volume 1 of Nin’s series is my rainy day read when I don’t want to leave the house but still want to feel connected to humanity. It’s sleepy. There’s no real plot. What drama occurs takes place primarily within the author’s mind as she reflects upon what it is to be an ambitious writer (specifically, an ambitious femalewriter) in 1930s bohemian Paris. There is plenty of Eros in it—most famously her relationship with Henry and June Miller. But, again, this remains primarily within the author’s mind, acting as further fodder in her quest to uncover her truest emotional core.
**What exactly is the difference between a “memoir” and a “diary”? Please write to me via my website if you have thoughts on this.
The acclaimed author details her bohemian life in 1930s Paris—including her famous affair with Henry Miller—in the classic first volume of her diaries.
Born in France to Cuban parents, Anais Nin began keeping a diary at the age of eleven and continued the practice for the rest of her life. Confessional, scandalous, and thoroughly absorbing, her diaries became one of the most celebrated literary projects of the twentieth century. Writing candidly of her marriages and affairs—including those with psychoanalyst Otto Rank and author Henry Miller—Nin presents a passionate and detailed record of a modern woman’s journey of self-discovery. Edited and…
