I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Like Dortmunder, Grimm is an idea man, and his idea for the perfect bank robbery is a doozy: he’ll dress as a clown, hold all the workers and customers in the vault, shoot out the video cameras, negotiate with the cops, take off the clown suit and makeup, “release” himself and his two accomplices as “hostages,” and waltz out of the bank and right past the entire NYPD. The only problem is, getting out of the city proves a lot harder than getting out of the bank. Cronley owes a lot to Westlake, but I picked Quick Change because he repays that debt and then some, with a smirking wit that lights up every page.
Grimm was the only one in town who knew he had them where he wanted them - overconfident."" The hero of Quick Change is just twenty minutes into a bank robbery, and so far everything is going according to his brilliant, meticulously thought-out plan. The bank's employees and customers are in the vault, the security cameras have all been shot out, and he's bagged close to a million dollars. But the police and a SWAT team are already outside. Can Grimm get out of the bank and out of New York, with the money and his two accomplices, and pull…
I hold a Master of Fine Arts in Writing for Children and Young Adults. In addition to the usual two-year program, I studied an extra semester, where I read all the best children’s books about friendship. I wanted to learn how the great authors such as A. A. Milne, James Marshall, and Arnold Lobel wrote stories full of so much heart and humor. My love of friendship stories burgeoned from there. And now, it’s with great delight that I offer you my Best Children’s Books About Friendship—and, of course, my very own friendship story, Big Bear and Little Fish.
Frank and Bean opens with Frank, who visits the great outdoors to find peace and quiet. Then, Bean shows up. He is literally a one bean band, with a drum, trumpet, triangle and more. Needless to say, they don’t initially hit it off. But then it gets dark, and fears bring them together. Before you know it, they are making beautiful music together. The text is full of wry humor presented with a wink for adults, while the illustrations are pitched perfectly to make five- to eight-year-old readers giggle along. I love this friendship story because it’s so much fun to read out loud.
When the introspective Frank meets the gregarious Bean, can they find a way to make beautiful music together? Dry wit and hilarious illustrations introduce a new unlikely pair.
Frank likes peace and quiet. He likes his tent, his pencil, and writing in his secret notebook. Bean likes noise. He likes his bus, his trumpet — toot, toot! — and making music. Loud music. But Bean is missing something: he does not have words. What will happen if Frank shares his words with Bean? With a laugh-out-loud narrative by Jamie Michalak, author of the Joe and Sparky series, and Bob Kolar’s…
My Master’s is in history, so books in the field are particularly of interest, especially those focused on the asides of the subject. One of the most unusual is No Surrender: My Thirty-Year War by Hiroo Onoda. When World War II ended in 1945, a number of Japanese soldiers, mostly in the jungles of the South Pacific, refused to surrender. Onoda was one of them. For three decades, the Japanese government tried to convince him that the war was over and flush him out of his hiding place in the Philippines, but to no avail. I found it fascinating to see his confirmation bias at work and described so clearly.
While I have read books by Kawabata, Mishima, and other well-known Japanese writers, there’s something very approachable and identifiable in the works of Haruki Murakami.
This book includes both fiction and nonfiction works, both equally enthralling: “Shizuko Akashi” from Underground, his nonfiction book on the 1995 Tokyo subway attack, is shockingly powerful, especially for those who have ridden those cars many times, and the short story “Ice Man,” a story that, for some reason, I particularly identified with.
Vintage Readers are a perfect introduction to some of the greatest modern writers presented in attractive, accessible paperback editions.
“Murakami’s bold willingness to go straight over the top is a signal indication of his genius. . . . A world-class writer who has both eyes open and takes big risks.” —The Washington Post Book World
Not since Yukio Mishima and Yasunari Kawabata has a Japanese writer won the international acclaim enjoyed by Haruki Murakami. His genre-busting novels, short stories and reportage, which have been translated into 35 languages, meld the surreal and the hard-boiled, deadpan comedy and delicate introspection.
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.
'Saunders is an astoundingly tuned voice - graceful, dark, authentic and funny - telling just the kind of stories we need to get us through these times' Thomas Pynchon
In PASTORALIA elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their…
I was born in England to Australian parents and have lived most of my life in Australia. My family all live there, and I grew up in Sydney. Most of my books have been about Australian-related themes or historical figures. I don’t think enough is known about Australian history outside Australia. Australian writers have always struggled for recognition outside Australia. Publishing can be an unfair business. I’m more interested in reading nonfiction than fiction. True stories are much harder to write and get right, and there’s a bigger responsibility involved. You’re dealing with real people. The dead ones also have families.
The funniest memoir I’ve ever read about being Australian and growing up in Sydney. It had me in tears throughout, with belly laughs and nostalgia.
Like Robert Hughes, Clive James was a stylish writer with a wonderful facility for words who sadly is no longer with us. He wrote a bunch of sequels (Falling Towards England, May Week Was in June, et al), and his poems are bloody good, too. He’s sadly missed.
Before James Frey famously fabricated his memoir, Clive James wrote a refreshingly candid book that made no claims to be accurate, precise, or entirely truthful, only to entertain. In an exercise of literary exorcism, James set out to put his childhood in Australia behind him by rendering it as part novel, part memoir. Now, nearly thirty years after it first came out in England, Unreliable Memoirs is again available to American readers and sure to attract a whole new generation that has, through his essays and poetry, come to love James's inimitable voice.
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
Press Enter to Continue is incredible on every level. The art is beautiful, with a technicolor palette and skillful drawing that belies the corporate horror in the narratives. We see humiliating job interviews, vampiric computer viruses, and cosmic labor camps that feel a little too close for comfort in our online world. It’s a collection of short stories told with a deadpan minimalism that makes the reader think, sweat, and maybe put their phone away for a while.
Spanish cartoonist Ana Galvañ charts an often-psychedelic and existential course for modernity in her English language debut, utilizing swaths of electric and florescent colors to create a series of short stories that intertwine and explore the dehumanizing effects of contemporary society. Like a candycolored collection of Black Mirror episodes, Galvañ’s world, set in the very near-future, is familiar and cautionary at once. Galvañ’s unwitting and addictive characters navigate a world of iridescent pastels and geometric energy like puppets. Departments of inhumane resources dehumanize the people it is purported to protect; information is determinedly mined like the gold of the 21st…
I’ve always written funny, rhyming poems so, when I began reading picture books to my kids, I decided to give writing one a try. I now have seven published books (six are in rhyme). I love creating humorous, alliterative stanzas – I think that’s what makes rhyming picture books so much fun to read aloud! Here's an example from my book Cock-a-Doodle Oops: “I know that I’m quiet, but I’d like to try it. Here goes said a shy little sheep. / Her cock-a-doodle baaaa didn’t travel too faaaa. In fact, she made barely a peep.” I hope you enjoy reading the books I’ve listed and other humorous, rhyming picture books!
I Was Born a Baby is my favorite Meg Fleming book – and that’s saying a lot! The rhyme and meter are wonderful! “I was born a baby. I was born a colt. / I was born a piglet. I’m a billy goat.”
The illustrations are so adorable and add to the humor! Not only will kids love listening to the rollicking rhyme, but they’ll also learn the names of animal babies! It’s the kind of book you love reading again and again and again!
Don't miss this irresistible read-aloud in the vein of Chicka Chicka Boom Boom-with catchy rhymes and bold, silly art about baby animals and the names they share!
I was born a baby and grew into a kid...
Soon all the other baby animals can't help but share what they are called and what they grew up into! Readers will learn about owlettes, pufflings, and more. But when the chick, calf, cub, and pup realize they share their names with several other species, they can't believe it. "No way! No how! That can't be true!" becomes a catchy, energetic refrain readers…
Writers all make jokes about talking to their imaginary friends. But what if your imaginary friends--the characters of the book you were writing--were suddenly standing in your living room? That's the premise of this book (and its brand new sequel!) and it's just so much fun.
JJ Spritely, romance author, writes characters that jump off the page. Figuratively, that is. She never expects them to make a literal leap smack dab into her world. But Alex Zurich and Blake Teesdale do just that. And they're on a mission to help JJ write her own personal love story with a man she recently met, Kennedy King Cooper. A history professor, Cooper doesn't see the value of romance novels and he has even less regard for those who write them. Until he meets a woman who haunts his thoughts. There's only one small snag in Alex's and Blake's…
I have really enjoyed getting to know Fiona Leitch's Cornish Village world and have become fully invested in the characters in her delightful series. I read this at first because I was reading 'books like my own books' for comparasion and a knowledge of the market (which sounds terribly boring and sensible but has been a lot of fun as I've discovered many new authors I love), but I was quickly drawn into the series and have enjoyed all the Cornish Village mystery books I've read (the first 4 in the series, I think, so far). All these books are easy reads - I'm too tired for deep-centred literary masterpieces most days - and light-hearted, making them a great escape after a long day, but they all are well-written which is hugely importan to me as a reader. They also give that element of mystery solving and reader interaction as…
‘A sparklingly delicious confection to satisfy the mystery reader’s appetite’ Helena Dixon, bestselling author of the Miss Underhay Mysteries
Still spinning from the hustle and bustle of city life, Jodie ‘Nosey’ Parker is glad to be back in the Cornish village she calls home. Having quit the Met Police in search of something less dangerous, the change of pace means she can finally start her dream catering company and raise her daughter, Daisy, somewhere safer.
But there’s nothing quite like having your first job back at home be catering an ex-boyfriend’s wedding to remind you of just how small your…
I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.
Almost French takes readers on a tour fraught with culture clashes but rife with insight and deadpan humour - a charming true story of what happens when a strong-willed Aussie girl meets a very French Frenchman.
Backpacking around Europe, twenty-something Sarah Turnbull meets Frederic and impulsively accepts his invitation to visit him for a week in Paris. Eight years later, she is still there - and married to him. The feisty journalist swaps vegemite for vichyssoise and all things French, but commits the fatal errors of bowling up to strangers at classy receptions, helping herself to champagne, laughing too loudly…
