I left home in Melbourne to spend a year travelling in Asia when I was in my mid-twenties. I ended up living abroad for a decade in London, Bangladesh, and Myanmar before returning to Sydney in 2016. My first book is about the four years I lived in Myanmar and I’m currently writing my second, which is about the year I spent backpacking from Cambodia to Pakistan. My third book will be about the three years I worked as a journalist in Bangladesh. My plan is to write a ‘trilogy’ of memoirs. Living abroad has enriched my life and travel memoirs are one of my favourite genres, both as a reader and a writer.
What’s not to love about a book set in Paris about a journalist who falls in love with a Frenchman? This book is a delight. Turnbull writes beautifully, and with modesty and humour about making every faux pas imaginable in Paris. It’s light and insightful at the time. The pages practically turned themselves.
Almost French takes readers on a tour fraught with culture clashes but rife with insight and deadpan humour - a charming true story of what happens when a strong-willed Aussie girl meets a very French Frenchman.
Backpacking around Europe, twenty-something Sarah Turnbull meets Frederic and impulsively accepts his invitation to visit him for a week in Paris. Eight years later, she is still there - and married to him. The feisty journalist swaps vegemite for vichyssoise and all things French, but commits the fatal errors of bowling up to strangers at classy receptions, helping herself to champagne, laughing too loudly…
I spent my twenties mostly devouring women’s fiction and romance novels with female leads, but I also stepped outside my preferred genre. Being a strong lead doesn’t necessarily mean saving the world or doing something heroic (though obviously that helps!), it’s about strength of character, being real, and being able to fight on when things get difficult. I always dreamt of being an author, but only started writing properly when I developed a debilitating long-term health condition. I used writing to support my rehabilitation and this led to me finally achieving that dream – so in a way, I see myself as a strong female lead in my own story.
The Cornish Wedding Murder is the first installment of Fiona Leitch’s wonderful cosy mystery series. It features Jodie ‘Nosey’ Parker, ex-copper turned caterer, who butts heads with handsome DCI Nathan Winters to prove a childhood friend’s innocence, after an unexpected guest is found dead at his wedding. It’s an entertaining read with plenty of twists and turns and some added romantic tension to keep you wanting more.
Jodie’s on my list as a female lead who’d make a great dinner guest because she’s bold, fiercely loyal and she doesn’t let others push her around. She’s also one to raise a smile with her deadpan humour and she’d have many a story from her police days to share. Oh, and with her being a caterer, I might not even have to cook!
‘A sparklingly delicious confection to satisfy the mystery reader’s appetite’ Helena Dixon, bestselling author of the Miss Underhay Mysteries
Still spinning from the hustle and bustle of city life, Jodie ‘Nosey’ Parker is glad to be back in the Cornish village she calls home. Having quit the Met Police in search of something less dangerous, the change of pace means she can finally start her dream catering company and raise her daughter, Daisy, somewhere safer.
But there’s nothing quite like having your first job back at home be catering an ex-boyfriend’s wedding to remind you of just how small your…
I’ve made my way in the world as a writer, mostly of TV and movies, mostly of comedy of one stripe or another. As a consumer, though, I’ve always been more drawn to cops and robbers than to material designed primarily to make me laugh. Then, in my 50s, I made an unexpected turn to detective fiction, with a series shaped like traditional, serious mysteries but with satirical undertones and, hopefully, plenty of smiles along the way. My new career made me start thinking more attentively about how comedy and crime worked together, how my work built on what came before, and how it differed from it.
Like Dortmunder, Grimm is an idea man, and his idea for the perfect bank robbery is a doozy: he’ll dress as a clown, hold all the workers and customers in the vault, shoot out the video cameras, negotiate with the cops, take off the clown suit and makeup, “release” himself and his two accomplices as “hostages,” and waltz out of the bank and right past the entire NYPD. The only problem is, getting out of the city proves a lot harder than getting out of the bank. Cronley owes a lot to Westlake, but I picked Quick Change because he repays that debt and then some, with a smirking wit that lights up every page.
Grimm was the only one in town who knew he had them where he wanted them - overconfident."" The hero of Quick Change is just twenty minutes into a bank robbery, and so far everything is going according to his brilliant, meticulously thought-out plan. The bank's employees and customers are in the vault, the security cameras have all been shot out, and he's bagged close to a million dollars. But the police and a SWAT team are already outside. Can Grimm get out of the bank and out of New York, with the money and his two accomplices, and pull…
This book
takes the concept of the first day of school and turns it into an
imaginative and humorous romp.
From the under-the-flap and end-page
artwork to the story within the story taking place through the classroom
window, this book leaves nothing “on the table”—well, except the classroom
teacher. Who is a sandwich? Yes, a sandwich.
1
author picked
Mr. S
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Prepare for plenty of giggles as a kindergarten class arrives for their first day of school, but can't find their teacher-only a delicious-looking sandwich and the words "Mr. S" scribbled on the chalkboard. Chaos ensues as the kids argue whether or not the sandwich must be their teacher. A comical, first day of school book of mayhem and chaos by Monica Arnaldo, perfect fans of Miss Nelson Is Missing.
"This might be the funniest first-day-of-school book I've ever read." -Adam Rex, New York Times bestselling author of School's First Day of School
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
Press Enter to Continue is incredible on every level. The art is beautiful, with a technicolor palette and skillful drawing that belies the corporate horror in the narratives. We see humiliating job interviews, vampiric computer viruses, and cosmic labor camps that feel a little too close for comfort in our online world. It’s a collection of short stories told with a deadpan minimalism that makes the reader think, sweat, and maybe put their phone away for a while.
Spanish cartoonist Ana Galvañ charts an often-psychedelic and existential course for modernity in her English language debut, utilizing swaths of electric and florescent colors to create a series of short stories that intertwine and explore the dehumanizing effects of contemporary society. Like a candycolored collection of Black Mirror episodes, Galvañ’s world, set in the very near-future, is familiar and cautionary at once. Galvañ’s unwitting and addictive characters navigate a world of iridescent pastels and geometric energy like puppets. Departments of inhumane resources dehumanize the people it is purported to protect; information is determinedly mined like the gold of the 21st…
I was a student in 1968-71 (see photo) and the memories of that vanished world still haunt me. When I was supposed to be studying relativity and topology I was reading Blake and Jung, Marcuse and Mao—all misfits in their own way. After a long and undistinguished career as a mathematics lecturer in far-flung locations—Lesotho, New Guinea, Uxbridge—I retired in 2019 to write speculative comic fiction which would bring the Swinging Sixties back to life. Something of a misfit myself, I look at today's world and ask despairingly, “Is this really happening?” The books on my list provide me some solace.
If you were suddenly awarded 8.5 million pounds, what would you do with it? Would you take the advice of the financial consultants and invest it sensibly? How boring. If you were a visionary you might create a sensual paradise of your imagination. But if you are just an ordinary young working-class Londoner? You might remember an instant—on holiday, or at a party—when you felt happy and content, and decide to recreate it.
This time the writing is sparse and matter-of-fact. I hardly noticed as the hero’s project proceeds gradually, logically into realms of absurdity, told with deadpan humour. For me, speculative fiction involves a world that is recognisable and familiar—but which gradually becomes ‘curiouser and curiouser’.
It’s a story that makes you think—though without telling you what to think.
Traumatised by an accident that involves something falling from the sky and leaves him eight and a half million pounds richer, our hero spends his time and money obsessively reconstructing and re-enacting memories and situations from his past: a large building with piano music in the distance, the familiar smells and sounds of liver frying and spluttering, lethargic cats lounging on roofs until they tumble off them...But, when this fails to quench his thirst for authenticity, he starts reconstructing more and more violent events, including hold-ups and shoot-outs.
I'm perhaps the inevitable result of a lifetime spent on a steady diet of magical realism, literary fiction, science-fiction, and Spider-Man comics. Fortunately I’ve been able to channel my simultaneous loves of storytelling and structure into a life as a developmental editor. And where my own work is concerned, I’ve been able to do a lot of those things my childhood self might have hoped for: a novel inThe Listeners, a feature film in Ape Canyon, and a litany of strange and usually distressing short stories. These days I do those things from my Washington, D.C. apartment with my wife and our two cats with a combined seven legs.
Specifically, I'm recommending the short story "Sea Oak." In the expanse of horror fiction, it has to be said that there are very few stories about a kindly old woman who returns from the dead as a pissed-off, vulgar, rotting corpse demanding her nephew start showing his cock (Saunders’s phrasing, not mine) for extra money so that his family can stop being pushovers and start earning some cash. George Saunders, it should be noted, is not remotely a horror author—rather, one of the more offbeat, distinctive writers of short literary fiction of the last quarter century—and Pastoralia is determinedly not a horror collection. But it’s exactly this that makes “Sea Oak” the strangest, least likely zombie story, if you can call it that, that you’ll ever read.
'Saunders is an astoundingly tuned voice - graceful, dark, authentic and funny - telling just the kind of stories we need to get us through these times' Thomas Pynchon
In PASTORALIA elements of contemporary life are twisted, merged and amplified into a slightly skewed version of modern America. A couple live and work in a caveman theme-park, where speaking is an instantly punishable offence. A born loser attends a self-help seminar where he is encouraged to rid himself of all the people who are 'crapping in your oatmeal'. And a male exotic dancer and his family are terrorised by their…
As a picture book author and mom, I am constantly inspired by the world around me. I love watching my children, and I love how they adore their dad and he adores them in return. So many of my stories have been inspired by their interactions. While I am no expert on fatherhood, I have been fortunate to have had a loving dad who played “Monster in the Middle,” who took us for rides on his motorcycle, and reminded us that we could accomplish anything we put our mind to. I love books that remind us of the power of a loving father-child relationship and hope you, too, will be lifted by these joyful stories.
I Don’t Want to be a Frog is a hilarious conversation between a young frog and his dad. When the young frog wants to be a cat, rabbit, pig, owl, or really anything but a frog, it’s up to his dad to stay calm and remind him why it’s so great being exactly who he is. I love that the dad is so matter-of-fact. That he never loses patience, and he never tells his son to just stop. True dad love is sometimes as simple as being there and answering questions. Oh, and the awesome ending will crack you up! Such a fun book.
The hit book about a willful young frog with a serious identity crisis and his heard-it-all-before father is now available in paperback. Perfect for fans of Mo Willems’s Don’t Let the Pigeon Drive the Bus! and Jon Klassen’s I Want My Hat Back!
Frog wants to be anything but a slimy, wet frog. A cat, perhaps. Or a rabbit. An owl? But when a hungry wolf arrives—a wolf who HATES eating frogs—our hero decides that being himself isn’t so bad after all. In this very silly story with a sly message, told in hilarious dialogue between a feisty young frog…
I am an award-winning author of sex-positive contemporary romance and a citizen of the Cherokee Nation. As a reader, I’ve grown weary of Native American romance characters who are mostly caricatures and stereotypes. Last year, I went on a quest to find romance stories that portrayed contemporary Native characters experiencing love as they navigated real life in the 21st century. And who better to tell those stories than Native authors using their own voice? Now that I’ve found several great Native romance authors, I want to share these recommendations far and wide. Come, come, read Native romance!
I don’t usually read sweet, fade-to-black romance (I’m a fan of the full-steam-ahead stuff), but there is so much deadpan Native humor I was howling with laughter the whole time. The Crooked Rock Urban Indian Center staff and regulars are wonderful characters. How they establish this new community in the city, displaced from their tribal communities, is so recognizable for someone who lives 500 miles away from my tribe.
There’s never a dull moment at the Crooked Rock Urban Indian Center. Rayanne Larson knows firsthand the struggles of native people. Working at Crooked Rock gives her the chance to do good work for Indians living in the city. She has high hopes for the Center’s progress until its new leader hands her special project over to his underachieving—and distractingly sexy—nephew. Henry Grant’s life is going just fine. Though he knows rez life, he’s always been an urban Indian. He has no interest in the Indian Center job his uncle pushes on him. That is, until he meets Rayanne. She’s…
My family and I moved to a new neighborhood a few years ago and for the first time we discovered what a community can feel like. We feel connected to a diverse group of people. We explore our park and surrounding streets, regularly supporting local shops and frequently bumping into our neighbors and other familiar faces. It’s given us a sense of place. All these books, as well as The Adventure Friends series, encourages this sense of wonder for your local community. You don’t have to go to far off lands to find adventure. Often, it’s right in your backyard!
All a kid needs for an adventure is a tool and the tool Sam and Dave have is a shovel.
I personally spent multiple recesses trying to dig a hole to the other side of the world or underground cave so this took me right back to that time. The words and pictures are in perfect balance with each other and each page turn reveals new and fun surprises, all the way to the very end!
This is a book that celebrates kids being kids and highlights the optimism and perseverance they have. Barnett and Klassen are probably also my favorite duo making books today.
With perfect pacing, the multiple award-winning, best-selling team of Mac Barnett and Jon Klassen dig down for a deadpan tale full of visual humour.
From the award-winning team behind Extra Yarn, and illustrated by Jon Klassen, the Kate Greenaway-winning creator of This Is Not My Hat and I Want My Hat Back, comes a perfectly paced, deadpan tale full of visual humour. Sam and Dave are on a mission. A mission to find something spectacular. So they dig a hole. And they keep digging. And they find ... nothing. Yet the day turns out to be pretty spectacular after all.…
