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This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students. 

This is the most profoundly absorbing experimental art-comic the world has ever produced.

It’s a fun book to sit with someone else and page through, backward or forward, or just ambling around, discovering things. The very simple conceit is that it’s a book that spans millions of years in time, but all happens in exactly one single space. It grew out of a six-page short story that blew people’s minds in the 80’s comics anthology Raw.

I remember hearing that the author had decided, two decades later, to expand it to book form, and wondered if that was really necessary. The short version had been such a perfect jewel of a piece. Turns out he had very good reason. 

You could really choose any graphic novel by Patrick Kyle—they’re all excellent. I personally like this collection of his short stories. The art is abstract, cartoony, expressive, drawn with a stylistic boldness not often seen in graphic novels. 

The art could stand on its own, and often I find myself skimming this novel just to look at the art. But the narratives themselves are the real key here—completely original, contemporary thinking that discusses things like the end of cell phones and purifying skin creams. These narratives will change the way you think about narrative.

This is one of the first graphic novels to truly reinvent the medium, and is absolutely required reading for anyone who wants to experiment with visual storytelling. Instead of a traditionally bound book, you get an oversized box filled with pamphlets, booklets, newspapers, and more. The comics themselves read pretty straightforwardly, but it's the act of rifling through this giant box for the first time, not knowing exactly where it'll lead you, that's truly a unique reading experience. 

Unlike some of the others on my list, the apocalypse(s) at the center of The Crooked God Machine are in no way quiet. The narrator, Charles, has been born into a world in a constant state of collapse. Taking the form of a bildungsroman, the novel recounts the medical advancement of slip implants, “hot wire spiders” that live in one’s brain and turn its user into a brainless zombie. There are also buses that take you to hell, oracles with laser eyes in the back of their heads, and a family-killing murderess who’s considered a hero by the denizens of this demented world. Every page brings fresh horrors, and without giving away the ending I can say that the conclusion doesn’t provide any hope of improvement.

A polarizing book for sure, Ballard was an early influence of mine, probably because I’ve always viewed reality from behind a sociological lens and Ballard famously (or infamously?) tackled increasingly dire sociological topics like technology, isolation, and repression. In High-Rise, which just might be his best novel, Ballard turns a high-rise apartment block into ground zero of a class war wherein the floors themselves are demarcated and stratified according to property values, which leads to all kinds of scenes readers get to tear apart and inspect like a social scientist. 

This is a new dystopian matriarchal novel, first in a series, that I’ve just discovered. Interestingly, it’s been described as the opposite of The Handmaid’s Tale.

The story is of a female-controlled society in which men are kept imprisoned and used as breeders. Neen, a female scientist who is interviewing men for their potential as sperm donors, begins to question the status quo when some of the men she meets don’t fit her preconceptions.

I was attracted to the book because its story is comparable to my book, but the tone and world-building are completely different. I loved the plot twists and the focus on ethical dilemmas.

In this dystopian novel, the apocalyptic event is the financial collapse of the United States. In the neighborhood of Logan Pond, the neighbors must work together to survive while hiding from the tyrannical government which has usurped authority after the collapse. I loved this book because the characters were so genuine, I almost believed they were real. If it weren't for the horrifying situation these characters found themselves in, I think I would actually enjoy the challenge of living off-grid in a community like this. The ending of the story was satisfying, not exactly a happy ending, mind you, but a hopeful one all the same. This is a must-read for anyone who likes the post-apocalyptic/dystopian genre or is worried about the financial stability of our country. Highly recommended! 

Do not read this series if you have Seasonal Affective Disorder (SAD). 

Coral is on vacation when her world lights up. It starts with a fire so intense that the ash entirely blocks out the sun, not for a season, but for years. The sky is perpetually grey, and her world goes seriously cold. She must survive the elements, but the real threat comes from the desperation of those left alive and fighting for their lives. This is a brutal world. 

As a paranoid survivalist, this book had me taking notes. Some books you read and forget, others teach you something. Most authors push a moral agenda, but this book teaches real-life skills, like how it’s a good idea to burrow into snow when it’s REALLY cold, or why hanging out in caves isn’t just for Neanderthals, and my personal favourite, how to spot a cannibal. 

I just finished reading this book from a friend of mine and I loved it. I recommend it for several reasons. First of all, this book is about a young inventor Dameon Gardener who is looking forward to summer break to tinker with his beloved gadgets ends up traveling many years into the future to a dystopian world that is falling apart. He does not know it, but this journey puts him on a quest to save the bleak world of the future of time. That concept is also found in my books, and it is a kind of basic outline of most Fantasy and Science Fiction books.

They have a hero who journeys on a quest to save a world, a person, or even a creature. This is universal and used by these kinds of books. My books are also set in a dystopian world. I also like the… show more.