The best apocalyptic and dystopian novels you haven’t read yet

The nanotechnological apocalypse at the background of Anthropocene Rag has turned the United States into a mythological vision. A mysterious construct known as Prospector Ed (who sometimes adopts the persona of Mark Twain) delivers six magical tickets to various scattered Americans, all of whom have lost something in the “Boom.” While the post-nanoboom landscape is deadly (one of the main characters was orphaned when an intelligence-imbued stadium containing her parents simply decided to become something else), there’s also a lot of wonder, and the book is a loving homage to American mythology and lore.

Composite Creatures centers around a quiet apocalypse called “the greying,” a human disease linked to ecological collapse that’s never described outright but is unmistakenly real. Against this backdrop, the narrator, Norah, enters into an arranged marriage equal parts romantic and practical. The couple takes over the raising of an ovum organi, a bioengineered organism that both functions as a pet and serves another purpose connected to the greying that only becomes apparent near the end of the book. Beyond its slow-burn apocalyptic trappings, this book also has special relevance for me because the ova organi are clearly modeled on cats. While cats themselves are hardly a novelty in science fiction, the way that Hardaker develops the relationship between the artificial critters and their owners/exploiters is especially evocative.

Told as a series of movie reviews, A Short Film About Disappointment unfurls its dystopia gradually. A hacker attack kicks off a global multi-decade economic depression, and to prevent this from ever happening again the Internet is abolished and replaced with the “Betternet,” a neutered and highly censored version of the Internet. Personal screens are also banned in this nanny state, leading to a robust cinema culture that the unread reviewer wants to contribute to with a dense art film of his own. The hilarious capsule descriptions of eighty (fictional) films serve as an oblique way of introducing the world, while the numerous tangents of the writer “Noah Body” tell a personal story of love, filmmaking, and a literal haunting by an ex-friend.

Unlike some of the others on my list, the apocalypse(s) at the center of The Crooked God Machine are in no way quiet. The narrator, Charles, has been born into a world in a constant state of collapse. Taking the form of a bildungsroman, the novel recounts the medical advancement of slip implants, “hot wire spiders” that live in one’s brain and turn its user into a brainless zombie. There are also buses that take you to hell, oracles with laser eyes in the back of their heads, and a family-killing murderess who’s considered a hero by the denizens of this demented world. Every page brings fresh horrors, and without giving away the ending I can say that the conclusion doesn’t provide any hope of improvement.

The dystopia in Bash Bash Revolution is a bit closer to reality than the others on this list: it’s set specifically in 2017, but in a world pushed far closer to the brink of nuclear war than ours, with a much more psychotic version of Donald Trump in charge. Main character Matthew Munson’s mad programmer of a father creates an AI that might save the world from its own destruction, but only by locking every person into a solipsistic nightmare run on video game technology. In a way this book is about choosing between an apocalypse and a dystopia, which is something you don’t see very often.