The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Before becoming a published writer, I was a lawyer litigating primarily large, multi-district environmental insurance coverage cases. I became familiar with the many ways by which we damage our precious natural resources, be it groundwater or soil or the air we breathe. Beginning with Rachel Carson, we have rich literature that speaks to the degradation of the planet, including the devastating changes wrought by global warming. The stories in this anthology speak to the physical and emotional topography of our current climate crisis, from a Sami woman who studies fish populations to a Wisconsin man contemplating the animals who make his trailer a portal to a world unsullied by humans. Fish & Water is a smart collection on a topic we ignore at our peril.
Fiction. A Sámi woman studying Alaska fish populations sees our past and future through their present signs of stress and her ancestral knowledge. A teenager faces a permanent drought in Australia and her own sexual desire. An unemployed man in Wisconsin marvels as a motley parade of animals makes his trailer their portal to a world untrammeled by humans. Featuring short fiction from authors around the globe; FIRE & WATER: STORIES FROM THE ANTHROPOCENE takes readers on a rare journey through the physical and emotional landscape of the climate crisis--not in the future; but today. By turns frightening; confusing; and…
Throughout my life, I have been fascinated by humanity’s place within deeper time. As a boy, I collected rocks and fossils, and at university studied geology. The long term has also been a theme running throughout my journalism career at New Scientist and the BBC, and it inspired my research during a recent fellowship at Massachusetts Institute of Technology in the US. I believe we need to embrace a deeper view of time if we are to navigate through this century’s grand challenges – and if we can, there’s hope, agency, and possibility to be discovered along the way.
Vincent is a social anthropologist who spent a number of years in Finland completing a truly fascinating piece of fieldwork: he studied the people involved in planning the spent nuclear waste depository at Onkala.
This is a huge undertaking and responsibility, requiring its architects to project their minds tens of thousands of years into the future. Through his fieldwork, Vincent drew out various broader lessons for how to think longer-term.
What’s striking about Onkala is that the people involved in the planning are simply normal Finnish people tasked with an extraordinary job. To me that shows that deep time can be accessible to everyone, and indeed this is a theme that Vincent explores himself: seeking out long-term time in everyday experience can be cathartic, he argues.
A guide to long-term thinking: how to envision the far future of Earth.
We live on a planet careening toward environmental collapse that will be largely brought about by our own actions. And yet we struggle to grasp the scale of the crisis, barely able to imagine the effects of climate change just ten years from now, let alone the multi-millennial timescales of Earth's past and future life span. In this book, Vincent Ialenti offers a guide for envisioning the planet's far future—to become, as he terms it, more skilled deep time reckoners. The challenge, he says, is to learn…
Throughout my life, I have been fascinated by humanity’s place within deeper time. As a boy, I collected rocks and fossils, and at university studied geology. The long term has also been a theme running throughout my journalism career at New Scientist and the BBC, and it inspired my research during a recent fellowship at Massachusetts Institute of Technology in the US. I believe we need to embrace a deeper view of time if we are to navigate through this century’s grand challenges – and if we can, there’s hope, agency, and possibility to be discovered along the way.
I recently travelled with David to make a BBC film about Hutton’s Unconformity, an important geological feature in Scotland that led to the ‘discovery’ of deep time.
But along the same coastline, we also came across a nuclear power station and a cement works - both creating unwanted legacies that will last long into the (fuel rods and carbon emissions, respectively.) These heirlooms are the focus of David’s book Footprints, in which he writes wonderfully about what we are leaving behind for future generations.
David teaches literature at Edinburgh University, so brings a literary perspective on time that I simply loved, and takes his reader all over the world in a quest to find “future fossils”.
A profound meditation on climate change and the Anthropocene and an urgent search for the fossils-industrial, chemical, geological-that humans are leaving behind
A Times Book of the Year * A Daily Telegraph Book of the Year
What will the world look like ten thousand or ten million years from now?
In Footprints, David Farrier explores what traces we will leave for the very deep future. From long-lived materials like plastic and nuclear waste, to the 50 million kilometres of roads spanning the planet, in modern times we have created numerous objects and landscapes with the potential to endure through deep…
I
haven't decided which of Evenson's short story collections is my favorite, but The Glassy Burning Floor of Hell is up there.
He is a master of using
ambiguity in horror; you never know when starting each story whether it will be
about a true flesh-and-blood monster, or just a simmering madness in the
narrator's head, or something else beyond comprehension.
His style is stark and
direct, leaving you no space to hide from the strange mind-bending forces or
half-defined malevolent entities which haunt his pages.
I'm hardly the first to
call Evenson a modern-day Poe, but he has a similar ability to fuse the grotesque
with the literary, the horrific with the sublime.
A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men―of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson’s award-winning literary craftsmanship, dark humor, and thrilling…
I’ve been a biblical scholar for over 35 years and have spent a lot of time reading and writing academic volumes, analyzing arguments, and teaching diverse audiences. However, some of my formative experiences were as a child on my grandparents’ North Carolina farm, to which I still feel an almost elemental connection. Perhaps that farm (and my vegetable gardening) first sparked my interest in the environment. My interest turned to advocacy through research, which set me on the path to grasping the urgency of the climate crisis and my conviction that everything must reflect this reality. I’ve poured over the scientific reports (such as by the Intergovernmental Panel on Climate Change) and read lots of nonfiction.
I found this academic anthology helpful for grounding me in some of the more conceptual issues regarding how we think about Earth. How does it affect us, for example, to think about Earth as Mother or as a resource provided primarily for humans?
I appreciated the diversity of more philosophical explorations alongside some history of how different religious groups understand the environment. The chapter on American Evangelicalism was especially interesting. This wasn’t a short or easy read, but it was important for helping me focus on how we think about our planet and why that matters.
This book charts a new direction in humanities scholarship through serious engagement with the geopolitical concept of the Anthropocene. Drawing on religious stwhatudies, theology, social science, history and philosophy, and can be broadly termed the environmental humanities, this collection represents a groundbreaking critical analysis of diverse narratives on the Anthropocene. The contributors to this volume recognize that the Anthropocene began as a geological concept, the age of the humans, but that its implications are much wider than this. Will the Anthropocene have good or bad ethical outcomes? Does the Anthropocene idea challenge the possibility of a sacred Nature, which shores…
I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.
The nanotechnological apocalypse at the background of Anthropocene Rag has turned the United States into a mythological vision. A mysterious construct known as Prospector Ed (who sometimes adopts the persona of Mark Twain) delivers six magical tickets to various scattered Americans, all of whom have lost something in the “Boom.” While the post-nanoboom landscape is deadly (one of the main characters was orphaned when an intelligence-imbued stadium containing her parents simply decided to become something else), there’s also a lot of wonder, and the book is a loving homage to American mythology and lore.
Anthropocene Rag is "a rare distillation of nanotech, apocalypse, and mythic Americana into a heady psychedelic brew."—Nebula and World Fantasy award-winning author Jeffrey Ford
In the future United States, our own history has faded into myth and traveling across the country means navigating wastelands and ever-changing landscapes.
The country teems with monsters and artificial intelligences try to unpack their own becoming by recreating myths and legends of their human creators. Prospector Ed, an emergent AI who wants to understand the people who made him, assembles a ragtag team to reach the mythical Monument City.
A visit to the American Museum of Natural History when I was seven years old hooked me on dinosaurs and geology in general. I have maintained that passion to uncover the history of the earth with fieldwork on all seven continents, cutting-edge research, and teaching undergraduates to appreciate the implications of our tenancy on the planet, and our place within the solar system, the galaxy, and the wider universe.
The history of life’s diversity, as revealed in the fossil record has been tumultuous. Periods of explosive evolution alternated with times of major species loss. Hannah skillfully utilizes the geologic record to provide a historical context for our current global ecological emergency and the rapid demise of many key species. He makes a strong case that those who ignore the clear messages of geologic history are doomed to experience the worsening “Sixth Extinction” during the newly defined Anthropocene epoch.
Are we now entering a mass extinction event? What can mass extinctions in Earth's history tell us about the Anthropocene? What do mass extinction events look like and how does life on Earth recover from them? The fossil record reveals periods when biodiversity exploded, and short intervals when much of life was wiped out in mass extinction events. In comparison with these ancient events, today's biotic crisis hasn't (yet) reached the level of extinction to be called a mass extinction. But we are certainly in crisis, and current parallels with ancient mass extinction events are profound and deeply worrying. Humanity's…
Menno Schilthuizen is a Dutch evolutionary biologist and ecologist with more than thirty years of research experience under his belt, feeling at home in tropical rainforests as well as in urban greenspaces. He writes in a humorous and accessible manner for the general public about the ways in which the world's ecosystems are shifting and evolving under an increasing human presence. He works and teaches at Naturalis Biodiversity Center in Leiden, the Netherlands.
When speaking of the role of technology in nature conservation, one might envisage drones to survey habitat destruction, or endangered elephants with radio collars. But technology might go much further. In this book, the authors show how genetics could help us to re-engineer species, even entire food webs to meet the environmental challenges of the future.
A groundbreaking examination of the implications of synthetic biology for biodiversity conservation
"What is natural and what is artificial in the era of the Anthropocene? This is the core question addressed by Kent Redford and William Adams' book, Strange Natures. . . . It is impressive how the book manages to be so rich in perspectives on such a complex and controversial phenomenon, yet so cautiously and open-mindedly written that it invites contemplation and reflection rather than hasty conclusions."-Adam Wickberg, Global Environmental Politics
Nature almost everywhere survives on human terms. The distinction between what is natural and what is human-made,…
I’m the grandson of a coal miner from a multi-generational, Ohio family. What matters most to me is having some integrity and being morally okay with folks. I never thought of myself as an environmentalist, just as someone trying to figure out what we should be learning to be decent people in this sometimes messed-up world. From there, I was taken into our environmental situation, its planetary injustice, and then onto studying the history of colonialism. This adventure cracked open my midwestern common sense and made me rethink things. Happily, it has only reinforced my commitment to, and faith in, moral relations, giving our word, being accountable, and caring.
For folks who are now thinking how the heck can we make political progress in this locked up and self-destructive world? this book is a clear guide. It breaks down the major things that we should be thinking about as we head into a climate destabilized world. Its core idea is especially relevant and hearkens back to what Pasternak described in her work for the Algonquins of Barriere Lake: the “first virtue” of institutions going forward needs to their responsiveness to ecological feedback, even before their justice. This makes sense, too! Without our institutions being “ecologically reflexive,” they can never be just. They won’t be able to sustain fairness over generations! That’s one of the big problems Gardiner found.
The Politics of the Anthropocene is a sophisticated yet accessible treatment of how human institutions, practices, and principles need to be re-thought in response to the challenges of the Anthropocene, the emerging epoch of human-induced instability in the Earth system and its life-support capacities. However, the world remains stuck with practices and modes of thinking that were developed in the Holocene - the epoch of around 12,000 years of unusual stability in the Earth system, toward the end of which modern institutions such as states and capitalist markets arose. These institutions persist despite their potentially catastrophic failure to respond to…
I’m deeply concerned about the health of the planet and am puzzled by our failure to act. As someone who thinks a lot about museums and heritage (aka the stories we tell about ourselves), I’m intrigued by how we think about places of environmental harm as heritage and how we pay attention to the environmental impact of heritage sites like WWI battlefields, English ironworks, and Appalachian coal mines. Interrogating what we remember and what we forget illuminates the systems of power that benefit from ignoring environmental and social costs. My hope is that understanding the history of toxic harm points us to a more sustainable, just future.
A clear, detailed account of human’s relationship to the biosphere since WWII tracing the accelerating use of coal and oil. If carbon dioxide is one of the most significant pollutants affecting the planet, this book documents how we pumped it into the atmosphere and the resulting ecological disruption.
The Earth has entered a new age-the Anthropocene-in which humans are the most powerful influence on global ecology. Since the mid-twentieth century, the accelerating pace of energy use, greenhouse gas emissions, and population growth has thrust the planet into a massive uncontrolled experiment. The Great Acceleration explains its causes and consequences, highlighting the role of energy systems, as well as trends in climate change, urbanization, and environmentalism.
More than any other factor, human dependence on fossil fuels inaugurated the Anthropocene. Before 1700, people used little in the way of fossil fuels, but over the next two hundred years coal became…
