Beyond my fascination with borders as historical sites of conflict and shifting markers of control, I’ve spent an academic career studying the simultaneity of barrier and juncture. This research has led me to witness licit and illicit border crossings, refugee camps, commercial ports, smuggling, and conservation through cloistering. In my travels, I’ve perceived my vulnerability at certain borders and ease of passage at others. All of this afforded me insights into the human division and demarcation of space and resulted in books and articles on varied facets of bordering in the hope that I might contribute to inhibiting the bad and facilitating the good where territories meet.
I’m drawn to this book for shaking the tree. The environment is commonly depicted as a global cause. This book explains how self-interest and varied forms of disparity framed by an infrastructure of borders impede efforts to mediate the negative impacts of human activity.
Rather, oxymoronically, territorial interests inhibit human capacity to extract from extant patterns and practices that harm the natural systems upon which we rely. This book shows the role of borders on environmental issues and the planetary impact of the nation-state system. This is not a screed or a sermon but a well-reasoned consideration of how the political geographies affect the air we breathe, the food we eat, and the water we drink.
With the new geological age known as the Anthropocene heralding dramatic disruptions in the earth system, geopolitics needs to be fundamentally reconsidered to deal with these new circumstances. Planetary boundaries and ecological change are now the key contextualization for considering future global political arrangements.
We now find ourselves in a new geological age: the Anthropocene. The climate is changing and species are disappearing at a rate not seen since Earth's major extinctions. The rapid, large-scale changes caused by fossil-fuel powered globalization increasingly threaten societies in new, unforeseen ways. But most security policies continue to be built on notions that look…
I am an astronomer and educator (Ph.D. Astrophysics, University of Colorado), and I’ve now been teaching about global warming for more than 40 years (in courses on astronomy, astrobiology, and mathematics). While it’s frustrating to see how little progress we’ve made in combatting the ongoing warming during this time, my background as an astronomer gives me a “cosmic perspective” that reminds me that decades are not really so long, and that we still have time to act and to build a “post-global warming future.” I hope my work can help inspire all of us to act while we still can for the benefit of all.
I love the way this book brings perspective to modern issues by emphasizing the idea of “deep time” – that we are part of a long history that makes our current existence possible.
By thinking in this way, we also realize that our current predicament is one that we have the tools to address, and that by doing so, we would be honoring the miracles of nature that lie behind everything we are and do. Along the way, this book also helped me understand – and teach about – a variety of important geological processes.
Why an awareness of Earth's temporal rhythms is critical to our planetary survival
Few of us have any conception of the enormous timescales of our planet's long history, and this narrow perspective underlies many of the environmental problems we are creating. The lifespan of Earth can seem unfathomable compared to the brevity of human existence, but this view of time denies our deep roots in Earth's history-and the magnitude of our effects on the planet. Timefulness reveals how knowing the rhythms of Earth's deep past and conceiving of time as a geologist does can give us the perspective we need…
Throughout my life, I have been fascinated by humanity’s place within deeper time. As a boy, I collected rocks and fossils, and at university studied geology. The long term has also been a theme running throughout my journalism career at New Scientist and the BBC, and it inspired my research during a recent fellowship at Massachusetts Institute of Technology in the US. I believe we need to embrace a deeper view of time if we are to navigate through this century’s grand challenges – and if we can, there’s hope, agency, and possibility to be discovered along the way.
I recently travelled with David to make a BBC film about Hutton’s Unconformity, an important geological feature in Scotland that led to the ‘discovery’ of deep time.
But along the same coastline, we also came across a nuclear power station and a cement works - both creating unwanted legacies that will last long into the (fuel rods and carbon emissions, respectively.) These heirlooms are the focus of David’s book Footprints, in which he writes wonderfully about what we are leaving behind for future generations.
David teaches literature at Edinburgh University, so brings a literary perspective on time that I simply loved, and takes his reader all over the world in a quest to find “future fossils”.
A profound meditation on climate change and the Anthropocene and an urgent search for the fossils-industrial, chemical, geological-that humans are leaving behind
A Times Book of the Year * A Daily Telegraph Book of the Year
What will the world look like ten thousand or ten million years from now?
In Footprints, David Farrier explores what traces we will leave for the very deep future. From long-lived materials like plastic and nuclear waste, to the 50 million kilometres of roads spanning the planet, in modern times we have created numerous objects and landscapes with the potential to endure through deep…
Menno Schilthuizen is a Dutch evolutionary biologist and ecologist with more than thirty years of research experience under his belt, feeling at home in tropical rainforests as well as in urban greenspaces. He writes in a humorous and accessible manner for the general public about the ways in which the world's ecosystems are shifting and evolving under an increasing human presence. He works and teaches at Naturalis Biodiversity Center in Leiden, the Netherlands.
Fred Pearce, veteran editor of New Scientist, takes on an exploration of what invasive species really are. In doing so, he reveals that many of our engrained opinions regarding these 'exotics' is based on flawed ecology, ecological xenophobia, and ill-founded conservatism. Sure, some invasive species should be fought to save cherished native species from extinction, but Pearce shows us that this should never be the knee-jerk reaction to any immigrant species.
Veteran environmental journalist Fred Pearce used to think of invasive species as evil interlopers spoiling pristine 'natural' ecosystems. Most conservationists would agree. But what if traditional ecology is wrong, and true environmentalists should be applauding the invaders?
In The New Wild, Pearce goes on a journey to rediscover what conservation should really be about. He explores ecosystems from Pacific islands to the Australian outback to the Thames estuary, digs into the questionable costs of invader species, and reveals the outdated intellectual sources of our ideas about the balance of nature.
Keeping out alien species looks increasingly flawed. The new ecologists…
I’ve been a biblical scholar for over 35 years and have spent a lot of time reading and writing academic volumes, analyzing arguments, and teaching diverse audiences. However, some of my formative experiences were as a child on my grandparents’ North Carolina farm, to which I still feel an almost elemental connection. Perhaps that farm (and my vegetable gardening) first sparked my interest in the environment. My interest turned to advocacy through research, which set me on the path to grasping the urgency of the climate crisis and my conviction that everything must reflect this reality. I’ve poured over the scientific reports (such as by the Intergovernmental Panel on Climate Change) and read lots of nonfiction.
I am in awe of Tim Beal’s ability to write about heavy subjects engagingly and invitingly. His question is deadly serious: now that humanity faces extinction due to the climate crisis, how should we live? He finds answers (or at least guideposts) in an honest (and, for some, untraditional) reading of the Bible, in which he finds resources for what faces us.
This book helped me face climate realities without dissolving into despair. I felt he was helping me reach the “acceptance” stage of grief about Earth.
With faith, hope, and compassion, acclaimed religion scholar Timothy Beal shows us how to navigate the inevitabilities of the climate crisis and the very real—and very near—possibility of human extinction
What if it’s too late to save ourselves from climate crisis? When Time is Short is a meditation for what may be a finite human future that asks how we got here to help us imagine a different relationship to the natural world.
Modern capitalism, as it emerged, drew heavily upon the Christian belief in human exceptionalism and dominion over the planet, and these ideas still undergird our largely secular…
I
haven't decided which of Evenson's short story collections is my favorite, but The Glassy Burning Floor of Hell is up there.
He is a master of using
ambiguity in horror; you never know when starting each story whether it will be
about a true flesh-and-blood monster, or just a simmering madness in the
narrator's head, or something else beyond comprehension.
His style is stark and
direct, leaving you no space to hide from the strange mind-bending forces or
half-defined malevolent entities which haunt his pages.
I'm hardly the first to
call Evenson a modern-day Poe, but he has a similar ability to fuse the grotesque
with the literary, the horrific with the sublime.
A sentient, murderous prosthetic leg; shadowy creatures lurking behind a shimmering wall; brutal barrow men―of all the terrors that populate The Glassy, Burning Floor of Hell, perhaps the most alarming are the beings who decimated the habitable Earth: humans. In this new short story collection, Brian Evenson envisions a chilling future beyond the Anthropocene that forces excruciating decisions about survival and self-sacrifice in the face of toxic air and a natural world torn between revenge and regeneration. Combining psychological and ecological horror, each tale thrums with Evenson’s award-winning literary craftsmanship, dark humor, and thrilling…
The anthology form unites diverse voices around a common theme—in the case ofDistant Flickers, identity and loss. The stories in the anthology explore intense personal relationships—of mother and child, old lovers, etc. Some of the stories are in the moment and some recounted with the perspective of time, some are fable-like, some formal, and others more colloquial. Reading them the reader is struck by the variety of approaches a writer might take to a subject. The device of the contributor’s notes enables the reader to see the story behind the story and how life informs art—life furnishing the raw material or day residue of the story.
Before becoming a published writer, I was a lawyer litigating primarily large, multi-district environmental insurance coverage cases. I became familiar with the many ways by which we damage our precious natural resources, be it groundwater or soil or the air we breathe. Beginning with Rachel Carson, we have rich literature that speaks to the degradation of the planet, including the devastating changes wrought by global warming. The stories in this anthology speak to the physical and emotional topography of our current climate crisis, from a Sami woman who studies fish populations to a Wisconsin man contemplating the animals who make his trailer a portal to a world unsullied by humans. Fish & Water is a smart collection on a topic we ignore at our peril.
Fiction. A Sámi woman studying Alaska fish populations sees our past and future through their present signs of stress and her ancestral knowledge. A teenager faces a permanent drought in Australia and her own sexual desire. An unemployed man in Wisconsin marvels as a motley parade of animals makes his trailer their portal to a world untrammeled by humans. Featuring short fiction from authors around the globe; FIRE & WATER: STORIES FROM THE ANTHROPOCENE takes readers on a rare journey through the physical and emotional landscape of the climate crisis--not in the future; but today. By turns frightening; confusing; and…
I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.
The nanotechnological apocalypse at the background of Anthropocene Rag has turned the United States into a mythological vision. A mysterious construct known as Prospector Ed (who sometimes adopts the persona of Mark Twain) delivers six magical tickets to various scattered Americans, all of whom have lost something in the “Boom.” While the post-nanoboom landscape is deadly (one of the main characters was orphaned when an intelligence-imbued stadium containing her parents simply decided to become something else), there’s also a lot of wonder, and the book is a loving homage to American mythology and lore.
Anthropocene Rag is "a rare distillation of nanotech, apocalypse, and mythic Americana into a heady psychedelic brew."—Nebula and World Fantasy award-winning author Jeffrey Ford
In the future United States, our own history has faded into myth and traveling across the country means navigating wastelands and ever-changing landscapes.
The country teems with monsters and artificial intelligences try to unpack their own becoming by recreating myths and legends of their human creators. Prospector Ed, an emergent AI who wants to understand the people who made him, assembles a ragtag team to reach the mythical Monument City.
I’m a conservation and taxidermy historian who writes about wildlife economics specifically for people new to the subject. I live in Brooklyn, travel constantly, love museums, and collect too many things (my grandmother owned an antique shop which kicked off my love of history.) My love for animals, history, and the outdoors created a bizarre career path that I have followed like an excited scent hound from the outdoor industry, butchery, museum sphere to conservation education and wildlife economics. I’m either in the woods, a Japanese restaurant, or on the road giving lectures about anything from the history of taxidermy to effective conservation structures in southern Africa.
Emma Marris is a phenomenal writer; her nature writing has been compared to that of Aldo Leopold and Rachael Carson.
Wild Souls focuses on how people relate to other animals. That might sound like a philosophical topic but it has real world consequences. Her stories will force you to question your own motives and morals when asked to compare one animal to another or define what “nature” even is anymore.
Full of entertaining stories and nutritious food for thought.
Winner of the 2022 Rachel Carson Environment Book Award * Winner of the 2022 Science in Society Journalism Award (Books) * Finalist for the Los Angeles Times Book Prize
“Thoughtful, insightful, and wise, Wild Souls is a landmark work.”--Ed Yong, author of An Immense World
"Fascinating . . . hands-on philosophy, put to test in the real world . . . Marris believes that our idea of wildness--our obsession with purity--is misguided. No animal remains untouched by human hands . . . the science isn’t the hard part. The real challenge is the ethics, the act of imagining our appropriate…
Chris Fitch is a writer, geographer, and storyteller. Formerly a senior staff writer at Geographical, the magazine of the Royal Geographical Society, he has reported from Australia to Kenya, Arizona to the Galápagos Islands, covering global stories on climate change, ecological urbanism, wildlife conservation, cultural revitalisation, sustainable development, geopolitics, science, travel, and more.
A profoundly depressing but important explanation of the paradox that the more power humans gain over the Earth, the more the planet we call home will turn against us, a fundamental shift in humanity's relationship with nature, and making our existence ever more precarious.
Humans have become so powerful that we have disrupted the functioning of the Earth System as a whole, bringing on a new geological epoch the Anthropocene one in which the serene and clement conditions that allowed civilisation to flourish are disappearing and we quail before 'the wakened giant'. The emergence of a conscious creature capable of using technology to bring about a rupture in the Earth's geochronology is an event of monumental significance, on a par with the arrival of civilisation itself. What does it mean to have arrived at this point, where human history and Earth history collide? Some…
