100 books like The Glassy, Burning Floor of Hell

“Different, weird, and wonderful”—this is how the author describes “lovely,” and I think that’s a great description of the book itself. Lovely is quirky and bold and puts a different spin on the usual tropes. For example, “black” shows a fair-skinned woman in a black ensemble, holding a black umbrella (a goth Mary Poppins!) and “white” shows a black woman with flowing white hair and striking white eyebrows. I especially loved the hairy leg with fancy, pearl-draped shoes and the prosthetic leg with sporty shoes. There’s even a character with a monobrow that spells “lovely.” And bonus points for using the fun word “stompy”!

A wounded bald eagle getting a new beak made from a 3D printer—what’s not to love?! This is a great story of wildlife rehabilitation and ingenuity that’s sure to suck kids in. And while I’m usually more drawn to illustrated books, the photos in this book bring the reality of this story to life in the way only photos can. It’s such a compelling true tale, which will help kids grow more compassion and curiosity for our feathered friends.

Max Barry’s satirical science-fiction novel, Machine Man, is a dark and funny mediation on contemporary society’s compulsive over-reliance on technology. The narrator, Charles Neumann, is a mechanical engineer who, while obsessively searching for his phone, loses his leg in an industrial accident. After building himself a new machine leg, Charles purposely loses his other leg, so he can replace it with another machine leg. After seeing how great his new legs work, Charles wonders if maybe he should replace more of his body parts with machine parts, begging the question: Where does humanity end and technology begin?

The Big Book of Hell is the holy grail of dark humor, packaged perfectly in a comic format. Growing up as a sarcastic kid from Brooklyn, this was the first humor book I read that I felt was aimed directly at my sensibilities. It has a very unique “substance-over-style” aesthetic that is striking and somehow managed to become widely identifiable. It dances around subjects, poking fun at the absurdities of the world it was written in. It really showed me that you don’t need to be a conventionally great artist to publish comics and that there is a market for dark humor comics. The book, which reads almost like a variety show, opened my eyes to ways to play with structure of an individual comic and a whole book.

Before becoming a published writer, I was a lawyer litigating primarily large, multi-district environmental insurance coverage cases. I became familiar with the many ways by which we damage our precious natural resources, be it groundwater or soil or the air we breathe. Beginning with Rachel Carson, we have rich literature that speaks to the degradation of the planet, including the devastating changes wrought by global warming. The stories in this anthology speak to the physical and emotional topography of our current climate crisis, from a Sami woman who studies fish populations to a Wisconsin man contemplating the animals who make his trailer a portal to a world unsullied by humans. Fish & Water is a smart collection on a topic we ignore at our peril.

For folks who are now thinking how the heck can we make political progress in this locked up and self-destructive world? this book is a clear guide. It breaks down the major things that we should be thinking about as we head into a climate destabilized world. Its core idea is especially relevant and hearkens back to what Pasternak described in her work for the Algonquins of Barriere Lake: the “first virtue” of institutions going forward needs to their responsiveness to ecological feedback, even before their justice. This makes sense, too! Without our institutions being “ecologically reflexive,” they can never be just. They won’t be able to sustain fairness over generations! That’s one of the big problems Gardiner found.

I can find it overwhelming to think how large and bad the environmental crisis really is. Record temperatures, species extinction, fires and storms. In many ways, this book hammers home the scale – but it does so productively. It’s been an excellent companion for me in learning more about the problem. It’s written by two of the world’s top scientists who have led the way in helping us see this as an environmental crisis, not just a problem of climate change or species loss, but an overall destabilization of the natural world. This is often missed from the mainstream discussion and Lewis and Maslin offer a whole range of approaches that can help you make sense of what we can do in response. 

I’m drawn to this book for shaking the tree. The environment is commonly depicted as a global cause. This book explains how self-interest and varied forms of disparity framed by an infrastructure of borders impede efforts to mediate the negative impacts of human activity.

Rather, oxymoronically, territorial interests inhibit human capacity to extract from extant patterns and practices that harm the natural systems upon which we rely. This book shows the role of borders on environmental issues and the planetary impact of the nation-state system. This is not a screed or a sermon but a well-reasoned consideration of how the political geographies affect the air we breathe, the food we eat, and the water we drink. 

Gaia’s book came out at a time when climate change wasn’t a hot literary topic and Greta Thunberg hadn’t yet painted “Skolstrejk för Klimatet” on a sign. The Anthropocene marks a new Geological age, the Age of Humans, and Gaia, an editor at Nature, set out to discover what that means for the planet, her, and us. In her words: "I set out to discover whether our species will survive, and how". In so doing she became the first female winner of the Royal Society science book prize.

A profoundly depressing but important explanation of the paradox that the more power humans gain over the Earth, the more the planet we call home will turn against us, a fundamental shift in humanity's relationship with nature, and making our existence ever more precarious.