The best human subject research books

Writing is my life. As a child I wrote poems, scripts, and short stories. A couple of decades, a BCALA literary award, and a three-book deal later, my wild imagination has grown into a passion for exposing the truth. In 2020, a third of the 300,000 missing women in the United States were Black, and in that same year, I was almost a victim of human trafficking myself. With this second chance, I write to bring awareness and attention to women who cannot speak for themselves. I write to shed light on the truth and these five books have helped me on my journey.  

I fell in love with historical fiction as a child, devouring books like Johnny Tremain and The Door in the Wall. While I always wanted to be a writer, and I always loved history, it took a special discovery to align my two interests. In college, I learned that “real history” had happened in my little hometown in northern New York in the 1920s. A small girl had gone missing, and local anti-Semites accused the Jewish community of murdering her for a ritual sacrifice. It got ugly. Decades later, this incident became the subject of my first novel, The Blood Lie.

I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.

I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.

I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.

I was lucky enough to land a job teaching English at the University of Montevallo, a small public liberal arts college where I have had the opportunity to explore my strange academic interests and teach classes with titles like “Am I Human?” and “Southern Neogothic II: Disability, Hicksploitation, Meat.” When I got tenure, I also had the time and freedom to try my hand at writing the kind of Southern Gothic, Bizarro, and Horror tales that I have always adored. From Mad Magazine to MaddAddam, I have always craved dark satire, body horror, and the grotesque. It’s in my blood. 

I'm a death professional who lives in a world where nobody wants to talk about my specialist subject, so I hoover up any books that discuss mortality and our relationship to it. To do my job well, I need to face death on a daily basis in a matter-of-fact way, without losing that reverence, but equally not getting lost in the reverence because there is plenty to smile at, laugh at and be brutally honest about. These things make me the rounded human that is needed to perform the task well and the kind of people who write these books typically embody those qualities and inspire me. I hope they can inspire you too.

Michael Corballis is a psychologist and brain scientist. His interests lie in how the mind works, how it maps onto the brain, and how it evolved. Much of his work is published in books and scientific articles, but he has also written books aimed at a general readership. These include Pieces of Mind, The Lopsided Ape, The Recursive Mind, The Wandering Mind, and The Truth about Language.

I grew up thinking I liked reading about NYC more than I’d like living there. It was too hectic and loud for a bookworm like me, I thought, too dirty and dangerous. Then my husband was accepted to Cornell’s MD/PhD program, and we moved to Manhattan. Immediately, I found that while the city is as dirty as I’d feared (and it smells), its advantages far outweigh the rest. I can’t get enough of the parks, museums, food, diversity, or the history, much of which drives The Light of Luna Park. So, without further ado, here are my five favorite books that take place in New York from the 1800s to today.

I have loved reading since I was very young, and would bring home an armful of books from the library. I first discovered the dystopian genre while in junior high, and it quickly became my favorite genre. My favorite aspect of dystopias is the new world created within each book. When I began writing my own stories, I spent several hours building the world within my book. Even today, nearly 20 years after I first began writing, I spend hours drawing and designing everything within each book, whether or not it’s dystopian. My hope is that my readers find my worlds as fascinating as I found the worlds of the stories on my list!

All of these books inspired me to become a better writer and to push my imagination to the limit by getting The Ballad of Perilous Graves onto the page. These books made me want to polish the contents of my own imagination and tell the biggest most heartfelt story I could. Ballad is in good company on library and bookstore shelves, so I wanted it to connect as hard as possible.

I am a Canadian author/editor who both fears and loves being a stranger in a strange land. I fear the challenges, the feelings of dislocation and vulnerability. But I love the connections, the overcoming of the strangeness and the ultimate feeling of kinship. As a mom, I travelled with my kids to far away places, favouring adventure tours and staying well away from high priced hotels that separate tourists from locals. My novel, The World on Either Side, was inspired by a trek I took with my then fourteen-year-old daughter in Chiang Mai, Thailand.

I began working in prisons 50 years ago. I was just out of grad school and I accepted the challenge of starting a literacy program in the Philadelphia Prison System. The shock of cellblock life was eye-opening, but the most unexpected revelation was the sight of scores of inmates wrapped in bandages and medical tape. Unknown to the general public, the three city prisons had become a lucrative appendage of the University of Pennsylvania’s Medical School. As I would discover years later, thousands of imprisoned Philadelphians had been used in a cross-section of unethical and dangerous scientific studies running the gamut from simple hair dye and athlete’s foot trials to radioactive isotope, dioxin, and US Army chemical warfare studies. My account of the prison experiments, Acres of Skin, helped instill in me an abiding faith in well-researched journalism as an antidote to societal indiscretions and crimes.

I am a writer of science fiction and fantasy, and a humorist. My husband and I fell in love over Star Trek and puns, and we both share a deep abiding hatred of people acting stupidly to further a plot. I read to escape, so I’m looking for laughs but also compelling characters who live their stories rather than act out the author’s wishes. I will toss a book as soon as it insults my intelligence or bores me. Thus, when I write, I let the characters run the show—and they never fail me.

I’ve long been fascinated with the dark side of science and human behavior, and grew up on a combination of dystopian classics and horror fiction. When I started writing for publication, apocalyptic themes quickly emerged. As the world around us grows more fraught by the day, I find a strange sort of comfort in reading and writing fiction that doesn’t shy away from depicting the negative aspects of social media, genetic engineering, artificial intelligence, or any other technology that has the capacity to create manmade disasters beyond our understanding. And as a small-press author myself, I’m always on the lookout for books that didn’t get enough love.

I’ve been a fan of horror—specifically, supernatural horror—for as long as I can remember. Though the topic of life after death is perhaps one of the most long-standing debates in existence, almost every family has a story or two about things that can’t be explained. I’ve turned my lifelong interest in death, the occult, and how the two can coexist, into slow-burn horror stories for people who like a little weird with their fear. Stories that explore the beautiful complexity of queer people. Stories for the strange at heart.

I’m a journalist and a tinkerer. I’m fascinated not only by how things work but by how small levers can move mountains. Growing up in the workshop of my grandfather, an old Boston boatwright, I was mesmerized by the idea that a small rudder could maneuver a huge vessel. In college, I fell in love with how a small idea or expression could redirect a course of research or a country. As a self-taught maker of things, I appreciate how technologies empower us. I’ve chosen these books because they’re examples of how small ideas become things, lines of research, or patterns of thinking that shift human progress in unknowable ways.

I am Associate Professor of Atlantic World Women’s History at the University of Oxford. The history of race, gender, and childbearing is my passion and my profession. The Dobbs decision pissed me TF off and inspired me to write this list. I hope you enjoy these books, and never stop questioning why women’s reproductive lives are controlled so minutely and why their reproductive labour is unpaid and unacknowledged.

I write character-driven thrillers, including my latest novel: Rough Justice. How did I come to write psychological character-driven thrillers? It began years ago when I went to Hollywood in 1977. This was the New Hollywood (1967 -1980), and I worked with writers whose work grabbed viewers viscerally, not with explosions but with multi-dimensional characters that would draw you into a deeply moving story. I spent countless hours working out the stories and shaping the people in them. Working closely with these great screenwriters was a rare opportunity to learn how to create complicated characters and to see how these complex people enriched storytelling.

I’m a writer who writes across genres, but everything has a dark edge. As a reader, I want to be able to relate, engage, and connect in some way to the characters and story, but as I come from an abusive childhood, that means they can’t be light and fluffy; there has to be something off-kilter and warped because that reflects how my life has been. In my own writing, I try to do the same and create something that is emotive and real while still allowing the reader to escape. I originate from Surrey, in the south of England, but I have lived in the Netherlands since 2002.