In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.
I had already sold my novel when my publisher highly recommended that I read this book, which—like my own novel—is a modern retelling of Mary Shelley’s Frankenstein. I devoured it in two sittings.
Tsai’s story is a biracial, queer, gender-fluid retelling that modernizes and expands Shelley’s themes of alienation and the dangers of unchecked scientific experimentation.
While Tsai explores such weighty themes as gender identity, racism, and medical ethics, there is no skimping on the horror that will haunt your dreams.
Unwieldy Creatures, a biracial, queer, nonbinary retelling of Mary Shelley's classic novel Frankenstein, follows the story of three beings who all navigate life from the margins: Plum, a queer biracial Chinese intern at one of the world's top embryology labs, who runs away from home to openly be with her girlfriend only to be left on her own; Dr. Frank, a queer biracial Indonesian scientist, who compromises everything she claims to love in the name of science and ambition when she sets out to procreate without sperm or egg; and Dr. Frank's nonbinary…
Gabino Iglesias has become a phenomenon in horror through a lot of hustle and plain hard work. His 2022 novel cemented his reputation as the king of border horror.
This novel follows the fate of Mario, a man broken by debt due to his family’s crushing medical bills. With a failing marriage, he reluctantly takes a job as a hitman, agreeing to do one last job hijacking a cartel’s cash shipment before it can reach Mexico.
Mario reluctantly works with his meth-addicted friend and a cartel insider. To make this dangerous endeavor worse, enter supernatural horrors that shocked me—and I am not easily shocked.
Is there blood? Of course! Gore? Plenty! Monsters and demons? Yes! You are guaranteed to lose sleep after reading this novel.
From an award-winning author comes a genre-defying thriller about a father desperate to salvage what's left of his family—even if it means a descent into violence.
Buried in debt due to his young daughter’s illness, his marriage at the brink, Mario reluctantly takes a job as a hitman, surprising himself with his proclivity for violence. After tragedy destroys the life he knew, Mario agrees to one final job: hijack a cartel’s cash shipment before it reaches Mexico. Along with an old friend and a cartel-insider named Juanca, Mario sets off on the near-suicidal mission, which will leave him with either…
H.G. Wells’s The Island of Doctor Moreau, published in 1896, is one of his most intriguing—and frightening. Moreau has created human hybrid beings via surgical experimentation on live animals.
In Silvia Moreno-Garcia’s retelling of the Wells classic, she goes further than the original’s philosophical themes by exploring the political, sociological, and cultural conflicts that arise from colorism, colonialism, and sexism.
In a fascinating twist on Wells’s narrative, she sets her novel in 19th-century Mexico during the Caste War of Yucatán, when the indigenous Maya people rebelled against the Mexicans and Europeans who subjugated them to work their ranches and farms.
She also centers much of her tale on Moreau’s hybrid beings. It is, quite simply, a thrilling novel that is as horrifying as it is thought-provoking.
From the New York Times bestselling author of Mexican Gothic and Velvet Was the Night comes a dreamy reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.
'ONE OF THE MOST ANTICIPATED BOOKS OF 2022' - She Reads
'The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling' - New York Times
Carlota Moreau: A young woman, growing up in a distant and luxuriant estate, safe from the conflict and strife of the Yucatan peninsula, the only daughter of a genius…
V. (Violet) Castro’s debut novel, released in 2021, put her on the horror map, and for good reason.
I loved how she blended Mexican legend and culture to tell a supernatural horror story that is rich in detail, dialogue, and dark humor. The setting is a Texas wedding held on a renovated farm.
But very bad things start to happen, all seemingly tied to a legend of a 1950s murder of a Mexican farmworker. But—so people say—the woman’s death piqued the interest of the Aztec Goddess of Death, who pledges herself to the murdered woman.
Castro’s expert storytelling upends classic tropes to make this book an exhilarating and frightening literary ride that is smart and timely.
NOMINATED FOR A BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL
2018 - Belinda Alvarez has returned to Texas for the wedding of her best friend Veronica. The farm is the site of the urban legend, La Reina de Las Chicharras - The Queen of The Cicadas.
In 1950s south Texas a farmworker- Milagros from San Luis Potosi, Mexico, is murdered. Her death is ignored by the town, but not the Aztec goddess of death, Mictecacihuatl. The goddess hears the dying cries of Milagros and creates a plan for both to be physically reborn by feeding on vengeance and…
When a bookseller handed Jordan Peele’s anthology to me, I smiled and said: “I’ll take it!” Perhaps best known for his hit film, Get Out, I trusted Peele’s sense of horror. And I was not disappointed.
This collection brings together 19 tales by some of our best Black horror writers. It begins with a hilarious and grim story by the great N. K. Jemisin about a Black cop who abuses his power with the help of supernatural visions that assist him in targeting his next victim.
The horror hits just keep coming as we read frightening tales by the likes of Lesley Nneka Arimah, Violet Allen, and L. D. Lewis. I would not be shocked if this anthology gets adapted as a television series.
Jordan Peele, the visionary writer and director of Get Out, Us and Nope, curates this anthology of brand new stories of Black horror, exploring not only the terrors of the supernatural but also the chilling reality of injustice that haunts our world.
'A glorious showcase of Black American horror' - Guardian
Featuring an introduction by Jordan Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a masterclass in horror, and - like his spine-chilling films - its stories prey on everything we think we know about our world, and…
An unnamed paralegal, brought back to life through a controversial process, maneuvers through a near-future world that both needs and resents him. As the United States president spouts anti-reanimation rhetoric and giant pharmaceutical companies rake in profits, the man falls in love with lawyer Faustina Godínez. His world expands as he meets her network of family and friends, setting him on a course to discover his first life history, which the reanimation process erased.
With elements of science fiction, horror, political satire, and romance, this book confronts our nation’s bigotries and the question of what it truly means to be human.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
