100 books like The Devil Takes You Home

I’ve always loved a good Gothic novel, but Moreno-Garcia raised the bar with this book.

Part mystery, part romance, part haunted house story—this novel runs the gamut from eerie to enchanting. The menacing secrets of High Place, set against the backdrop of glamorous 1950s Mexico, drew me into an intriguing plot that was as captivating as it was frightening. 

After a “massacre” of a herd of elk on a protected reservation forest—a scene which spoke more of frenzied bloodlust than hunting for sustenance—four Blackfoot men become the prey of a creature bent on revenge.

Jones’s narrative satisfied my thirst for wholly original horror while exploring the clash of Native American traditional and contemporary culture. The story touches on the characters’ drive to assimilate, guilt and sense of identity, and the need to move beyond resentments to create a life worth living.

I loved the originality of the beast, the slice of reservation life, and the endearing, flawed characters, all rendered with gorgeous precision.

Ghost Eaters is a deep dive into the horrors of addiction. While the focus is largely on substance abuse, the book also explores love addiction and grief in fresh ways. Erin, the protagonist, loses her graduate school friend and love to an overdose. As she tries to explore the details of Silas’ final days, she finds herself mixed up in a new drug—one that allows the user to communicate with the dead. Discovering what happened to Silas, leads Erin to learn far more about herself and her own addictive personality than it does about Silas or his final days.  

A man called “Pepper,” who may or may not suffer from mental illness, ends up in a locked mental ward in Queens, New York, where the entire novel takes place.

A beast, who the patients believe is the devil, comes out at night, assaulting and sometimes killing patients. Patient deaths are chalked up to suicide. The engaging, quirky characters—drugged to the gills while warehoused and essentially untreated in a public hospital—share the defining feature of being low-income and unprotected from both the supernatural and human forces that would destroy them. They must take matters into their own hands to protect themselves.

I appreciated the theme of how marginalization and isolation presented as much terror here as the supernatural. Yet, the hope and humor of the characters also kept me engaged and frequently smiling.

The Bus on Thursday introduces the reader to Eleanor Mellett who, after recovering from breast cancer, travels to a remote town in Australia to teach primary school. The horrors that ensue are both hilarious and terrifying. From a new lover who fights kangaroos in the middle of the night to body parts in the local lake, it is a wild ride. One that reveals the horrors of an isolated small town just as much as it does the potential horrors of the kind of isolation that a cancer diagnosis or experience can cause. Bartlett’s voice is one of the strongest I’ve read in quite some time—she writes with energy and venom, creating a fairly unlikable main character that the reader can’t help but entangle themselves with.

The Grip of It is among the best-haunted house novels out there. A young couple flees their city life—as well as some potentially life-ruining gambling habits. Julie and James are hopeful, as new homeowners often are, until things begin to go wrong. Odd sounds. Inexplicable spots of decay. Hidden rooms. The novel has all the best markers of a haunted house story while also piling on a sense of unique and unending claustrophobia and suspense that I don’t think I’ve read at quite this level before. It is a brilliant journey into the interior of the human mind. I loved every page.

Grayson Hale claims that the devil made him commit a gruesome murder. This brilliant page-turner kept me guessing whether the blame should fall on the devil or untreated mental illness, given Grayson’s upbringing within a fundamentalist Christian household where he was viewed as evil.

I love psychological horror, so this book was right up my alley as I turned the pages to see whether the murder had a human or supernatural cause. The book beautifully unfolds the story of Grayson’s trauma, shame, and self-loathing as an isolated and marginalized person.

I will say no more about that to avoid spoilers, but I loved how this book kept me guessing and entertained while it provided me with a new understanding and compassion.

This YA Horror novel is technically the sequel to Cardinal’s smash hit Five Midnights, which was a finalist for the Bram Stoker Award, but I liked it even more than the original.

Category Five takes place in Puerto Rico following Hurricane Maria, and it dives into the real-life struggle with real estate developers trying to gobble up cheap, devasted properties. It also exposes the ghostly history left on nearby Vieques Island after the last Cat 5 storm that hit way back in 1926.

The book features a mixture of spooky and historical with an endearing cast of found family that make it a quick, fun read.

This YA Horror novel, by an Afro Dominican nonbinary author, won the prestigious Pura Belpré Award and was a finalist for the Bram Stoker Award.

The Bronx setting is depicted with such grit (spanning decades), it’s practically a character in its own right. I loved how the novel tied together a twisted “game,” similar to an urban legend, with a real, and very dark chapter of NYC history. It will definitely appeal to true crime fans, like myself, and features likable teen characters that are also relatable to adult readers. 

Winner of the International Latino Book Awards, and a Bram Stoker Finalist, this adult horror novels tackles the history of Chicago, highlighting the local Latin community.

Children of Chicago twists the story of the Pied Piper, with clean prose and a quick pace. I especially loved the main character, a female Puerto Rican detective who breaks all the stereotypes of both cops and women in fiction.

It’s a supernatural horror tale for adults that will make you want to read the rest of Pelayo’s impressive work.