Here are 62 books that Children of Chicago fans have personally recommended if you like
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In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.
Gabino Iglesias has become a phenomenon in horror through a lot of hustle and plain hard work. His 2022 novel cemented his reputation as the king of border horror.
This novel follows the fate of Mario, a man broken by debt due to his family’s crushing medical bills. With a failing marriage, he reluctantly takes a job as a hitman, agreeing to do one last job hijacking a cartel’s cash shipment before it can reach Mexico.
Mario reluctantly works with his meth-addicted friend and a cartel insider. To make this dangerous endeavor worse, enter supernatural horrors that shocked me—and I am not easily shocked.
Is there blood? Of course! Gore? Plenty! Monsters and demons? Yes! You are guaranteed to lose sleep after reading this novel.
From an award-winning author comes a genre-defying thriller about a father desperate to salvage what's left of his family—even if it means a descent into violence.
Buried in debt due to his young daughter’s illness, his marriage at the brink, Mario reluctantly takes a job as a hitman, surprising himself with his proclivity for violence. After tragedy destroys the life he knew, Mario agrees to one final job: hijack a cartel’s cash shipment before it reaches Mexico. Along with an old friend and a cartel-insider named Juanca, Mario sets off on the near-suicidal mission, which will leave him with either…
I am a lover of ghosts, historical murders, and all things spooky. I am also the author of eight YA novels, including two YA horror novels, Small Town Monsters and Hatchet Girls. Being half Puerto Rican, I try to lend my culture to my characters. Historically, the horror genre has been dominated by white male authors. And while I love their work, Stephen King is a master, I'm excited that women and POC writers are finally getting their stories told. What scares women is often very different from what scares men, same with people of color, and by releasing more diverse stories, like mine, we add ways to frighten new fans.
This YA Horror novel is technically the sequel to Cardinal’s smash hit Five Midnights, which was a finalist for the Bram Stoker Award, but I liked it even more than the original.
Category Five takes place in Puerto Rico following Hurricane Maria, and it dives into the real-life struggle with real estate developers trying to gobble up cheap, devasted properties. It also exposes the ghostly history left on nearby Vieques Island after the last Cat 5 storm that hit way back in 1926.
The book features a mixture of spooky and historical with an endearing cast of found family that make it a quick, fun read.
Category Five is a new supernatural YA thriller from Ann Dávila Cardinal, set against the backdrop of a post-hurricane Puerto Rico.
After the hurricane, some see destruction and some smell blood.
The tiny island of Vieques, located just off the northeastern coast of the main island of Puerto Rico, is trying to recover after hurricane Maria, but the already battered island is now half empty. To make matters worse, as on the main island, developers have come in to buy up the land at a fraction of its worth, taking advantage of the island when it is down.
I am a lover of ghosts, historical murders, and all things spooky. I am also the author of eight YA novels, including two YA horror novels, Small Town Monsters and Hatchet Girls. Being half Puerto Rican, I try to lend my culture to my characters. Historically, the horror genre has been dominated by white male authors. And while I love their work, Stephen King is a master, I'm excited that women and POC writers are finally getting their stories told. What scares women is often very different from what scares men, same with people of color, and by releasing more diverse stories, like mine, we add ways to frighten new fans.
This YA Horror novel, by an Afro Dominican nonbinary author, won the prestigious Pura BelpréAward and was a finalist for the Bram Stoker Award.
The Bronx setting is depicted with such grit (spanning decades), it’s practically a character in its own right. I loved how the novel tied together a twisted “game,” similar to an urban legend, with a real, and very dark chapter of NYC history. It will definitely appeal to true crime fans, like myself, and features likable teen characters that are also relatable to adult readers.
Mysterious disappearances. An urban legend rumored to be responsible. And one group of friends determined to save their city at any cost. Stranger Things meets Jordan Peele in this utterly original debut from an incredible new voice.
For over a year, the Bronx has been plagued by sudden disappearances that no one can explain. Sixteen-year-old Raquel does her best to ignore it. After all, the police only look for the white kids. But when her crush Charlize's cousin goes missing, Raquel starts to pay attention-especially when her own mom comes down with a mysterious illness that seems linked to the…
In my 25 years of writing short stories, novels, and plays, I have explored my Mexican and Chicano roots in a variety of genres, from literary fiction to horror to magical realism to science fiction and everything in between. In the end, I do not discriminate when it comes to genre because a well-told story is key for me, regardless of the mode chosen by the author. My most recent novel, Chicano Frankenstein, is a case in point. In it, I blend genres: horror, science fiction, political satire, and a bit of romance. So, too, I love reading fiction that bravely challenges conventional storytelling.
V. (Violet) Castro’s debut novel, released in 2021, put her on the horror map, and for good reason.
I loved how she blended Mexican legend and culture to tell a supernatural horror story that is rich in detail, dialogue, and dark humor. The setting is a Texas wedding held on a renovated farm.
But very bad things start to happen, all seemingly tied to a legend of a 1950s murder of a Mexican farmworker. But—so people say—the woman’s death piqued the interest of the Aztec Goddess of Death, who pledges herself to the murdered woman.
Castro’s expert storytelling upends classic tropes to make this book an exhilarating and frightening literary ride that is smart and timely.
NOMINATED FOR A BRAM STOKER AWARD FOR SUPERIOR ACHIEVEMENT IN A NOVEL
2018 - Belinda Alvarez has returned to Texas for the wedding of her best friend Veronica. The farm is the site of the urban legend, La Reina de Las Chicharras - The Queen of The Cicadas.
In 1950s south Texas a farmworker- Milagros from San Luis Potosi, Mexico, is murdered. Her death is ignored by the town, but not the Aztec goddess of death, Mictecacihuatl. The goddess hears the dying cries of Milagros and creates a plan for both to be physically reborn by feeding on vengeance and…
I’m the author ofIs Superman Circumcised? The Complete Jewish History of the World's Greatest Hero, which won the 2021 Diagram Prize, and The Darkness in Lee's Closet and the Others Waiting There. I write about pop culture forThe Forward and CNN.com. My writing has appeared in a range of publications, including New York Daily News, Jerusalem Post, and Philosophy Now. I’ve taught English and writing at the City University of New York and am a former writer-in-residence fellow at the New York Public Library.
It doesn’t necessarily have to be this edition, but do yourself a favor and read the original Stan Lee & Jack Kirby run on Fantastic Four. It’s a comic that revolutionized the industry, established Marvel as we know it, and it’s fun, exciting, inventive, and straightforward in a way that few comics are today. It’s Lee & Kirby’s high-water mark, before or since.
Collects Fantastic Four (1961) #1-30, Fantastic Four Annual (1963) #1.
They were visionaries. Explorers. Imaginauts. They were Stan Lee and Jack Kirby. And like the Fantastic Four, they continually strove to overcome the impossible and achieve the extraordinary. Now, the first three years of their landmark run are collected in one oversized volume. And it includes all original letters pages and pinups, critical commentaries, a historical overview and other extras.
Ever since I can remember, I’ve been fascinated with life and death. As a child, my own life was fairly mundane and even joyful. However, I went through loss like most. We lost two dogs when I was maybe seven or nine. Then my beagle Suzy, who we had the longest, was struck by a car on a rainy day. A few years later, my grandfather passed from cancer. Watching my mother grieve stuck with me. It shaped me—how I cared about life, how I longed to understand it. Once I decided to write stories for children, I knew it could be a safe place to explore my hidden feelings.
This is a warm hug book. The kind that sneaks up on you when you’re reading words. Langston is a lovable main character. His story is rich with family, tradition, loss, and poetry. He is eleven when his mother dies, and his dad decides they must leave Alabama. So many changes for this boy as he is bullied and deals with segregation in 1940s Chicago. But he discovers the library that welcomes all. Such a sweet story and perfect for younger middle grade readers.
A Coretta Scott King Author Honor Book Winner of the Scott O'Dell Award for Historical Fiction
When eleven-year-old Langston's father moves them from their home in Alabama to Chicago's Bronzeville district, it feels like he's giving up everything he loves.
It's 1946. Langston's mother has just died, and now they're leaving the rest of his family and friends. He misses everything--Grandma's Sunday suppers, the red dirt roads, and the magnolia trees his mother loved.
In the city, they live in a small apartment surrounded by noise and chaos. It doesn't feel like a new start, or a better life. At…
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
I absolutely loved King’s novel Writers & Lovers, and her story collection did not disappoint! Here, too, are the struggles of writers—to find the right words and something meaningful from loss.
There’s nothing typical in King’s diverse array of characters, and her intimate portrayal of their desires—their strengths and failings, their glimmers of hope as they brave new starts—drew me in and kept me turning the pages.
"Five Tuesdays in Winter moved me, inspired me, thrilled me. It filled up every chamber of my heart. I loved this book." —Ann Patchett
By the award-winning, New York Times bestselling author of Writers & Lovers and Euphoria comes a masterful new collection of short stories
Lily King, one of the most "brilliant" (New York Times Book Review), "wildly talented" (Chicago Tribune), and treasured authors of contemporary fiction, returns after her recent bestselling novels with Five Tuesdays in Winter, her first book of short fiction.
Told in the intimate voices of complex, endearing characters, Five Tuesdays in Winter intriguingly subverts…
Ever since I was a little girl, I’ve loved history, devoured mystery fiction, and scribbled my own stories. Today I combine all those passions by writing books in classic mystery-suspense style, but set in the place and the period of history that fascinates me the most: the American West. I firmly believe that the Old West should be treated not merely as a myth or a set of tropes, but a historical period in its own right, and so I love to use it as the setting for character-driven stories drawing on my favorite elements of the mystery genre.
Laura March is serving as temporary guardian of a little refugee girl who may be the next heir to a fortune when a man claiming to be the child’s father turns up at her door—and when shortly afterward he turns up dead, Laura is both a suspect and a target for the real killer in this atmospheric whodunit. The fun of this one lies in its wintry 1950s Chicago setting: the foggy streets, high-rise apartment buildings, corner phone booths and drugstores, and department stores decorated for Christmas.
From one of the most prolific authors of the Golden Age of mystery: “A nice example of [Eberhart’s] powers . . . Intelligently complicated” (The New Yorker). When Conrad Stanley dies, Laura is the only heir not concerned with her slice of his estate. Orphaned at a young age, she was Stanley’s ward, and cannot celebrate the death of the only father she ever knew. The executors of Stanley’s will find that he had a Polish relative, Conrad Stanislowski, who is due part of the inheritance. A search for Stanislowski produces only his daughter: eight-year-old Jonny, who comes to Chicago…
Growing up in Indiana and Illinois meant that Chicago has always been, for me, the city—the place where people went to make a name for themselves and took the world by storm. From my local Carnegie Library, I read voraciously across genres—history, science, literature. They transported me out of my small town—across the universe sometimes. I learned that setting in fiction was for me a major feature of my enjoyment, and Chicago was where I set my own mystery series. These books, when I read them, explored that grand metropolis—and brought Chicago to life on and off the page. I hope you enjoy these books as much as I have.
I finished reading this book and immediately gave it to my spouse and said, “Read this.” And after she finished reading it, we agreed to give it to another person with the insistence, “Read this.” Helen Brandt is a private detective in 1941 Chicago, and she has supernatural talents.
Her talents, her insecurities, her history unfold on the pages in a riveting read. As she hunts for a serial killer known as the White City Vampire, I felt myself pulling for Helen at every turn, and her voice leaps off the page.
C. L. Polk turns their considerable powers to a fantastical noir. A magical detective dives into the affairs of Chicago's divine monsters to secure a future with the love of her life. This sapphic period piece will dazzle anyone looking for mystery, intrigue, romance, magic, or all of the above.
An exiled augur who sold her soul to save her brother's life is offered one last job before serving an eternity in hell. When she turns it down, her client sweetens the pot by offering up the one payment she can't resist - the chance to have a future where…
Creativity is a practical, problem-solving, risk-taking endeavor, something we all do, whether we claim it or not. After working for many years with groups of graduate business students, artists, writers, business professionals, women in recovery, men in prison, with those just discovering their creative ability—and with myself and my own creative journey, I realize the question isn’t “Am I creative?” The question is “Am I using it?” or “Am I continuing to grow?” Nothing is more exciting than watching others as they realize just how creative they are.
Many of us are a bit afraid of stepping out and trying something new. That applies especially with creative work. “I’m just not that good,” we tell ourselves—or voices from our past tell us. Brenda Ueland was a long-time Chicago creative writing instructor, and her little book is strong encouragement (and a bit of a kick in the pants) about risk-taking and learning about our super-powers in the process.
Originally published in 1938, this classic by Brenda Ueland is considered by many to be one of the best books ever written on how to be a writer. Part a lesson on writing and part a philosophy on life, Ueland believed that anyone could be a writer and everyone had something important to say. Heavily influenced by the ideas of William Blake, Ueland outlines 12 points to keep in mind while writing and encourages writers to find their true, authentic selves and write from there. Born in Minneapolis in 1891 to a progressive household, Ueland’s father was a lawyer and…
