Here are 60 books that Five Tuesdays in Winter fans have personally recommended if you like
Five Tuesdays in Winter.
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Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
This is a collection after my own heart as a reader and writer. I love how tenderly Porter portrays his characters—people so much like ones I’ve known—as they try to come to terms with who they’ve become and who they used to be.
I felt like these stories spoke directly to the way I often find myself tripping through time, mourning friendships or romantic relationships that were suddenly cut short, and others that simply faded over time.
A collection of stories that trace the threads of loss and displacement running through all our lives, by the acclaimed, award-winning author of The Theory of Light and Matter
“What a beautiful book about the profound mystery of ordinary life.” —Alix Ohlin, author of We Want What We Want
A husband and wife hear a mysterious bump in the night. A father mourns the closeness he has lost with his son. A friendship with a married couple turns into a dangerous codependency. With gorgeous sensitivity, assurance, and a propulsive sense of menace, these stories center on disappearances both literal and…
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
I’m a big fan of stories about people striving for creative expression and the ups and downs that accompany that path, even better when that desire is tangled up in and complicated by love—or picking oneself up after catastrophe.
I was deeply moved by the emotional richness and psychological complexity that Taylor achieves. I read this book when it first came out in 2021, but I still sometimes think about the love triangle that carries across some of these linked stories between a graduate student in mathematics and a pair of dancers in an open relationship.
NAMED A BEST BOOK OF THE YEAR BY USA TODAY, NPR, VULTURE, MARIE CLAIRE, THE TIMES OF LONDON, GOOD HOUSEKEEPING, AND PUBLISHERS WEEKLY
A group portrait of young adults enmeshed in desire and violence, a hotly charged, deeply satisfying new work of fiction from the author of Booker Prize finalist Real Life
In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually…
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
Alcott’s prose is stunning, and I found these stories haunting in the best possible way. Her vivid descriptions of place add authenticity to these stories of women seeking a modicum of happiness in their struggle for personal and financial freedom. To pick up the pieces, or finally be rid of what’s best left behind. For me, every complicated relationship, every aspiration and self-destructive choice, rang true.
A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something's lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter's former friends grapple with rumors that she attempted to pass as a teenager.
In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life-as well as the guilt that stalks those…
Growing up in an intellectual household with a New Yorker subscription, I became a fan of the short story early on, with J.D. Salinger, Ann Beattie, and Raymond Carver forming a baseline of personal taste and inspiration. I especially love stories that resonate with my own sense of yearning for life and love—and the deep losses that inevitably come our way. Decades of reading would pass before I began writing stories myself, and I’m thrilled to have a chance to recommend these moving and beautifully written collections.
I’ve been a fan of Tessa Hadley’s for years and tore through this book from 2023. There’s so much humor and surprise in these stories. And I loved the vivid details and painfully sharp contrast between what her characters hope for and what they wind up with in the aftermath of both minor and major events.
Heartbreaking tales of everyday life, of family and romantic relationships, filled with nuanced gestures, fateful misunderstandings, and raw emotion. I couldn’t ask for more from a story collection.
Sunday Times bestseller Tessa Hadley explores the big consequences of small events in this new collection
'You've either got it or you haven't. Hadley's got it' FINANCIAL TIMES
Heloise's father died in a car crash when she was a little girl; at a dinner party in her forties, she meets someone connected to that long-ago tragedy. Janey's bohemian mother plans to marry a man close to Janey's own age - everything changes when an accident interrupts the wedding party. A daughter caring for her elderly mother during the pandemic becomes obsessed with the woman next door; in the wake of…
When I was about ten, my mother brought home our one and only outdoor Christmas decoration, a plastic choir boy. One blustery night, we saw something streak by the living room windows. Rushing outside, we were shocked to see our choirboy lying amongst the shrubbery, his plastic neck broken. My father made several valiant attempts at surgery with various kinds of glue and tape, but the poor little choir boy was never really the same and eventually he was thrown into the trash. This childhood memory inspired me to write Candy Cane Lane and fortunately I was about to give it a much happier ending.
This is a unique and unexpected story of a school bus that can take its child passengers anywhere in the world by simply pressing a button on the dashboard. It seems to suggest one can really go anywhere with one’s imagination, particularly when one is absorbed in a book. Gergely illustrated other books about inanimate objects including The Little Red Caboose, Tootle, The Taxi That Hurried, and Scruffy the Tugboat.
Janet and I have traveled extensively and found inspiration and story ideas at every destination. As writers for more than 10 years and as fans of classic detective stories, we feel qualified to tackle this genre.
Not a detective story, but one that will get your heart racing and blood boiling. Set in New York City a rich family hires a babysitter who goes off the deep end. Women authors give a different point of view to crime stories and this one is proof of that.
A child is left in the care of a disturbed babysitter in “surely one of the finest pure terror-suspense stories ever written” (The New York Times).
Bunny’s parents shouldn’t have brought her to New York City, but her father has an important speech to make, and her mother couldn’t bear to be away from their darling nine-year-old daughter. And when her mommy and daddy leave for the speech, Bunny will stay in the hotel with a babysitter, sound asleep and perfectly safe. What could possibly go wrong?
The sitter is Nell, a plain young woman from Indiana. She puts Bunny…
When I was fourteen years old, my family moved from Texas to London for a year, and I started going to a little second-hand book shop around the corner. It was run by a long-haired Canadian, who always smoked a pipe. There were only three or four aisles, plus a cluttered backroom. You could pick up a 19th-century edition of the complete works of Shelley, with uncut pages, for two pounds. One volume led to another, in the same way that one friendship can lead to another, or introduce you to a new circle of people. Twenty-odd years later, I decided to write a novel about some of these writers.
Simone de Beauvoir met Nelson Algren in Chicago in 1947.
A couple of years later, his novel The Man with the Golden Arm won the National Book Award, and a few years after that De Beauvoir won the prestigious Prix Goncourt for her novel The Mandarins, which featured a character based on Algren. They became famous literary lovers, involved in a complicated triangle with De Beauvoir’s long-time partner Sartre.
But Cowie’s novel brings to life the ordinary intimacies and misunderstandings of their love affair – the title comes from de Beauvoir’s confusion about the time difference between Paris and Chicago. Caught up in the details of day-to-day life, people, even brilliant writers, don’t always have the time or vision to make real decisions about how they want to live, or who they want to love. It’s a brilliant book.
Sharp and intimate, Douglas Cowie’s reimagining of the turbulent love affair between Simone de Beauvoir and Nelson Algren asks what it means to love and be loved by the right person at the wrong time. Chicago, 1947: on a freezing February night, France’s feminist icon Simone de Beauvoir calls up radical resident novelist Nelson Algren, asking him to show her around. After a whirlwind tour of dive bars, cabarets and the police lockup, the pair return to his apartment on Wabansia Avenue. Here, a passion is sparked that will last for the next two decades. Their relationship intensifies during intoxicating…
If you told me as a kid, growing up in the suburbs of Long Island, that I would someday spend nearly all my working hours reading and writing about skyscrapers and skylines, I would have thought you were nuts. But somehow, in my twenties, as I spent more time in New York City, I came to feel a deep connection with the metropolis. Its skyscrapers and skyline speak to its history as a city of strivers. I’ve been lucky that I’ve been able to merge my personal passions with my professional life as an economist. My recommended books are ones that excited me in my journey to understand better the city that I love.
A great account of the interaction between economics and architecture in the rise of the New York and Chicago skylines. Willis is the founder and director of the Skyscraper Museum in New York City. This book was one of the first that I read as I started to do research on the economics of skyscrapers. I was fascinated by Willis' account. Arguably, this book, more than any other, helped to define my 15 years of research on the topic.
Although fundamental factors of program, technology, and economics make tall buildings everywhere take similar forms, skyscrapers in New York and Chicago developed very differently in the first half of the twentieth century. In contrast to standard histories that counterpose the design philosophies of the Chicago and New York "schools," Willis shows how market formulas produced characteristic forms in each city"vernaculars of capitalism"that resulted from local land-use patterns, municipal codes, and zoning. Refuting some common clichs of skyscraper history such as the equation of big buildings with big business and the idea of a "corporate skyline," Willis emphasizes the importance of…
I started my career writing about rock music. Rock stars dated models, and I soon started writing about them, too, which led me to cover the fashion world, where I was often seated near the rich and famous at runway shows in London, Paris, Milan, and New York, and began to study them. Thus began years of reading and writing about Society, first for The New York Times and New York magazine, and later in a series of books on the worlds of the rich and the famous. The latest, Flight of the WASP: The Rise, Fall, and Future of America's Original Ruling Class, will be published this fall.
I was fortunate to cross paths with Curtis when I went to work for what were called the women’s pages” of The New York Times,which she had written for and edited before rising to the exalted op-ed page. When I got that job, my soon-to-be wife gave me a copy of this book—a collection of Curtis dispatches from the front lines of Society—and said, “This is what you can do if you’re good at it.”
Mystery and crime novels have always been my favorite genre. I love the suspense and intrigue, the intricate storylines, and the clever plot twists. In middle school, while my friends were reading more age-appropriate books, I was reading The Godfather and The Spy Who Came In from the Cold. Is it any wonder then that Siena Ricci, the main character of my debut novel Gullible, is a shrewd and cunning female con artist? I had so much fun developing Siena’s story arc and creating the criminal world she inhabits that I decided to continue her narrative in a sequel, with plans for a third novel to round out the trilogy.
Harrison Burns is haunted by the twenty-year-old unsolved murder of teenager Winifred Utley. His firsthand knowledge of what happened the night of Winifred’s death would, if revealed, ruin Constant Bradley, his boarding school friend whose prominent family would do anything to keep their dark secrets hidden. What Burns does with his well-guarded information is the catalyst for a story inspired by a real-life politically powerful family and their close ties to a true 1975 murder.
I judge the richness of a novel by asking two questions: Will I remember this story for years to come, and will I read other books written by this author? A Season in Purgatory gets a thumbs-up on both counts. Thirty years after my first read, this novel still sits on my bookshelf.
They were the family with everything. Money. Influence. Glamour. Power. The power to halt a police investigation in its tracks. The power to spin a story, concoct a lie, and believe it was the truth. The power to murder without guilt, without shame, and without ever paying the price. They were the Bradleys, America's royalty. But an outsider refuses to play his part. And now, the day of reckoning has arrived.
Praise for A Season in Purgatory
“Highly entertaining.”—Entertainment Weekly
“Stunning.”—Liz Smith
“Compelling.”—New York Daily News
“Mesmerizing.”—The New York Times
“Potent characterization and deftly crafted plotting.”—Publishers…
